Stephen Sommers

  • 25 February 2005

Occupation

Filmmaker

Odd Thomas Review

By Rich Cline

Excellent

After Van Helsing, the first G.I. Joe and the Mummy movies, filmmaker Stephen Sommers just about keeps his excessive action instincts in check for this offbeat supernatural comedy. There are still aspects of a thriller here, but the characters have a surprising depth that adds to the humour and drama, providing both strong laughs and moving emotional moments.

Yelchin plays the title character, who isn't sure if his given name is just missing a first T or whether it was prophetic. As Odd grows up, he discovers that he can see dead people who need help solving their murders. The police chief (Dafoe) in his small desert town believes him because he gets every case right. And now Odd's girlfriend Stormy (Timlin) helps him piece together clues when it becomes apparent that something hugely horrific is about to happen. Odd also turns to his psychic friend Viola (Mbatha-Raw) as he grows increasingly worried about the rising presence of deathly creatures that swarm around people who are about to die.

Sommers sets this up with a wry wink, letting Yelchin play Odd as a nerdy nice guy who can't quite believe he has such a hot girlfriend. We like him instantly, so are happy to go along with the fantastical story. And the witty dialogue keeps us chuckling with its snappy commentary and absurd sideroads. Yelchin gives Odd a terrific sense of physical energy, which helps him develop sharp chemistry with everyone else on-screen. With his visions of something momentous on the horizon, the film feels like a comical variation on Donnie Darko.

Continue reading: Odd Thomas Review

The Mummy: Tomb Of The Dragon Emperor Review

By Bill Gibron

Bad

In the classic movie monster hierarchy, the cloth-clad Mummy really scrapes the bottom of the scare barrel. Aside from his close kinship with the zombie -- sadly, this is one Egyptian artifact that avoids the mandatory skin eating -- there's really nothing inherently spooky about a reanimated corpse with limited super(natural) powers. This is especially true of the sarcophagus' latest big screen incarnation. In Rob Cohen's horrid The Mummy: Tomb of the Dragon Emperor, our wrapped rascal is literally as menacing as an inert stone statue.

Ever since the end of WWII, the rough riding O'Connell Family -- Rick (Brendan Fraser), Evelyn (Maria Bello, subbing for Rachael Weisz), and college age son Alex (Luke Ford) -- have been in semi-retirement. Gone are the days when they would circumnavigate the globe looking for ancient treasure and kicking antiquated butt. When they get the chance to return a precious diamond to the people of China, they jump at the chance. Unfortunately, the gem is instrumental in the resurrection of the evil Emperor Han (Jet Li), a ruthless tyrant bent on conquering the world. Luckily, an ancient witch (Michelle Yeoh) has cursed him to an eternity embedded in rock. Of course, it won't be long before our haphazard adventurers have him up and around -- and seeking immortality via his massive terra cotta army.

Continue reading: The Mummy: Tomb Of The Dragon Emperor Review

The Scorpion King Review

By Max Messier

Terrible

The Rock: One name symbolizes everything that can be defined as the stereotypical American male. Why? He's a gruff, tough-as-nails, merciless, and sexually magnetic savior of the free world. And he's huge on TV. And sure enough, The Scorpion King - the latest installment in the mind-numbing, insanely profitable Mummy series - is pure trash. Starring the aforementioned WWF superstar, The Scorpion King is filmmaking at its worst.

The Scorpion King ably rehashes the plots of the variety of other, better films including Gladiator, the Indiana Jones series, Flash Gordon, Beastmaster, and even The Goonies. Set 5,000 years ago, a warlord named Memnon (Steven Brand), acting on crazed Napoleonic urges, ravages the land and bends its people into totalitarian rule. With the aid of a seer who foretells the future, Memnon stands invincible against all aggressors.

Continue reading: The Scorpion King Review