Yelchin's parents, Irina and Victor, are suing the manufacturers of the Jeep Grand Cherokee that killed their son after it rolled backwards down his steep driveway in L.A.
The parents of the late Star Trek actor Anton Yelchin broke down in tears at a press conference as they revealed that they’re planning to sue car manufacturers Fiat Chrysler for the “wrongful death” of their son.
On June 19th this year, Yelchin was discovered pinned against the closed gate of his driveway at his home in Studio City, California, after his Jeep Grand Cherokee had rolled backwards after it was parked, and crushed him to death.
The 27 year old actor’s parents, Irina and Victor, gave an emotional press conference on Wednesday (August 3rd), during which they announced their intention to sue Fiat Chrysler, the manufacturer of the Jeep Grand Cherokee model in question, as well as manufacturer ZF North American and the AutoNation car retailer.
This is where the Star Trek franchise officially shifts from thoughtful drama into thunderous action. Fast & Furious director Justin Lin brings a kinetic energy to this third chapter in the rebooted space saga, leaping between chases and battles to keep viewers on the edge of their seats. Combined with constant witty interaction, the film is massively entertaining, even if the plot ultimately feels a bit thin.
It's been three years since the crew of the Enterprise started their five-year mission, and they're in need of a break. So they head to the nearest spaceport for some down-time, which is soon interrupted when Captain Kirk (Chris Pine) and his team (Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho and Anton Yelchin) are called to travel through a dangerous nebula to rescue a kidnapped crew from a villainous thug called Krall (Idris Elba). On arrival, the Enterprise is overwhelmed by Krall's bee-like military swarm. Stranded on a strange planet, the crew teams up with Jaylah (Sofia Boutella), a feisty survivor of one of Krall's earlier attacks. And as they realise the extent of Krall's evil plan, they're not sure that they can stop him.
Continue reading: Star Trek Beyond Review
Anton Yelchin's character Chekov will not be recast in the next 'Star Trek' production as a mark of respect for the late actor who died last month.
Anton Yelchin's character Chekov will not be recast in the next 'Star Trek' production.
The 50-year-old producer of the popular sci-fi sequel has revealed the role of Ensign Pavel played by the late actor - who died last month after being trapped by his own car in an accident occurring on the driveway of his Los Angeles home aged 27 - will not return as a mark of respect for the star.
Abrams said: ''There's no replacing him. There's no recasting. I can't possibly imagine that, and I think Anton deserves better.''
Continue reading: Anton Yelchin's Character Chekov Won't Be Recast In The Next 'Star Trek'
The late 'Star Trek Beyond' actor's parents, Irina and Viktor, took out a full-page ad in The Hollywood Reporter to thank fans for their outpouring of sympathy.
Almost a month after his tragically early passing, the parents of the late Star Trek actor Anton Yelchin have placed a touching advert in The Hollywood Reporter thanking fans for their kind words and support following their son’s death.
Yelchin, famous for playing Pavel Chekov in Star Trek, Star Trek Into Darkness and Star Trek Beyond, died from blunt traumatic asphyxia at his home in Studio City, California at the age of 27 last month, after a freak accident when his car rolled backwards and pinned him against his gate.
On Monday (July 18th), the actor’s parents Irina Korina and Viktor Yelchin acknowledged the outpouring of support from his fans by taking out a full-page spot in The Hollywood Reporter.
Continue reading: Anton Yelchin's Parents Thank Fans For Support With Full-Page Ad
It's hardly surprising that laconic filmmaker Jim Jarmusch (Broken Flowers) has created such an inventively offbeat vampire movie, helped hugely by the ace casting of Tilda Swinton and Tom Hiddleston as extremely long-term lovers. Fans of the genre might find the movie a bit slow and relaxed, but sharp humour and especially strong characters make it unmissable.
In a run-down house in Detroit, centuries-old Adam (Hiddleston) is living in squalor while anonymously creating club music with the assistance of Ian (Yelchin), who finds things like antique guitars for him to play. He gets his supply of clean O-negative blood from a helpful doctor (Wright). Meanwhile in Tangiers, Adam's wife Eve (Swinton) relies on her old pal Marlowe (Hurt) for the blood she sips at sunrise like a cocktail before lapsing into a deep sleep. Bored, Eve decides to visit Adam, so books nighttime flights and arrives to a blissful reunion. But their solace is interrupted when her wild-child sister Eva (Wasikowska) turns up.
These may be creatures of the night, but over thousands of years they have discovered exactly what kind of art soothes their souls. And Eva's boisterous presence disrupts their languorous peace even more than the fact that the blood supply is becoming increasingly contaminated. Adam and Eve call humans "zombies" dismissively and joke about their influence on key events and inventions throughout history. Hiddleston and Swinton are utterly perfect for these roles, bringing out details that are hilarious as well as emotionally moving. They also let us see the years of boredom mixed with a glimmer of childish curiosity that would be required to survive for so long.
Continue reading: Only Lovers Left Alive Review
An ancient vampire named Adam is desperate to remain hidden from the world in his Detroit home. But that's harder than it looks as people are becoming increasingly interested in the music he makes and his mysterious ways. However, it seems music is not his only passion when his old lover Eve makes her way over to his home to rekindle their long lost feelings for each other. Enamoured at the sight of each other, it isn't long before all their attentions are focused on each other, but things aren't as easy as they should be when Eve's perpetually irritating little sister Ava shows up to see them and proceeds to test Adam and Eve's relationship to the limits as Adam struggles to contain his frustration at having her around. The pair have more to worry about, however, such as how they are going to survive in a quickly decaying world.
'Only Lovers Left Alive' is a hearty vampire flick written and directed by Jim Jarmusch ('Ghost Dog: The Way of the Samurai', 'Broken Flowers', 'Dead Man'). What makes it different to vamp films of recent times, however, is that the characters' monstrous natures take a bit of a back seat as romance and drama become the movie's main themes. It is due for release in the UK on February 21st 2014.
From the studio that brought us classics like Spirited Away and Howl's Moving Castle, this animated drama feels unusually low-key and realistic. But while the lack of fantastical elements leaves it somewhat dry, as if it should really be a live-action movie, the animation is still a lavishly detailed feast for the eyes.
It's set in 1963 Japan, where orphaned teen Umi (Bolger) lives with her grandmother (Hendricks) atop a hill overlooking a fishing village. She raises flags every morning as a signal her fisherman father, who died in the Korean War, then heads to school where the topic on everyone's lips is the impending demolition of the ramshackle clubhouse. As the nation prepares for the Tokyo 1964 Olympics, old buildings like this must go, but the students band together to protect it, and Umi teams up with student journalist Shun (Yelchin) to clean up the building and make a plea to the corporate boss (Bridges). Meanwhile, Shun is having a personal crisis: as he begins to fall for Umi, he starts to suspect that they have the same father.
The film never really weaves these two plot strands together, so as Umi and Shun try to save the clubhouse and work out their parentage, each storyline feels like a distraction from the other. But they both raise intriguing questions about the past, present and future in a nation still recovering from WWII. And the beautifully rendered backgrounds bring the period to life with artful detail. On the other hand, the characters are more basic anime shapes, inexpressive and a bit stiff, which makes it difficult to identify with them even when their stories turn extremely emotional.
Continue reading: From Up On Poppy Hill Review
The Smurfs are back in a brilliant movie sequel that sees them take on evil magician Gargamel for a second time as he makes another attempt at harnessing the blue power of the Smurf people. This time, he has successfully created a group of similar creatures called Naughties, which he has plans to use to lure the impressionable Smurfette to him in order to finally win their potent magic. Aware of the kidnapping, the rest of the Smurfs band together on a rescue mission alongside their human acquaintances Patrick and Grace Winslow who agree to help them get to Smurfette and convince her that she belongs at home.
Right Said Fred, the nineties duo responsible for the number one 1991 hit 'I'm Too Sexy', has got involved in the promotions for the new film, marking the celebrations of Global Smurfs Day on June 22nd 2013, the day after 'The Smurfs 2' is released on the 21st. They have recorded a brand new track called 'I'm Too Smurfy', which isn't too dissimilar from their debut hit as you'd imagine, in a video featuring people in Smurf costumes getting funky and the duo painting their faces blue in honour of the Smurfs' return.
After his successful re-imagining of the Star Trek universe four years ago, Abrams dives even deeper into the mythology, which is thrilling for fans but might leave newcomers feeling a bit lost. This sequel surges forward with action, drama, romance and a lot of comedy while constantly nodding back to the earlier TV series and films. And the smart screenplay finds ways to deepen all of the characters along the way, as well as offering an unusually complex villain.
The action picks up soon after the first film ends, as Kirk (Pine) is once again in trouble for disobeying the Prime Directive not to interfere with a planet's culture. But his punishment is short-lived, as Starfleet becomes the victim of brutal attacks in London and San Francisco, sending Kirk, his first officer Spock (Quinto) and the gang (Saldana, Urban, Yelchin and Cho, with Pegg following later) into enemy space to chase the villainous John Harrison (Cumberbatch). But of course, there's a much bigger story going on, and Harrison has a reason for his violent behaviour, leading to a series of terrifying showdowns as they all return to earth.
While the script is packed with shadowy characters, there's not much actual "darkness" in this movie. It's a pretty bouncy, energetic ride, continually making us laugh at tetchy interaction and throwaway one-liners, all of which are cleverly character-based rather than merely silly gags. This gives each actor a chance to shine, with Pegg and Urban offering much of the humour with their amusing crankiness, while Saldana provides the stereotypical female emotional beats. As usual, the strongest scenes are between Kirk and Spock, and their shifting bromance is well-played by Pine and especially Quinto. But dominating the whole film is a meaty turn from Cumberbatch as a particularly fearsome nemesis who also happens to be both brainy and openly emotive.
Continue reading: Star Trek Into Darkness Review
The Smurfs return following a harrowing experience lost in New York while being pursued by the evil wannabe wizard Gargamel in 'The Smurfs'. Their plight is not over, however, as Gargamel will stop at nothing to harness the power of the blue creatures. Currently an icon of sorcery in Paris, he creates two Smurf-like creatures called Naughties who he uses to tempt the impressionable Smurfette in a life of mischief as she holds the valuable secret of the spell to turn the Naughties into real Smurfs. After she is kidnapped, her family and friends embark on a mission to save her, whether she wants to be or not, and enlists the help of their human friends Patrick and Grace Winslow to take down Gargamel once and for all and lead Smurfette back on the straight and narrow.
Continue: The Smurfs 2 Trailer
The Enterprise crew find themselves in more danger than they ever cared to imagine when London is ravaged by a brutal enemy with only vengeance on his mind. Captain Kirk must take his crew on a deadly mission to restore hope for their planet with every possibility that they could be wiped out in moments by the formidable John Harrison, but it's not just their lives at stake. Friendships and relationships are put to the test and the harder they try and stick together, the further they push themselves apart.
Continue: Star Trek Into Darkness Trailer
Captain Kirk and his formidable Enterprise crew are back and this time danger is closer than they think. On returning to their home planet, they discover that a ruthless force integrated among them has caused massive destruction among the Starfleet and left their planet in total disaster. Kirk and the crew must band together for a life threatening mission that could destroy them all as they set out in a war against this terrible threat. But this time, lives are not the only thing at stake; friendships will be tested, hearts will be broken and Kirk must make sacrifices against his Enterprise family in order to finally settle the score with an old foe.
'Star Trek Into Darkness' becomes the twelfth 'Star Trek' movie since the sci-fi series released the first one, entitled 'Star Trek: The Motion Picture', in 1979. It serves as the sequel to the simply named 2009 film 'Star Trek' and has been directed by the same person J.J. Abrams ('Super 8') with writing credits from Roberto Orci and Alex Kurtzman ('The Legend of Zorro', 'Transformers', 'Cowboys & Aliens') and Damon Lindelof ('Prometheus'). It will finally hit screens after much anticipation on May 17th 2013 in the UK.
Starring: Chris Pine, Benedict Cumberbatch, Zachary Quinto, Zoe Saldana, Alice Eve, Karl Urban, Simon Pegg, Anton Yelchin, Peter Weller, John Cho, Nazneen Contractor, Bruce Greenwood, Heather Langenkamp, Nolan North,
Continue: Star Trek Into Darkness - Teaser Trailer
Furniture designer Jacob (Yelchin) meets aspiring writer Anna (Jones) at university in Los Angeles, and their adorable romance develops over their final year studying before Anna has to return to Britain for a wedding. But she has overstayed her American visa, so when she tries to return she's deported. Over the next few years they see each other whenever they can while getting on with their lives and careers. Jacob starts a relationship with Samantha (Lawrence), while Anna flirts with her neighbour Simon (Bewley). But they can't get each other out of their hearts.
Continue reading: Like Crazy Review
Anna and Jacob are college seniors in Los Angeles. Jacob is studying design, while Anna is a British exchange student. Anna is instantly attracted to Jacob and so takes the risky first step of asking him out. She does this by placing a note on the windshield of his car. Jacob likes what he reads and later that night the pair embarks on an awkward first date.
Continue: Like Crazy Trailer
Besides some cheap scares, it never generates a moment of suspense, but it's still good fun.
In suburban Las Vegas, Charley (Yelchin) is a nerdy teen with an impossibly hot girlfriend (Poots) and a feisty single mum (Collette). But there's something suspicious about the new neighbour Jerry (Farrell), whom Charley's best friend Ed (Mintz-Plasse) insists is a vampire. And as events start to get increasingly bizarre, Charley begins to believe it himself. He asks TV vampire expert Peter Vincent (Tennant) for advice, but Peter is a jaded showman who doesn't really believe in the supernatural. Or does he?
Continue reading: FrightNight Review
Life is idyllic for the tiny blue Smurfs, whose village is hidden from view in a European valley. But the evil-but-hapless wizard Gargamel (Azaria) wants to capture their magical essence and, when he finds their village, he chases six of them through a vortex that dumps them into Manhattan. Lost in the city, the Smurfs befriend Patrick (Harris) and his pregnant wife Grace (Mays), whose help they need to both escape Gargamel and regenerate the vortex to get home.
Meanwhile, Patrick's under pressure from his boss (Vergara) to come up with an ad campaign.
Continue reading: The Smurfs Review
After a nervous breakdown, Walter (Gibson) is struggling to get back into his role as CEO of a toy company, husband to Meredith (Foster) and father to two boys, smart 17-year-old Porter (Yelchin) and curious young Henry (Stewart).
When Walter finds a beaver puppet, he has an epiphany, letting the beaver say what he's afraid to say. While this helps reinvigorate his business and adds a lively twist to his family life, it's not exactly a permanent solution.
Continue reading: The Beaver Review
The pugilistic script is based on one of those fascinatingly ugly crime stories that come rocketing out of Southern California every now and again, to much clucking of tongues over wayward and rudderless youth. Following the sad state of events that leads a drug dealer to kidnap the younger brother of a client who owes him money, as a means of extracting said payment, the film traces how the kidnapped teenager (a momma's boy who yearns for rebellion) develops a horribly overwrought case of Stockholm Syndrome, earnestly believing he's just having a good time with the dealer's hard-partying friends. In fact, while the kids party like it's 1999 (the year the kidnapping actually took place), imbibing copious amounts of drugs and alcohol, the dealer, Johnny (Emile Hirsch, like an evil version of Turtle from Entourage) is panicking, having realized what he's gotten himself into.
Continue reading: Alpha Dog Review
Date of birth
11th March, 1989
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