Andrew Fleming

  • 25 February 2005

Occupation

Filmmaker

Barefoot Trailer

Jay's lived a less than honest life, sleeping around with women he could never care about, fritting away money he doesn't have in casinos and at races and drinking away his problems every night at seedy bars. However, when he meets Daisy, a mentally unstable but harmless young girl who has lived virtually her whole life indoors sheltered from the harms the real world can bring, his life begins to change and he endeavours to take her along to his wealthy parents' house on the weekend of his brother's wedding to prove to them that he can change his ways. Having never tasted a drop of alcohol in her life, kissed a boy, gone to school or owned a pair of shoes, Daisy also sees her life turn into an adventure as she seemingly becomes the only one who can change this man's stony heart and force him to love her.

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Nancy Drew Review

By Jesse Hassenger

Very Good

After watching the postmodern teen-detective stars of Brick and Veronica Mars, reviving Nancy Drew, girl detective, might seem a redundant, backwards task. The trailers for this project appeared in line with those expectations, casting Nancy in what looked like a snarky, reductive fusion of The Brady Bunch Movie and Mean Girls: the '50s-style sleuth adrift in cynical modern (which is to say, imminently outdated) high school.

But Andrew Fleming's take on Nancy Drew turns out to be a snappy charmer. Though the film takes place in the present, Nancy's life could still be described by the MPAA tags on a trailer for a PG movie: mild peril, brief teen partying; she hasn't been glammed into 2007. But the film uses this mildness to its advantage, starting with the decision not to play Nancy's old-fashioned virtues -- lawful curiosity, modest fashions, and an unfailing politeness even in the face of peril -- for satire. That is not to say that Nancy (Emma Roberts, niece of Julia, son of Eric) isn't oblivious to modern life; she knows about iPods and laptops. She's just old-fashioned (she prefers vinyl and books), which makes her dedication to old-timey detecting (or "sleuthing," as she calls it) all the more individualistic, even touching, as well as sweetly funny.

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Dick Review

By Mike Lovett

Bad

In this new 70s comedy opening just in time for the anniversary of Woodstock, we follow characters Betty (Kirsten Dunst), and Arlene (Michelle Williams) on a wacky journey through Washington, D.C. following the Watergate Scandle.

The two are spotted in the White House by a gaurd who originally saw the girls at Watergate the night of the burglary. The two are taken to the infamous "West Wing" where they meet and fall in love with President Richard "Dick" Nixon, played by Dan Hedaya, and very well I might add. Unfortunetly Hedaya's very entertaining performance of Dick couldn't save this already ill-fated non-comedy.

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