Paul Aaron
Occupation
Filmmaker
Primetime Emmy Awards 2013: How Accurate Were Nomination Predictions?
By Elinor Cosgrave in Movies / TV / Theatre on 19 July 2013
The Emmy Award nominations were revealed yesterday (Thursday 11th July). Breaking Bad; House of Cards; Modern Family; Game of Thrones and Mad Men all received multiple nominations. Netflix made history by becoming the first internet network to be nominated for a number of awards.
The Primetime Emmy Award nominations were announced yesterday (Thursday 18th July). The nomination ceremony was presented by Kate Mara and Aaron Paul via a live video stream on the Emmy's website.
Netflix has managed to triumph with nominations for their shows: House of Cards; Hemlock Grove and Arrested Development. The company are developing this aspect of their business, which is proving hugely popular and profitable. The future does seem bright for the company which announced it was expanding into its 64th country. It also seems likely their awards over the next few years will increase especially with recent praise of Orange is the New Black.
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In Too Deep Review
Terrible
The only thing "too deep" about this movie is the apparent lack of respect its creators must have for audiences -- it is literally an insult that such an abysmal failure has made it to market. In Too Deep has to be the unfortunate vehicle conceived to sell an equally worthless soundtrack, the product of some greedy forces who seek to profit from a story that regularly detours gratuitously senseless violence on its course to complete disappointment.
Jeff Collins (Omar Epps) is a recent Police Academy graduate. His first assignment is to infiltrate the city's largest narcotics ring and take down druglord Dwayne "God" Giddens (LL Cool J). In order to get close enough to God and make an arrest, Collins [alter ego J. Reed] is forced to plunge further and further into criminal activity himself. Clashes with the Captain (Stanley Tucci) over crossing the line between effective undercover work and unjustifiable violence, and a love affair (Nia Long), are mandatory sub-plots in the formulaic script. Every element of the story is underdeveloped and flat, none providing additional value or even distraction. It's too bad that Omar Epps' solid performance is buried almost as deeply as the pool queue God uses to torture a victim during one of his outbreaks.
Continue reading: In Too Deep Review