Maria Enders is an ageing actress whose best known role was that of Sigrid in the 20 year old play 'Maloja Snake'. The play centres on the relationship between two women - the young and manipulative Sigrid and her older boss Helena, who eventually commits suicide under Sigrid's destructive influence. Enders is now being scouted again for a revival of the production, though this time in the role of Helena. She is reluctant to take on the project, but does so with the encouragement of her trusted young assistant Valentine. Soon she meets a rising starlet named Jo-Ann Ellis who is to play the new Sigrid, but Maria finds her rude and as destructive as her forthcoming character. Soon the pressure and uncomfortable similarities to herself she sees in Jo-Ann get too much for Maria, who's already overcome with grief following her divorce and the death of a friend. Plus, she starts to feel like she could be losing Valentine, who's beginning to think there's something unhealthy about Maria's reliance on her.
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An intriguing Chinese box of a movie, this slightly too-clever drama unpicks the layers of identity that are concealed behind the image of a celebrity. It's so knowing that it can't help but find revelatory meaning here and there, and the performances are raw and fascinating. There's also spectacular scenery and some darkly swelling emotions. But the themes are pushed a bit too hard, and the plot is enigmatic and oddly unresolved.
At the centre is Maria (Juliette Binoche), a famous actress who is aware that as she ages she's entering a new phase in her career. She's headed with her personal assistant Val (Kristen Steward) to a special event in Sils-Maria, Switzerland, to honour Wilhelm, the director who made Maria a star. But Wilhelm dies just before they arrive, so the event turns into a memorial instead. At the funeral, theatre director Klaus (Lars Eidinger) approaches Maria about starring in a new version of Wilhelm's iconic play Maloja Snake, which refers to an unusual cloud formation in this Alpine region. But this time Maria would play the older woman, while rising-star Jo-Ann (Chloe Grace Moretz) takes the ingenue role that sparked Maria's career. While Jo-Ann catches headlines for her bad-girl antics, Maria asks Val to help her get a grip on the alien older character she will be playing.
The story spirals out from here with swirling angles of meaning, as the play within the film becomes entangled with the contrasting public and private lives of the celebrities. Thankfully, even though everything is very pointed, the actors deliver remarkably off-handed performances that are very easy to identify with, revealing their characters' private thoughts and insecurities. There is of course also a further meta-level to all of this, as Jo-Ann's paparazzi-baiting lifestyle echoes experiences Stewart herself has had.
Continue reading: Clouds Of Sils Maria Review
We're bombarded almost daily with disturbing news snippets about teens run amok, filming their attacks gloatingly and enjoying them at parties. Forget Girls Gone Wild, nowadays it's Teens Gone Wilding. Is this the end result of a violent movie culture? Bad parenting? Terrible genetics? All of the above? If I watched Teenage Ninja Mutant Turtles enough times (I know, I know, it's a PG movie with puppets, but still...) would I be transformed into the sociopathic killer at the heart of Michael Haneke's Benny's Video?
Continue reading: Benny's Video Review
Oskar (David Bennett) is a young lad in 1920s Germany, and at the age of three he realizes that as he gets older, the attention he's given will rapidly wane. He decides to quit growing and hurls himself down the cellar. He achieves his goal. Ten years later, Hitler is on the rise, and Oskar is still romping around with his precious tin drum, physically unchanged since that day but deeply affected by life experience nonetheless.
Continue reading: The Tin Drum Review
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