Malcolm McDowell, Bernadette Peters and Dermot Mulroney at a screening Event For Amazon's "Mozart In The Jungle" held at Pacific Theatres at the Grove, Los Angeles, California, United States - Thursday 1st December 2016
Bernadette Peters - Donna Karan & Parsons School of Design kick off the holiday season with a cocktail party at Urban Zen - New York, United States - Thursday 19th November 2015
Bernadette Peters - Broadway Barks 17, an annual event to benefit NYC animal shelters and adoption agencies, held in Shubert Alley. at Shubert Alley, - New York City, New York, United States - Sunday 12th July 2015
Bernadette Peters - American Theatre Wing's 69th Annual Tony Awards at Radio City Music Hall - Red Carpet Arrivals at Radio City Music hall, Tony Awards - New York City, New York, United States - Sunday 7th June 2015
Despite substandard animation, this brightly coloured sequel has a strong enough sense of both its story and characters to hold the audience's attention. And kids might not mind the quality, as they are re-introduced to classic characters in an all-new adventure based on the book Dorothy of Oz by Roger S Baum (great-grandson of L Frank).
It starts the morning after Dorothy (voiced by Lea Michele) gets back home to Kansas after her iconic adventure. Her panicky friends Scarecrow, Tinman and Lion (Dan Aykroyd, Kelsey Grammer and James Belushi) summon her back to Oz, where considerable time has passed while a crazed Jester (Martin Short) kidnaps good witch Glinda (Bernadette Peters) so he and his army of flying monkeys can launch their reign of terror. On her long journey back to Emerald City, Dorothy has a series of adventures with Wiser the owl (Oliver Platt), Marshal Mallow (Hugh Dancy), the China Princess (Megan Hilty) and the old tree Tugg (Patrick Stewart), who all help her take on the Jester.
Yes, the plot is rather simplistic (the Jester merely seems evil for evil's sake), but the real problem is that the animation is badly under-developed. Characters are painfully thin, with no gravity to them at all, which makes it impossible for them to properly interact visually. Fortunately there are some clever touches to the design work, such as the way everything in Oz looks battered and broken, which adds a badly needed dark edge to the otherwise sunny silliness.
Continue reading: Legends Of Oz: Dorothy's Return Review
Dorothy Gale is barely back in her Tornado-ravaged hometown in Kansas five minutes than she is whisked off over the rainbow back to the topsy-turvy land of Oz once more to rescue her friends, the Scarecrow, Tin Man, Cowardly Lion and Glinda, and the rest of Oz's innocent residents from a terrible peril. At the helm of this new evil is the Jester, more frightening than funny, who plans to turn the leaders of Oz into puppets controlled for his own nefarious means. Along the way Dorothy and her beloved dog Toto meets a string of new and unusual characters including Wiser the Owl, China Princess, Marshal Mallow and former tree Tugg the Tugboat, as she sets off on another exhilarating adventure to find her friends.
'Legends Of Oz: Dorothy's Return' is a new animated fantasy based on both L. Frank Baum's 'The Wonderful Wizard of Oz' and his great-grandson Roger Stanton Baum's sequel 'Dorothy of Oz'. It has been directed by Will Finn ('The Road to El Dorado') and Dan St. Pierre ('Quantum Quest: A Cassini Space Odyssey') and written by Adam Balsam, Randi Barnes ('Imagination Movers') and Barry Glasser ('Skateboy') with a film score by Oscar nominated singer Bryan Adams. This enchanting family movie with hit the US on May 9th 2014.
Martin plays Arthur, a down-on-his luck sheet-music salesman worn out by his loveless marriage to Joan (Jessica Harper) - loveless, in part, because his life with Joan can't match the fantasies produced by the lyrics he sells. Hitting the road, he meets Eileen (Bernadette Peters), a mousy but sweet school teacher. Together, they fall in love, and express that love in dance and song. Sort of: They're actually lip-synching to songs of the '30s, riffing on old music the same way that Martin would riff on old films less successfully a few years later in Dead Men Don't Wear Plaid. After Arthur gets cold feet about the relationship - not before dancing quite well - Eileen falls into the dastardly clutches of Tom (Walken), a pimp. It's Walken's performance that makes the film - a dowdy but charming tap-dance striptease to Cole Porter's "Let's Misbehave." With a pencil-thin mustache and a lecherous leer, he has all the fearfulness he showed in The Deer Hunter with a sophistication he never showed off often enough.
Continue reading: Pennies From Heaven Review
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