Gilly Hopkins is a little girl who's full of gumption and an attitude to boot. Her life - up until now - hasn't exactly been easy; she's been in and out of foster homes and doesn't let people into see the real Gilly. Having been given multiple warnings, Gilly can't find a place that she fits in and is sent to a new home with the warning that if she doesn't make this foster home work, she'll be put into a teen centre by social services. However much attitude Gilly has, she knows that a teen facility is the last place she should be.
Gilly is welcomed by an older lady named Mrs Trotter who lets her into her home. Though Mrs Trotter is friendly and has dealt with many kids in the past, Gilly takes an instant dislike to the woman and her other foster child, William, who is far younger than Gilly.
Though Gilly is cold and distant towards her new 'family', she soon learns to follow Mrs Trotter's rules and finds that her nightly meals with Trotter, William and their neighbour Mr. Randolph are periods of time she learns to enjoy.
Continue: The Great Gilly Hopkins Trailer
After the death of his father, Brian, Kathy and their son Jake move into a building they inherited. The building is already inhabited by Leonor and her son Jake who rent the shop at the front and the apartment at the back. Jake and Tony soon become friends, they're both into different things but they bond nevertheless.
Jake has always been a bit of a loner and his mum and dad are both glad that Jake finally seems to have a good friend. Each person in the building has their own personal struggles, Leonor's business is quiet and lives apart from her husband whilst Kathy is the main provider for the Jardine family - Brian is a struggling stage actor whose wage doesn't go far enough to cover the family's finances.
When the Jardine's learn that Leonor's rent is considerably under the average amount for the neighbourhood, they feel they have no other option but to increase the amount she pays. Leonor pleas for the Jardine's to be a little sympathetic to their cause and initially Brian allows her to continue renting the property but when his sister intervenes, he's left with no option but to evict Leonor and Jake.
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The life of a boxer has never been easy, but for heavyweight champion, Billy Hope (Jake Gyllenhaal), he is able to make by. With the love of his wife Maureen (Rachel McAdams) and daughter Leila (Oona Laurence), Billy can take any beating and dish out worse. But when an altercation takes place that leads to his wife's murder, Billy loses himself, and is deemed to be unable to look after his daughter. Now, with no career, no friends, and almost no hope, Billy must do what he can to regain his title and win the chance to look after his daughter once again.
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The stars of superhero spin-off TV series 'Gotham' arrived at the show's premiere held at the New York Public Library. Among them were Jada Pinkett Smith, who plays Fish Mooney in the series.
There's a nasty edge to this horror film that makes it much creepier than most, which gives Hawke the chance to give an unnervingly haunted performance. As the script reveals its hideous secrets, the filmmakers really make our skin crawl. Although it's not easy to figure out what the point is, since the whole film seems to be merely an exercise in scaring the audience.
It's all based in true crime, as author Ellison (Hawke) drags his wife Tracy (Rylance) and kids to a new town so he can investigate another unsolved murder. What he hasn't told Tracy is that they're living in the crime scene, an unusually dark house that has a box of home movies in the attic that reveal a much more gruesome horror than Ellison was expecting. The killings at hand turn out to be part of a string of hideous murders that seem to have a supernatural twist.
Indeed, this film takes a very bleak trip into the darkest recesses of the imagination: the deaths on these home movies are so hideous that we can barely watch them. But then, this also means that the film is more unnerving than nine out of 10 horror movies. And Hawke is a solid central character we can identify with, as he's unable to stop digging into the story, looking further into these murders and watching every last home movie even though he knows he should really stop. He gives Ellison an earthy honesty that carries us along with him, even when some standard movie characters pop up, including an angry sheriff (Thompson), his dopey deputy (Ransone) and an expert professor (D'Onofrio).
Continue reading: Sinister Review
Ellison is an aspiring true-crime writer who decides to move his family into the house where a family of four were brutally murdered nine months previous in order to work on his next novel which he is determined will be a success. When Ellison takes a visit to the attic, he finds, in the center of the floor, a single box with a movie projector and several film reels tucked inside. The films have titles such as 'BBQ '79' and 'Family Hanging Out '11' - the latter is the most recent so Ellison sets it up on the projector. The clip shows the family that were recently murdered enjoying one another's company before cutting to an image of the four of them when they killed. Shocked, Ellison passes the videos on to the police to investigate further and notices the only similarity between all the murders of different families in the house on each of the film reels is a recurring symbol which he later discovers is the mark of a pagan deity named Bagul who he is told feeds on the souls of children. Legend has it that children who see the image of Bagul are vulnerable to his attack because he is alive through his own image. When he begins to target Ellison's family, he realises he must escape before they become the next victims.
Continue: Sinister Trailer
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