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Kim Kardashian Gets Feisty On Twitter, Calls Out Bette Midler, Piers Morgan And Chloe Grace Moretz


Kim Kardashian Bette Midler Chloe Moretz Piers Morgan Kanye West

Yesterday Kim Kardashian shared a throwback naked selfie and attempted to break the internet once again. But not everyone was so happy to see another naked Kim photo and the 35-year old found herself being criticised by Bette Midler, Chloe Grace Moretz and Piers Morgan. But this time, Kim fought back.

Kim KardashianKim Kardashian has hit out at her critics on twitter

Hours after posting the censored naked selfie, which showed her posing nude in front of a mirror last year, Kim tweeted, ‘Reading my comments like….LOL’. The reality star then added: ’Sorry I'm late to the party guys I was busy cashing my 80 million video game check & transferring 53 million into our joint account.’

Continue reading: Kim Kardashian Gets Feisty On Twitter, Calls Out Bette Midler, Piers Morgan And Chloe Grace Moretz

Bette Midler To Star In Broadway Revival Of 'Hello, Dolly!'


Bette Midler

Bette Midler is to be the star of a Broadway revival of the classic musical ‘Hello, Dolly!’ due to start next year, with the iconic performer taking the lead role of Dolly Gallagher Levi.

The production will be produced by Scott Rudin, a veteran of both screen and stage with production credits on projects as varied as Moneyball, There Will Be Blood and ‘The Curious Incident of the Dog in the Night Time’. Direction will be led by Jerry Zaks, with choreography by Warren Carlyle, and the official opening night will be on April 20th, 2017 after a month of previews.

A musical adaptation of ‘The Matchmaker’ by Thornton Wilder, and tells the story of the widowed Dolly as she searches for a partner on behalf of a wealthy merchant from Yonkers, whom she secretly wants to marry herself.

Continue reading: Bette Midler To Star In Broadway Revival Of 'Hello, Dolly!'

Oscar Producers Zadan And Meron Tease Some Of This Year's Biggest Moments


Ellen Degeneres Craig Zadan Bette Midler U2 Pharrell Williams Idina Menzel Karen O

Oscar producers Craig Zadan and Neil Meron made a controversial hit out of the Oscars last year, but they might be on thin ice this time. Getting Seth McFarlane to host anything is a risky bet and his antics last year got a lot of people – notably the feminist crowd – pretty riled up. The controversy served its purpose. Last year’s show pulled in 40.3 million US viewers, the largest audience the show has had in three years. Zadan and Meron’s show was a hit with the key 18-49 demographic and the duo were invited back this year.

Ellen Degeneres
Ellen might be a safer choice for host, but she is far from boring.

And yet. The choice of Ellen for this year’s host suggests that the producers were at least a little bit intimidated by last year’s backlash. This year’s host, Ellen, while hilarious and ever entertaining, is a much safer option and has proven appeal with the Oscars’ key demo – women.

Continue reading: Oscar Producers Zadan And Meron Tease Some Of This Year's Biggest Moments

Video - Sigourney Weaver And Bette Midler Arrive At The GLWD 2013 Golden Heart Awards - Part 1


'Hocus Pocus' star Bette Midler and 'Alien' star Sigourney Weaver were among the star arrivals at the God's Love We Deliver 2013 Golden Heart Awards gala in New York City. The charity presented awards to celebrities who had directly helped the charity in their mission to deliver healthy and nutritious food to people suffering from serious illnesses such as HIV/AIDS, cancer and other hunger related diseases.

Continue: Video - Sigourney Weaver And Bette Midler Arrive At The GLWD 2013 Golden Heart Awards - Part 1

Bette Midler, The Toast Of Broadway For One-Woman Show 'I'll Eat You Last'


Bette Midler

Bette Midler has made her triumphant return to the floorboards of New York's most famous theatre district, having been away from the stages of Broadway for some thirty years, staring in the John Logan-penned one-woman show I'll Eat You Last. Director Joe Mantello is the man behind Midler's return, which is garnering quite the buzz across New York's most artistic circles, as Midler looks to prove that she's still got it no matter how long its been since she last performed live.

Bette Midler
Bette Midler At The Openning Night of I'll Eat You Last

"I AM NOT GETTING UP!" Thats the first thing that bellows from Midler's mouth as she lounges across a couch, swathed in an aqua silk caftan, from the beginning of the play right until the very end. But regardless of the fact that she spends the full hour and twenty minutes worth of the show just maxing out and smoking cigarettes or joints, Bette's interpretation of superagent Sue Mengers never sways as she give an extraordinary virtuoso performance. Perhaps it is down to the similarly bleak background they share, or just a testament to Midler's wonderful acting talent, but Bette really does pull off a show stopping rendition of the first real female power in the movie agency industry.

Continue reading: Bette Midler, The Toast Of Broadway For One-Woman Show 'I'll Eat You Last'

Opening Night: Bette Midler In 'I'll Eat You Last: A Chat With Sue Mengers' [Pictures]


Bette Midler

Bette Midler stars in I’ll Eat You Last: A Chat With Sue Mengers. The play tells the story of the fading glamour of one of 1970s Hollywood’s leading agents. Midler’s new venture opened last night (April 24, 2013) at Broadway’s Booth Theatre and catches up with Mengers in 1981, when her popularity is starting to wane and many of her high profile clients (she looked after Michael Caine, Barbra Streisand and Faye Dunaway to name but a few) have begun to turn their backs on her. 

Bette Midler
Bette Midler - curtain call on Broadway

A review from USA Today is full of praise for Midler, in this one-woman show and reassures readers that although the play begins with her uttering the line “I’m not getting up” (and she doesn’t , not until the very end), there is enough vivacious action in Midler’s performance to stop it from becoming static. “Under Joe Mantello's pitch-perfect direction, Midler dives into the role with predictable relish,” the review reads. Another, from the Hollywood Reporter, writes that even Mengers herself would most likely have been charmed by Bette’s portrayal of her: “It’s … hard to imagine her not being tickled by the eternally fabulous Bette Midler’s portrayal of her – a fusion of one self-made, larger-than-life persona with another in which the dividing lines all but vanish.” 

Continue reading: Opening Night: Bette Midler In 'I'll Eat You Last: A Chat With Sue Mengers' [Pictures]

'I'll Eat You Last' Sees Beth Midler At Her Very Best As The Witty And Cynical Sue Mengers


Bette Midler Barbra Streisand Faye Dunaway Michael Caine Gene Hackman

Bette Midler is Sue Mengers. In I’ll Eat You Last, the funny, outspoken actress plays the infamous 70s talent agent with such clarity and wit, that you can’t help but believe her throughout. Midler is the sole performer in the production and, while the set is visually interesting, she herself hardly moves from the couch for the duration of the play. But if you think this would make for a boring or static production, you clearly haven’t seen Midler act to her fullest, which is exactly what she is doing in the John Logan play, which opened last night (Wednesday, April 24) at Broadway’s Booth theatre.

The setup is simple – the play is set in 1981, when Mengers, who represented stars of Barbra Streisand, Faye Dunaway, Michael Caine and Gene Hackman is already losing relevance. But she isn’t one to moan about it – not on the surface at least. Middler is the perfect actress to bring the quippy, somewhat cynical, occasionally foul-mouthed Mengers back to life. She is an actress experienced enough to not only fill up the stage, but to also possess enough knowledge of the harsh world of Tinseltown, giving her character some essential depth. I’ll Eat You Last captures the essence of a woman who has experienced Hollywood to its fullest and lived to tell the tale.

Bette Midler, Booth Theatre
Midler has been collecting praise from fans and critics for her spot on performance.

Continue reading: 'I'll Eat You Last' Sees Beth Midler At Her Very Best As The Witty And Cynical Sue Mengers

Patty Andrews, Last Surviving Member Of The Andrews Sisters Dies, Aged 94


Bette Midler

The singer Patty Andrews has passed away at the age of 94, The Telegraph have reported. She was the last remaining member of The Andrews Sisters, the war-time entertainment group that entertained allied forces and passed away from natural causes at her home in Los Angeles, a family spokesperson confirmed.

The Andrews Sisters comprised of Patty, along with La Verne Sophia Andrews and Maxene Angelyn Andrews. Patty was the youngest sister of the group and was the lead singer. The sisters were born in Minnesota and started their musical careers in local talent shows. Their swing and boogie woogie hits later became staple entertainment for allied forces during World War II and they recorded a series of Victory Discs to distribute for free amongst the soldiers. By the mid 1970s, The Andrews sisters had sold over 75 million records. In 1998, they were inducted into the Vocal Group Hall of Fame, alongside The Supremes and The Beach Boys.

Bette Midler – who covered the Andrews Sisters’ hot ‘Boogie Woogie Bugle Boy’ – paid tribute to Patty, saying “When I was a kid, I only had two records and one of them was the Andrews Sisters. They were remarkable. Their sound, so pure. Everything they did for our nation was more than we could have asked for. This is the last of the trio, and I hope the trumpets ushering (Patty) into heaven with her sisters are playing Boogie Woogie Bugle Boy.”

Parental Guidance Review


Good

Cynical audiences will hate this simplistic, softhearted comedy, but for a bit of undemanding entertainment, it isn't too bad. And while the cast members don't remotely stretch themselves in these roles, they at least manage to get the emotion flowing in the predictable final act. And sometimes a bit of mindless silliness is just what we need.

Crystal and Midler play Artie and Diane, grandparents who have little contact with their uptight daughter Alice (Tomei), who lives on the other side of the country. When she decides to accompany her inventor husband (Scott) to an awards ceremony, she reluctantly agrees to let her parents take care of their three over-protected kids: burgeoning teen daughter Harper (Madison), shy son Turner (Rush) and mop-headed Barker (Breitkopf), a bundle of cheeky energy who immediately renames his granddad "Fartie". Of course, tech-phobic Artie and hug-loving Diane struggle to keep up with these children they barely know, but they're more resilient and far cleverer than Alice gives them credit for.

The script never tries to be sophisticated, announcing its important life lessons early on and never putting any of the characters in danger of not learning something. Meanwhile, the writers continually contrive the plot to keep Tomei on screen as much as possible, even though this kind of undermines the whole point of the grandparents being there in the first place. And every challenge faced by each character (there's a mini-plot for everyone) is fairly easy to navigate. But all of the actors manage to underplay the physical chaos while bringing enough charm to the film to keep us engaged.

Continue reading: Parental Guidance Review

Parental Guidance - Trailer Trailer


Artie and Diane Decker are the aging parents of a working mother, Alice, whose busy lifestyle means she has to enlist the help of her parents to look after her three young children while she and her husband Phil go away on a business trip. While Diane seems enthusiastic about seeing her grandchildren, Artie is less motivated when he realises that his old fashioned, tough love parenting methods would be lost on the 21st century kids. Alice certainly realises she's got her work cut out trying to teach her stubborn father how to deal with them, remembering the many occasions he let her down when she was a child. Will Artie and Diane's 'second chance' at parenting teach them that their daughter has got the right approach? Or will the venture end in disaster?

This heart-warming comedy is a wonderful story about the unity of family. It is directed by Andy Fickman ('She's the Man', 'The Game Plan') and written by Lisa Addario and Joe Syracuse (previously having worked together on 'Lover Girl' and 'Surf's Up') with re-writes from Lowell Ganz and Babaloo Mandel (both of 'Tooth Fairy' and 'Robots'). It is set for release in UK cinemas everywhere on December 28th 2012.

Starring: Billy Crystal, Bette Midler, Marisa Tomei, Bailee Madison, Tom Everett Scott, Madison Lintz, Rhoda Griffis, Gedde Watanabe, Dwayne Boyd & Joshua Rush

Then She Found Me Trailer


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The Women Trailer


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Oliver & Company Review


OK
Disney's animated version of Dickens' Oliver Twist, Oliver & Company, is a true oddity in the Disney canon. For starters, the animation style is completely different from anything else in its repertoire. Obviously inspired by Ralph Bakshi (of Felix the Cat fame), the movie features garish perspectives, serious abuse of zoom (in almost every scene), and an attempt at urban grittiness which Walt Disney never knew in his entire life.

And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.

Continue reading: Oliver & Company Review

Beaches Review


Terrible
In the history of men going to the movies, there are few horrors as singularly terrifying as the movie Beaches. With its combination of precious tragicomedy plot, copious singing, and Bette Midler, the horror trifecta is already complete. But there's plenty more: Not only is Midler heard here singing about her tits (her words), Mayim "Blossom" Bialik plays the 11-year-old version of brazen Bette. Chills don't get much colder than this.

Watching the 1989 movie today, it's not just an unabashed chick flick, it's also revealed as a plain-old Bad Movie. For starters, it's not really about anything, instead preferring to work (or not) as a collection of loose scenes that illustrate the ups and downs of two friends (Midler and Barbara Hershey) from their pre-teens to the grave. Things happen, but not much. The film's only real plot point comes in the last act (spoilers ahead if you care), when Hershey's character croaks on us, sticking Midler with her daughter.

Continue reading: Beaches Review

The First Wives Club Review


Very Good
The biggest crowd-pleaser of the year is upon us -- the powerhouse trio of Goldie Hawn, Bette Midler, and Diane Keaton foisting their womanness on us with a vengeance. Sure to revive the debate over whether films like this are "man hating," The First Wives Club is, in reality, a harmless big screen sitcom that actually manages to appeal to a large audience.

Rambling through its first 30 minutes with no real direction, The First Wives Club eventually turns into a story about three old friends who want to exact vengeance on their wayward ex-husbands. Elise (Hawn) is an aging movie star, obsessed, as most aging movie stars are, about her looks. Brenda (Midler) is a bitter ex-housewife who loves her son and bemoans her lack of funds to support him -- and hasn't changed her hair since 1969. Annie (Keaton) is basically a middle-aged version of Annie Hall, only now she has a lesbian daughter and an intrusive mother, and Woody Allen is nowhere to be seen.

Continue reading: The First Wives Club Review

Get Bruce Review


Good
Bette, Billy, Lili, Whoopi -- now I know why these people aren't funny: Because Bruce Vilanch writes all their material. And now they've written a song about how great he is... ick.

Continue reading: Get Bruce Review

Oliver & Company Review


OK
Disney's animated version of Dickens' Oliver Twist, Oliver & Company, is a true oddity in the Disney canon. For starters, the animation style is completely different from anything else in its repertoire. Obviously inspired by Ralph Bakshi (of Felix the Cat fame), the movie features garish perspectives, serious abuse of zoom (in almost every scene), and an attempt at urban grittiness which Walt Disney never knew in his entire life.

And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.

Continue reading: Oliver & Company Review

Bette Midler

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Bette Midler

Date of birth

1st December, 1945

Occupation

Actor

Sex

Female

Height

1.55




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Bette Midler Movies

20 Feet From Stardom Movie Review

20 Feet From Stardom Movie Review

Entertaining and uplifting, this Oscar-winning documentary tells the unknown story of the back-up singers who...

Parental Guidance Movie Review

Parental Guidance Movie Review

Cynical audiences will hate this simplistic, softhearted comedy, but for a bit of undemanding entertainment,...

Parental Guidance - Trailer Trailer

Parental Guidance - Trailer Trailer

Artie and Diane Decker are the aging parents of a working mother, Alice, whose busy...

Then She Found Me Trailer

Then She Found Me Trailer

Watch the trailer for Then She Found MeThen She Found Me is an adaptation of...

The Women Trailer

The Women Trailer

Watch the trailer for Women The Women is led by an all-star cast, it's about...

Beaches Movie Review

Beaches Movie Review

In the history of men going to the movies, there are few horrors as singularly...

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The First Wives Club Movie Review

The First Wives Club Movie Review

The biggest crowd-pleaser of the year is upon us -- the powerhouse trio of Goldie...

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