Former Piston Cup Champion Lightning McQueen was a hero in his day, but it seems in the last few years technology has improved so much that he is constantly being out-run by newer and more advanced models. His latest rival is the super-speedy newcomer Jackson Storm, whose arrogant attitude makes McQueen desperate to beat him once and for all. Naturally, he's being bugged constantly about his plans for retirement, but to him it only feels like yesterday that he was a rookie himself making waves in the racing world. It doesn't matter how many tricks he learns to up his game, however, he'll never be the racer he once was. But his friends are nonetheless determined to train him up to be the best he can be, led by the young and enthusiastic technician Cruz Ramirez. He might never be able to match Jackson's speed, but that doesn't mean he can't outsmart him on the track.
Continue: Cars 3 - Extended Trailer
Ben Affleck launched his directing career 10 years ago with his film of Dennis Lehane's novel Gone Baby Gone, and he now returns to the author to adapt this Prohibition-era gangster drama. It's a big, beefy story with colourful characters and a snaky, expansive plot. And it's beautifully assembled by a skilled cast and crew. Even so, the film never quite generates quite enough energy to engage properly with the audience.
In 1927 Boston, Joe (Affleck) is a war veteran who has turned to crime to survive. But problems arise when he launches a torrid affair with the moll (Sienna Miller) of the Irish mob boss (Robert Glenister). With his life in danger, he turns to the rival Italian mafioso (Remo Girone) for a job, and is sent to Tampa to run their rum-smuggling operation. Working with his pal Dion (Chris Messina), Joe makes a success of a string of speak-easy bars and finds love with a the sister (Zoe Saldana) of a Cuban gangster. Then as he plans to open a huge casino, his gentlemanly agreement with the local police chief (Chris Cooper) is threatened. And it doesn't help that the boss in Boston begins to meddle.
Everything is assembled with a sumptuous sense of style, from the cool cars to the epic suits and hats. The film looks gorgeous, shot with muted colours that echo the subdued emotions of people who never quite say what they think. Of course, this creates a big problem, because it leaves Affleck's Joe looking like a blank slate, intriguing to watch but impossible to sympathise with. Nothing feels properly developed, with romances that seem to exist for no real reason and business relationships that appear to be based on some sort of unexplained subterfuge. The most riveting element of the story is Joe's clash with the KKK, a powerfully bull-headed group that refuses to play by the usual mob rules.
Continue reading: Live By Night Review
Joe Coughlin was born and raised in a good family, his father was the police captain and they were a respected family in the neighbourhood. Joe was the dark horse and fell in with the wrong crowd from an influential age. It was 1920's and Joe and the rest of the Coughlin family lived in the thriving city of Boston. Joe constantly seemed to be pulling in a different direction to that of his father and mixed with some of the town's most feared bosses responsible for any number of crimes from running alcohol to robbery.
Caught in the middle of a war between mob bosses, Joe ends up ripping off the wrong guy in more than one way as he also steals his woman. Everything appears to be going for Joe and his small gang but their next heist is a chance too far and sees Joe being put in prison for robbery. Once again, Joe finds himself falling in with another powerful boss who offers him protection in prison - but at a cost.
With his eventual release, Joe moves to Florida to begin over seeing a rum smuggling operation but as Joe finds love he begins to realise that there's more to life than working on someone else's terms but perhaps he's too deeply connected to ever be able to give up the life he's made for himself.
With its darkly emotive themes and brittle humour, this well-made drama by Jean-Marc Vallee (Dallas Buyers Club) isn't quite what it appears to be. It's not, for example, an exploration of grief, although that's in here. And it also isn't meant to be taken literally, because it's more of a parable. The main clue is in the moment when the central character comments that everything in his life seems to be a metaphor. Indeed it is. And this heightened sense of meaning makes the entire film unusually vivid.
The film opens as Wall Street banker Davis (Jake Gyllenhaal) emerges unscratched from a car crash that kills his beautiful wife Julia (Heather Lind). Unable to grieve, he begins to feel like the world around him is shifting inexplicably. So he starts taking things apart to see how they work, or why they don't. Soon he's dismantling his entire house. His father-in-law Phil (Chris Cooper), who is also his boss, becomes increasingly perplexed at Davis' erratic behaviour. And the only person Davis confides in is customer services rep Karen (Naomi Watts) and her confused 15-year-old son Chris (Judah Lewis). As Davis worms his way into their world, he slowly begins to see his own life more clearly.
This is a film about how some people let themselves drift along in the expected ways, never questioning what happens even though it doesn't feel quite right. In Davis' case, his wife's death jolts him awake. He begins to see the real world around him for the first time, including the absurdities of the life he had built around himself. Gyllenhaal invests Davis with remarkable layers of emotion as a generally cheerful guy being pulled apart from within by something he initially can't understand. His reactions to people around him grow increasingly more honest as the film progresses. And by the end, he's defying expectations and conventions in ways that feel shocking but are actually bracingly truthful.
Continue reading: Demolition Review
'Happy' singer Pharrell Williams and his famously large hat were spotted amongst the crowd at the New York premiere for 'The Amazing Spider-Man 2' alongside various other actors from the movies.
The Capri Awards have a history of foretelling the favorites for the Oscars.
After early predictions pegged the Meryl Streep and Julia Roberts starrer August: Osage County as a frontrunner for awards season 2014, the film has now picked up four awards at the Capri, Hollywood Film Festival.
Streep received the Best Actress awards, possibly setting her up for a successful awards season.
The film centers on the reunion on a dysfunctional family in which Streep plays the prescription drug addicted matriarch Violet. The Tracy Letts adaptation won Film of the Year, while Streep (naturally) won the Best Actress award for her role. The cast also picked up the Best Ensemble award. Co-star Chris Cooper was honored with a Lifetime Achievement award.
The Weston family know they are probably one of the most dysfunctional families around, but they do understand that sometimes it's best to stick together. Violet Weston is the family matriarch suffering from mouth cancer and heavily addicted to prescription drugs which only gets worse after the apparent suicide of her husband Beverly. As the funeral approaches, Violet's three daughters Barbara, Ivy and Karen and their families arrive at the house they grew up in, along with some other estranged relatives, hoping to get the whole ordeal over and done with fairly quickly. However, things don't go as smoothly as they, perhaps naively, hoped as they discover a whole load of closet skeletons they'd rather have not known about.
'August: Osage County' is a remarkable dark comedy directed by multi-Emmy winning John Wells ('The Company Men') and based on the Pulitzer Prize winning play of the same name by Tracy Letts ('Bug', 'Killer Joe'). It has been produced by George Clooney and Harvey Weinstein and is a warts-and-all story about the trials and tribulations of family affairs, uncovering both the heartwarming and the heartbreaking secrets that underline all families. It is set to be released in the UK on January 3rd 2014.
The award-winning actor will appear in the Christmas special of the hit series, following on from the fourth season
Paul Giamatti will become the next American actor to appear in the hugely successful British period drama Downton Abbey, with the American Splendour actor set to appear as a maverick American playboy during the upcoming fourth season of the show.
Giamatti will appear in the Christmas special airing this December, which will follow on directly from the upcoming fourth season of the hit costume drama. He will play Harold, the life-loving brother of Elizabeth McGovern's Cora, and the son of Shirley Maclaine's Martha. MacLaine will also be reprising her role for the Christmas special.
The film seems like perfect winter viewing - heavy, but heart-warming and laden with star power.
The trailer for August: Osage County hit the airwaves today and, if you didn’t know that was a film you wanted to see, you should now. Generally, just the presence of Meryl Streep on the castlist is enough to get a film onto the list, but August has a lot more going for it as well, with a cast, absolutely packed with star power - Julia Roberts, Ewan McGregor, Juliette Lewis, Abigail Breslin, Sam Shepard, Chris Cooper and Benedict Cumberbatch all star in this tale of a family reunion and a family breakdown and (hopefully) one final reunion. The film, directed by John Wells, centers on a dysfunctional Oklahoma family whose drug-addicted matriarch, Streep, is dying of mouth cancer.
The trailer shows some trademark Streep moments in the film, but it also highlights the roles of Roberst and Lewis as antagonistic sisters and everyone seems to work well enough together to create a believable picture of a family on the brink of collapse. The film is based on Tracy Letts’ 2008 Pulitzer Prize-winning play, which received shining praise on its release in 2007. When "August: Osage County" played at the Ahamson Theater in 2009, Times theater critic Charles McNulty wrote: "The play’s pedigree could be expanded in ways both high and low, but 'August' brews its own distinctive mix of tragicomic gravitas and florid pop." The film adaptation is due for an early November release. Did someone say Oscar bait?
Underneath the famous Muppet Theatre, oil has been discovered. Tex Richman, an oilman, finds out and plans to demolish the theatre so he can start drilling. Walter, Gary and Mary are three friends who also happen to be huge fans of The Muppets. They plan to stage what they call 'The Greatest Muppet Telethon Ever', so they can raise $10 million to stop the destruction of the Muppet Theatre.
Continue: The Muppets Trailer
Doug Macray is a professional thief. His gang are one of the best and most successful of their kind. Bank robberies is their general area of interest and in all the years they've been in the business they've kept a clean record and never been caught, part of their success is down to the lack of attachments. Their latest heist is at a bank where they end up taking the bank manager called Claire hostage. Eventually the robbers let the woman go but she's left unnerved by her experience. In the days following her experience, she meets a man called Doug, he seems unassuming and friendly and she's taken in by his seemingly charming personality. Their relationship begins to grow but Claire is unaware of Doug's dark side, he was one of the men who took Claire hostage.
Continue: The Town Trailer
For a relentlessly unoriginal, pandering and predictable, two-and-a-half hour Revolutionary War epic that white-washes slavery, chooses exaggerated slow-motion action over any interest in historical accuracy and is helmed by a director who has demonstrated little talent for anything but overblown textbook filmmaking, "The Patriot" isn't a bad movie.
It's a mimeographed knock-off of "Braveheart" in buckskin vests and powdered wigs, but that doesn't seem to bother Mel Gibson, who won an Oscar for directing that film and stars in this one as another tread-upon colonial who takes up arms against England for his nation's freedom.
A hero of the French and Indian War who has since pledged to raise his children as a pacifist plantation farmer in South Carolina, Benjamin Martin (Gibson) is an amalgam of real revolutionary war figures, fantasized by screenwriter Robert Rodat ("Saving Private Ryan") as a politically correct hero who is a wonderful widower father, who communes with the natives (he's versed in the deadly use of a Tomahawk hatchet), who employs his plantation workers instead of enslaving them, and who takes up arms again only after a stuffy, sadistic redcoat Colonel named Tavington (Jason Issacs) kills one of his sons in cold blood when he finds Martin's home filled with rebel soldiers receiving first aid after a battle.
Continue reading: The Patriot Review
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As with the too-early franchise reboot in 2012, this sequel struggles to balance the demands...
Peter Parker is facing a period of deep confusion in every aspect of his life....
Tracy Letts adapts his own prize-winning play into a blistering depiction of one of cinema's...
Peter Parker has always had difficulty trying to prioritise his life. There's the personal side...
The Weston family know they are probably one of the most dysfunctional families around, but...