Tommy Boy Review
By Don Willmott
Weak
Given time and some top-rate producing talent, David Spade and Chris Farley might have evolved into a Martin and Lewis for the 21st century, but we'll never know. They only had two outings together, Tommy Boy and Black Sheep, before the red-faced Farley overindulged himself to death in 1997. Of the two films, Tommy Boy is better (and has since become an inexplicable cult hit), but neither one is much good, and for that, aim the blame at Lorne Michaels, who has a very spotty track record of creating decent features for his Saturday Night Live stars. For every Wayne's World, there are three Coneheads.
Tommy "Boy" Callahan (Farley) has just graduated from college after seven years, much to the delight of his beloved father Big Tom (Brian Dennehy), buy no sooner does the widowed Big Tom marry his second wife (Bo Derek) than he drops dead of a heart attack. Now Tommy Boy has to rescue the family's brake shoe business before it's devoured by arch-rival Ray Zalinksy (Dan Aykroyd) while he also keeps an eye on the evil Beverly's schemes and her equally evil son Paul's (Rob Lowe) sabotage.
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