Kiyoshi Kurosawa

  • 31 October 2005

Occupation

Filmmaker

Pulse (2006) Review

By Jesse Hassenger

Bad

Earlier in 2006, a killer videogame stalked teenagers in Stay Alive; Pulse ups the ante with ghostly wireless signals stalking college students. The latest J-horror remake never pitches itself over the top, refusing to pile on the jump-scares, fake-jump-scares, and the accompanying soundtrack blasts; instead, it takes a low-key approach... along the way becoming completely unconvincing and almost prodigiously unscary. Boring is the new ridiculous.

It's a shame, too, because computer-centric horror is usually a good bet for ridiculousness. Here, the computer stuff isn't detailed enough to really bug the geeks; they'll be too busy pointing out how the movie's screenplay could be improved, and how Kristen Bell takes one of the most disappointing baths in horror history.

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Cure Review

By Jake Euker

OK

In and around Tokyo, a series of unrelated murders have an eerie common characteristic: the victims, killed by those well-known to them, are each branded by an X carved into their torso just below the throat. The killers are all unknown to one another and the detail has not been publicized. The only characteristic that the killers share, besides an irreconcilable remorse, is a vague confusion about what took place in the moments leading up to the murder.The killings haunt detective Takabi (Koji Yakusho), not least because he worries about the safety of his wife, a disturbed woman who is prone to become disoriented and lost when out of the home. The first half of the 1997 thriller Cure, directed by Kiyoshi Kurosawa (no relation) and now available stateside on DVD, details the crimes themselves, revealing the true culprit in the killings and showing the ways in which this murderous cipher gets inside his subjects' heads. The second half is about the detective, and about his struggle to keep the villain out of his own head.

Continue reading: Cure Review