BC Camplight - Shortly After Take Off Album Review
BC Camplight releases his third and final album in the 'Manchester Trilogy' and says this one is "An examination of madness and loss". Brian Christinzio, the linchpin and creative force behind BCC, himself quite open and honest about his continuing struggles with mental illness, says, "I hope it starts a long overdue conversation". The new nine-track album follows on from Christinzio's 2018's 'Deportation Blues' and is billed as the "finest" of the three loosely linked albums that started with 2015's 'How To Die In The North'.
Brian's talents are many; he's a multi-instrumentalist, a great performer, creatively fertile and a very accomplished singer-songwriter. Where he makes all of this work on a whole other level, however, is in his ability to craft a song from sometimes seemingly disparate streams and meld them into something unique and wonderful, something hard to imagine and something wholly individual. On his latest album, 'Shortly After Take Off', he has once again tapped into this genius and produced some wonderfully weird and wonky songs.
The new album is insightful, intelligent and at times blackly comic. Its reference points are many and varied, drawing on popular culture and touchstones of society. Christinzio goes from singing about John McClane and Die Hard to Rachel Riley, Ray Liotta, Tame Impala, Nando's, Irn Bru, Oldham chippes and even The Arndale Centre. The way in which Brian drops these things into his lyrics is similar (and I mean this as equally complimentary to both artists) in some respects to Lana Del Rey. Each reference is immediately identifiable, whether as a character, a person or a place and so it instantly complements and adds to the songs' imagery.
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