Sherilyn Fenn

  • 31 October 2005

Occupation

Actor

Wish Upon Trailer

Everyone has dreamed of owning Aladdin's lamp at some point in their life, and some people might know exactly what they'd wish for. When that opportunity lands in the hands of a teenager named Claire in the form of an old magical music box, she is offered seven wishes. With them she is granted popularity and prosperity, but at a terrible price. Her dreams are coming true to the expense of the people around her, both enemies and loved ones, who are facing their very worst nightmares. She has no choice but to dispose of her music box; but with a magic that powerful, it's going to be almost impossible to let it go. The message here is clear: Be careful what you wish for.

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'Twin Peaks' Teases Fans With Mysterious Trailer [Watch]

By Stephanie Chase in Movies / TV / Theatre on 19 December 2015

Kyle MacLachlan David Lynch Amanda Seyfried Sherilyn Fenn

The cult classic series will be back on our screens in 2017.

Fans have been waiting 25 years to return to ‘Twin Peaks’ and on Friday they were given their first taste of the show’s upcoming third series. While production has only just got under way, the minute-long trailer was enough to wet the appetite of fans who have been longing to revisit the small Washington town.

Kyle MacLachlan will return as Special Agent Dale Cooper in the new ‘Twin Peaks’ series.

The clip began showing the areas famous scenery as the town’s familiar road sign: "Welcome to Twin Peaks. Population 51,201,” is being rehung. A member of the crew then says: "There's a lot of holy places up here.”

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Sherilyn Fenn Saturday 19th May 2007 Celebrity moms and dads join Mallika Chopra for a party in Crestwood Hills Park to celebrate the launch of her new book book '100 Questions from My Child' Brentwood, California

Wild At Heart Review

By Jake Euker

OK

Was there any film so anxiously awaited in the late 1980s and early 1990s as Wild at Heart? The picture was released to a cult that had just been born: that of its director, David Lynch, whose Blue Velvet, in 1986, had reaped an enthusiastic following among the mainstream hipsters who had missed Eraserhead in 1977, and whose budding appetite for Lynch's singular brand of the macabre had been whetted by the prime-time ghoulishness of 1990's Twin Peaks. Wild at Heart's Palme d'Or win at Cannes just before its 1990 release only tantalized more; and after what seemed for Lynch's starving fans a nearly eternal wait, the film opened at last to high expectations, but decidedly mixed reviews.Wild at Heart was puzzling, because it was screwed up and it was hard to figure out why. Time - and, 14 years later, the DVD release - helps to clear up that central enigma. Based very loosely on Barry Gifford's novel, this manic, Southern Gothic road movie now seems too deliberately weird. And in retrospect the cause seems to be that its creator, a strange man if the available evidence of his films is to be believed, and one who then was only recently revered as a certain type of genius, was trying so hard just to be himself.

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