John McBurney is a Union soldier who is found injured in the grounds of a Mississippi Confederate all-girls boarding school in 1863. The girls and their headmistress Miss Farnsworth take him inside to care for him, locking him in a room to keep him separated from the girls, but during his stay he manages to charm the likes of teacher Edwina Dabney and one of the elder students, Alicia, not to mention Martha herself. John's presence in the house disrupts the once quaint atmosphere, and it soon becomes thick with deceit and jealousy. As each of the girls turn on one another one by one, they begin to realise who the real enemy is. And John finds himself in far more danger than he ever was in the ongoing Civil War.
Continue: The Beguiled Trailer
The best in competition for Cannes Film Festival 2017.
Cannes Film Festival 2017 kicks off this week and those officially selected for Competition are particularly exciting this year. The Palme d'Or nominees offer thrills, colour, mystery, poignant propositions as well as some of Hollywood's biggest stars. Here are nine of our most anticipated features.
Nicole Kidman stars in 'The Beguiled'
1. The Beguiled - For Academy Award winning Sofia Coppola's latest film, she adapts the Thomas P. Cullinan novel of the same name (originally called 'A Painted Devil') in a Western starring Nicole Kidman, Kirsten Dunst and Elle Fanning. They play the residents of a small Virginia girls' school who take in a wounded Union soldier played by Colin Farrell. Sexual tensions arise, which only results in pure vengeance.
From Bono to Michael Fassbender, here are some of Ireland's best loved celebrities on St. Patrick's Day.
To celebrate St. Patrick's Day, we pay tribute to some of the most significant Irish men and women in Hollywood and beyond, because for such a small country, so many legends have been created there. Here's a look at some of the singers, actors and presenters that make Ireland proud.
10 of Ireland's greatest superstars:
Michael Fassbender is half-Irish, half-German
Continue reading: Celebrating 10 Of Ireland's Finest Stars
The time is drawing ever closer to the release of Fantastic Beasts And Where to Find, within a short number of days we will finally be able to get a glimpse into the life of a character that author J.K. Rowling so lovingly developed. Even when Newt Scamander was a young Hogwarts student, he always loved the wilder side of magic. If there was a wild beast to nurture, Newt would be the enthusiastic child wanting to find out more.
When he grew up, he became an acclaimed magizoologist and formed his own unique and rather deadly collection of beasts. Any endangered species, Newt would willingly look after and add to his endless list of beasts, all with their own unique powers. After a busy trip collecting more creatures, Newt visits the city of New York and arrives to find that tensions between the wizarding community and a group of powerful muggles (known as the Second Salemers) are battling one another; the Second Salemers goal is to eradicate the wizarding community.
When some of Newt's beasts are accidentally released, he is quickly called to answer questions from the Director of Magical Security at MACUSA (Magical Congress of the United States of America) who presumes Newt is guilty of working with wizard Gellert Grindelwald. The director, Percival Graves, believes that Newt has purposefully released the beasts to expose magic kind in order to stir up tension between and further the war between the muggles (No-Maj) and the wizarding world.
Cameron Diaz and Jason Segal's new movie 'Sex Tape' looks at the results of a raunchy home movie being released. These celebrities all have sex tapes, but are they quite as embarrassed?
If one of us regular folk filmed ourselves doing the nasty and then the tape was leaked, life as we know it would be over. Most of us can’t think of anything more mortifying than other people seeing us in the throes of lust, as Cameron Diaz and Jason Segal discover in their new movie ‘Sex Tape’.
These celebs, however, see ‘leaked’ sex tapes as a career tool and for most of them it’s not exactly been an embarrassment for the world to see them bumping uglies.
Hilton hotel heiress Paris Hilton filmed herself doing the nasty with ex-boyfriend, Rick Saloman
Continue reading: Kim Kardashian, Paris Hilton...Screech? 'Leaked' Celebrity Sex Tapes
The fact that this magical romance has been retitled A New York Winter's Tale in the UK tells you what the filmmakers think of the audience: we can't be trusted to get anything on our own. Writer-director Akiva Goldsman lays everything on so thickly that there's nothing left for us to discover here. And he botches the tone by constantly shifting between whimsical fantasy and brutal violence. Sure, the manipulative filmmaking does create some emotional moments, but inadvertent giggles are more likely.
It's mainly set in 1916, where young orphan Peter (Farrell) is running from his relentlessly nasty former boss Pearly (Crowe), a gangster angry that Peter isn't as vicious as he is. Then Peter finds a mystical white horse that miraculously rescues him and leads him to the dying socialite Beverly (Brown Findlay). As they fall deeply in love, Peter believes he can create a miracle to save Beverly from the end stages of consumption. And Pearly is determined to stop him. But nearly a century later, Peter is still wandering around Manhattan in a daze, trying to figure out who he is and why he's still there. He gets assistance from a journalist (Connelly), who helps him make sense of his true destiny.
Yes, this is essentially a modern-day fairy tale packed with supernatural touches. But Goldsman never quite figures out what the centre of the story is, losing the strands of both the epic romance and the intensely violent vengeance thriller. Meanwhile, he condescends to the audience at every turn, deploying overwrought camera whooshing, frilly costumes, dense sets and swirly effects while a violin-intensive musical score tells us whether each a scene should be wondrous or scary. At the centre of this, Farrell somehow manages to hold his character together engagingly, even convincing us that Peter is around 25 years old (Farrell's actually 38).
Continue reading: Winter's Tale Review
'Winter's Tale' has failed to impress critics who have marked the film as overly sentimental, confusing and lacking in convincing characters. The grand romantic gestures the film centres around have entirely failed to woo critics even over the Valentine's Day weekend.
Winter's Tale, also known as A New York Winter's Tale, has failed to warm the hearts of critics following its Valentine's Day release.
Colin Farrell stars in Winter's Tale as Peter Lake.
The film has a stellar cast including: Colin Farrell (Phone Booth); Russell Crowe (Les Misérables); Jessica Brown Findlay (Downton Abbey); Jennifer Connelly (Beautiful Mind); Will Smith (Men in Black); and a large host of other famous names.
Continue reading: 'Winter's Tale' Receives Icy Critical Reception
Colin Farrell's back in 'A Winter's Tale' but how has his career progressed over the past decade?
Colin Farrell is back with 'A Winter's Tale', which is hoping to draw in audiences over Valentine's weekend. As the Irish actor tries to regain his leading man status we look back over his career of ups and down and tabloid headlines.
Colin Farrell, star of 'Winter's Tale'
Irish actor Colin Farrell’s career started off in the rather unglamorous BBC TV show ‘Ballykissangel’, from 1998 to 1999 Farrell had a small role as Danny Byrne in the English produced drama which was set in Ireland. Farrell’s good looks and roguish image, however would mean that film offers weren't too long in coming. His first big screen role was in Tim Roth’s ‘The War Zone’, which he followed with a supporting role in ‘Ordinary Decent Criminal’ alongside Kevin Spacey. However critics first took notice of the actor in 2000’s’ ‘Tigerland’ directed by Joel Schumacher. Though the film was not a commercial success he gained positive reviews for his performance.
Continue reading: 'A Winter's Tale': Assessing Colin Farrell's Up And Down Career
'Winter's Tale' is an extraordinary fantasy that follows the unbreakable bond of true love, but as Valentine's Day approaches, can this film prove to be the perfect option for the year's most romantic evening?
The romantic Akiva Goldsmad-directed 'Winter's Tale' made its world premiere in London on Thursday evening (Feb 13th), hoping to attract the attention of many besotted couple's one day before Valentine's Day.
Farrell as Peter Lake in 'Winter's Tale'
Although the movie, starring Colin Farrell and Jessica Brown Findley, is a story of fantasy, the content certainly does profess to depict true love. Set in the ever so romantic city of New York, the plot follows one man's infatuation that lasts an entire century.
Weisz and Farrell to take centre stage in Yorgos Lanthimos' new movie alongside Ben Whishaw and Léa Seydoux.
Colin Farrell and Rachel Weisz have been cast in Yorgos Lanthimos' new science fiction romance, The Lobster, alongside the previously-announced Ben Whishaw ('Cloud Atlas'), Léa Seydoux ('Blue Is The Warmest Colour'), Olivia Colman ('Broadchurch'), Ariane Labed ('Attenberg,' 'Alps') and Angeliki Papoulia ('Dogtooth,' 'Alps'). The dystopian drama will be the first English language film from the Oscar-nominated Dogtooth director and will begin shooting in Ireland on the 24th March, according to Deadline.
Rachel Weisz Has Been Cast In A Key Role In Yorgos Lanthimos' 'The Lobster.'
Weisz ('The Mummy') and Farrell ('In Bruges') will lead the cast in the unconventional love story, in which a group of people who are told to find respective partners, or they will be turned into animals, reports Digital Spy.
Colin Farrell gushed about his very close friendship with Elizabeth Taylor in the last couple of years of her life, stating, "I just adored her."
Irish actor Colin Farrell spilt the beans on his friendship with Elizabeth Taylor which only began around 2 years before she passed away.
Their unique friendship may have led to something more if the burden of age was non-existence, as the 37 year-old actor admits to having a great affection for the 79 year-old actress.
Only if they met earlier in life!
This true story only barely avoids becoming sloppily sentimental, thanks to a solid cast and a final act that generates honest emotion. Awash with the Disney spirit, the film breaks free of the marketing machine to recount events that are lively and often very funny, but also manage to be sharply moving. It's the kind of crowd-pleaser that deserves to do well both at the box office and in awards ceremonies.
Set in 1961, it's the story of how Walt Disney (Hanks) finally lures PL Travers (Thompson) to Hollywood to woo her into signing over the film rights to Mary Poppins after some 20 years of pestering. She is equally determined to protect her creation, which is very close to her heart. But she agrees to work with the screenwriter (Whitford) and composers (Schwartzman and Novak) as long as she has veto power. Her demands are crazy ("I don't want the colour red anywhere in the movie!"), but everyone tries to win her over. Eventually Walt realises that he needs to find out exactly why Mary Poppins is so important to her. And that the story is more about Mary's affect on the family's father, Mr Banks, than the children.
Indeed, in parallel flashbacks we see Travers' childhood in rural 1906 Australia, where she lives as a young girl (Buckley) with her lively father (Farrell) and shattered mother (Wilson). Her dad's alcoholism is the driving force of these scenes, which feel like a completely separate film intercut with sunny 1960s Hollywood. But they add weight to Thompson's remarkably detailed performance, which is marvellously withering and hilarious, and also subtly emotional. Her interaction with the buoyant Hanks is sharp and jagged, and the film's nicest scenes are between Travers and her driver, sensitively played by Giamatti.
Continue reading: Saving Mr. Banks Review
The Hunger Games sequel gets great reviews at its world premiere in London, while anticipation builds for Disney's dark spin on Sleeping Beauty. And Walhberg's Lone Survivor starts to gather awards-season momentum...
The big event this week was the world premiere on Monday night of the new Hunger Games movie Catching Fire, with the entire cast on the red carpet in Leicester Square. Early word on the film has been overwhelmingly positive before it opens worldwide next week. The press have even been seen applauding at screenings. Click here to read why The Hunger Games Catching Fire is leaving fans starving for more [Premiere Pics, Trailer, Movie Stills and More].
New films released in Britain this week include Lee Daniels' star-packed drama The Butler, Joseph Gordon-Levitt's crowd-pleasing writing and directing debut Don Jon, Ridley Scott's A-list thriller The Counsellor and Jude Law in the British crime comedy Dom Hemingway. But will any of these be able to unseat Gravity on the UK box office chart? Click to read our reviews for The Butler, Don Jon, The Counsellor, Dom Hemingway and Gravity.
Farrell plays a burglar in this extraordinary fantasy tale.
Winter's Tale is certainly not a movie that claims to be based on a true story but it certainly does profess to be a tale of true love. With a stellar cast, the marvels of New York City, a love story for all ages and a sprinkling of magic, the stage is set for this new Akiva Goldsman movie to be one of next year's cinematic highlights.
'Winter's Tale': This Romantic Fantasy Tale Will Be Released Just After Valentines Day 2014.
Colin Farrell plays Peter Lake, a burglar who lives and robs in early 20th century New York City. He is wanted by his former gangster boss, Pearly Soames (Russell Crowe), to repay a debt. Peter breaks into a mansion one day only to find a beautiful girl sat at her piano who is strangely not startled by his arrival.
Peter Lake is a wanted burglar in a desperate struggle to escape an old gangster boss of his, Pearly Soames, in the cruel world that is 1916. One day, he breaks into a dazzling mansion that he thinks is empty, but then discovers the owner's beautiful daughter Beverly Penn at her piano who appears unafraid of him. Struck by her beauty, he embarks on a whirlwind romance with her that is marred when Peter discovers that she is dying of consumption. That's not the only thing Peter has to contend with as Soames repeatedly tries to kill him, but to no avail as Athansor, a white horse and guardian angel, is always there to save him. During one of those rescue feats, Peter finds himself in modern day Manhattan without a clue who he is and with no signs of aging. Determined to use this to his advantage, he sets out to save the one person he still remembers.
This heart-breaking fantasy romance is based on the novel of the same name by Mark Helprin and has been adapted to screen by Oscar winning director and writer Akiva Goldsman ('Batman Forever', 'I Am Legend', 'The Da Vinci Code'). Not to be confused with the Shakespearian play of a similar name, 'Winter's Tale' is a tremendous story of reincarnation and eternal love and will released in UK cinemas on February 21st 2014.
P.L. Travers was an Australian author who, in the early sixties, went into negotiations with Walt Disney over the rights of her novels surrounding the character Mary Poppins. It was eventually released on the big screen and won five Oscars, though its production was not without its conflicts. Travers' initial aversion to Hollywood didn't help matters, and she was unnerved by the idea that Disney might turn her beloved character into a prancing, dancing, twinkling fairy godmother. However, when Disney began to understand that Mary Poppins' place in the story was less about the children and more about their father - and, in effect, her own father on whom she based him on - the pair began to bond better and Travers was finally willing to unleash her story onto the world.
'Saving Mr. Banks' is the story of how 'Mary Poppins' was put to film in 1964 by Walt Disney, thirty years after P.L. Travers began writing about her. It is about the conflicts between Travers and Disney and Travers own struggles with her personal life when we discover just how true to life the story really was. It has been directed by John Lee Hancock ('Snow White and the Huntsman', 'A Perfect World', 'The Blind Side') and written by Kelly Marcel ('Terra Nova') and Sue Smith ('My Brother Jack', 'Peaches') and it is set to hit UK cinemas on January 17th 2014.
Check out what Tom Hanks looks like as the controversial Walt Disney.
We love the Tom Hanks Walt Disney picture, it’s not quite the transformation we expected – we can still see Hanks in it – but it has certainly whetted the appetite for Saving Mr Banks: the upcoming biographical drama about the production of the popular Walt Disney film Mary Poppins.
Hanks sports a 'tache at a portrait unveiling at Sardi's restaurant
Next to Hanks – who appears to be towing the company line, waving to fans – is a rather disgruntled Emma Thompson, who plays P.L. Travers in the film. Her struggle, which stems from Disney’s desire to adapt her novel, is a central plot point from the film. 'Saving Mr Banks' – also starring Paul Giamatti, Jason Schwartzman and Colin Farrell - is due out on January 17.
Continue reading: Tom Hanks Walt Disney Picture - First Still From 'Saving Mr Banks'
Although this adventure's premise will appeal to children, and the child within us, the film itself is far too simplistic to be a classic. But at least the animation looks terrific, with swooping action and an inventive use of nature imagery. The result is relatively engaging, consistently entertaining and never remotely suspenseful.
The story begins as teen Mary Katherine, better known as MK (voiced by Seyfried), returns home to live with her mad-inventor dad (Sudeikis) after her mother dies. Dad's house is on the edge of the forest, where he is obsessed with discovering a miniature world of beings who keep the natural world running. But his focus on work has alienated everyone in his life, and MK is still struggling to break through to him. Then she has a freak encounter with the tiny Queen Tara (Knowles), who shrinks her to two inches tall. Suddenly she's working with the Queen's chief leafman Ronin (Farrell), a rogue soldier Nod (Hutcherson), and a goofy slug and snail duo (Ansari and O'Dowd) to save the forest from the evil Mandrake (Waltz).
The script eliminates all complexity in its depiction of good and evil. Mandrake is bent on destroying the forest for no real reason, trying to bring his creeping grey decay to what is otherwise an idyllic, magical world drenched in colourful flowers, verdant ferns and trickling brooks. In other words, it's so obvious who is going to win this battle that we never for a moment worry about our rag-tag group of heroes, no matter what violence they face. So we sit back and enjoy the animators' work. While the humans look like plastic dolls, the bugs, birds, plants and critters are simply astounding, and some of the action scenes are genuinely exhilarating.
Continue reading: Epic Review
The stars of the new Blue Sky Studios animated movie 'Epic' arrive on the red carpet at the New York premiere and pose for photos among the various cardboard cut-outs of the different characters which litter the arrival area.
Here's yet another preposterous action movie that's made watchable by a skilful director and an engaging cast. While there are some intriguing themes in this spiralling odyssey of revenge, the script never really makes any sense out of the plot, merrily twisting and turning as it whizzes past a series of glaring improbabilities. But Colin Farrell and Noomi Rapace put their huge brown eyes to work, holding our sympathies as things get messier by the moment.
Farrell plays Victor, a gun-toting goon working for the slick mobster Alphonse (Howard), who is being taunted by a complex, unnerving plot to bring him down. But Victor is sidetracked by his neighbour Beatrice (Rapace), who comes on strong before revealing that she has seen his handiwork and will report him to the cops if he doesn't help her get revenge against the guy who scarred her face in a drunk-driving accident. This puts Victor in a difficult position since he's already engaged in his own plan to avenge the brutal deaths of his wife and daughter, assisted by a family friend (Abraham) from the old country.
And the plot gets increasingly knotty, as both Victor and Beatrice start to wonder if perhaps falling in love with each other might be a more pleasant way to get over their anger issues. Yes, the film is essentially preaching love and redemption even as the body count nears triple digits. Fortunately, director Oplev brings the same slick-steely style to the film as his original The Girl With the Dragon Tattoo. And the always watchable Farrell and Rapace get solid support from Howard and Abraham, as well as Cooper (as Victor's brother in arms), Huppert (as Beatrice's busy-body mum) and the underused Assante (as the big boss).
Continue reading: Dead Man Down Review
Colin Farrell thinks the reason he can't maintain relationships, is that outside of the bedroom, he fails to maintain ''interesting conversations''.
Film star Colin Farrell reveals that it is his inability to have ''interesting conversations'' after sex that keeps him single. Farrell's last serious relationship was with Alicja Bachleda, which ended in 2010 after the couple had a son, Henry. Farrell has stated, however, that he is still looking for love. All he needs is someone that can keep him occupied outside of the bedroom.
Farrell spoke to German magazine 'IN', explaining his relationship troubles, saying: ''Love is often complicated - sex is much easier. But there is still this yearning to find the love of your life. If I could have interesting conversations after sex, I would be in heaven.'' But the only relationships that dominate Farrell's life are supposedly the ones with his two children - one with Bachleda, and one with model Kim Bordenave.
Farrell laid out his intentions, explaining that: ''My main task in life is to become a better person, and a better friend, lover and father. There is still a lot to do for me, but I am on the right track.'' The 36-year-old star believes that it was becoming a father that helped him to finally kick his alcohol addiction and make him a more caring person. Farrell explained his feelings, saying: ''Fatherhood is wonderful, it's so much harder to be away from home now that I have kids. They're so wonderful, I adore them so much. I don't get too stressed about movies anymore, you do your best and you hope for the best and then you finish the movie and walk away hoping for the best and go home to the kids.''
Awards season kicked off in earnest this week with two major critical bodies - New York Critics and the National Board of Review - both naming the Osama bin Laden raid thriller Zero Dark Thirty as their film of the year. Jessica Chastain stars in the movie, which reunites director Kathryn Bigelow with The Hurt Locker writer Mark Boal. The new trailer promises another exciting, intense military action drama.
Another major awards contender is Tom Hooper's film of the epic musical Les Miserables, with a high-powered cast including Hugh Jackman, Russell Crowe, Anne Hathaway, Eddie Redmayne and Amanda Seyfried. All of them attended the glitzy red carpet world premiere in London this week. The film opens in America on Christmas Day, and in Britain in early January.
Martin McDonagh gleefully plays with both the gang thriller genre and the moviemaking process with this enjoyably absurd action comedy. It's a little self-indulgent, acknowledging how difficult he found it to follow up his acclaimed film In Bruges. But a continual stream of hilariously clever gags make it thoroughly entertaining, and the seriously great actors are so playful that it's infectious.
At the centre, naturally, is an Irish writer named Marty (Farrell), living in Hollywood and struggling to write his next screenplay. He settles on the title Seven Psychopaths, and decides that his lead character will be a nonviolent Buddhist killer. Otherwise he's stuck. Then he discovers that his hyperactive pal Billy (Rockwell) is running a scam with Hans (Walken), kidnapping dogs and claiming the rewards from their owners. This all goes terribly wrong when they grab the beloved shitzu of the mercurial thug Charlie (Harrelson), sending him into a murderous rampage. And as Marty finds himself in the middle of it, his script starts to take shape.
McDonagh is adept at combining freewheeling wackiness with more astute observational comedy. This film isn't as emotionally resonant as In Bruges, but it crackles with the same sharp dialog and offhanded violent silliness. Most of this plays up the amusing shock value of sudden death, although there are moments that are surprisingly touching, mainly due to a wonderfully textured turn from Walken. Rockwell is the other standout as the manic, unpredictable Billy, an enthusiastic mischief-maker. And Harrelson has a great presence as the funny-terrifying Charlie.
Continue reading: Seven Psychopaths Review
Next year looks set to be a seminal year for movies. Forget sequels and the so-called impending apocalypse; 2013 is all about beginnings as we discover the dubious past of 'The Wizard of Oz' in upcoming sequel 'Oz: The Great and Powerful' and how loveable 'Monsters, Inc.' protagonists Sulley and Mike got qualified to become scarers. Move over 'Breaking Dawn', 'The Dark Knight Rises' and 'Skyfall', and let's see what 2013 has in store! There have been plenty of dodgy trailers come out for 2013 releases, but here are ten of the trailers we consider worthy of your time!
Continue reading: 10 Of The Best Big Budget Film Trailers For 2013
Seven Psychopaths, the latest offering from writer-director Martin McDonagh, is courting high praise from critics ahead of its release in the US on Friday (October 12, 2012). The movie follows Marty, played by Colin Farrell, as a struggling writer who dreams of finishing his screenplay
Marty is helped along by his unemployed actor friend Billy, who is willing to do anything necessary to provide Marty with focus and inspiration that he so dearly requires. Manohla Dargis of the New York Times got the ball rolling, writing, “Meta to the max, filled with clever jokes and observations that stick like barbs and deflated ones that land with a thud, "Seven Psychopaths" is a leisurely riff about movies, violence, storytelling and the art of the steal.” Peter Travers of Rolling Stone magazine continued the praise, calling Seven Psychopaths “crazy-killer fun,” and adding, “What movie junkie out there wouldn't leap at the chance to see merry pranksters such as Christopher Walken, Sam Rockwell and Woody Harrelson go nuts in something called Seven Psychopaths?”
The movie currently holds an impressive score of 89% on review aggregating site Rotten Tomatoes, which is 5% higher than McDonagh’s last movie, the black comedy In Bruges.
Seven Psychopaths, starring Colin Farrell, hits US cinemas tomorrow (October, 12 2012). The Martin Mcdonagh directed film see a struggling screenwriter inadvertently caught up Los Angeles criminal underworld after a gangster’s Shih Tzu is kidnapped. It’s a comedy, unless you didn’t get that by now. We’ve trawled through some Seven Psychopaths reviews, so you don’t have to.
Early indications suggest that the film is really quite good, as it has a healthy rating of 95% on film-score aggregator site Rotten Tomatoes. Empire Magazine says it’s “a funny, dirty and very, very violent comedy that tilts at serious themes (as did In Bruges, but in a different way) and does so with a messy, irreverent, gung-ho energy.” Another review, this time from Entertainment Weekly, praises the film’s script, which was also penned by McDonagh: “An energetically demented psycho-killer comedy set in faux-noir L.A.,” writes Lisa Schwarzbaum. “Seven Psychopaths rollicks along to the unique narrative beat and language stylings of Anglo-Irish writer-director Martin McDonagh, channelling Quentin Tarantino.” High praise indeed!
In fact, most reviews were unanimous in praise for the crime-comedy, which stars Michael Pitt, Colin Farrell and Christopher Walken in an impressive cast. We couldn’t see any negative words about it, apart from the New York Observer calling it “genuinely humor-resistant.” But with its overwhelmingly positive reception, it looks like your cinema tickets for tomorrow night are sorted. U.K viewers will have to wait until December 9, 2012 to see it, though.
Mary Katherine is a regular teenage girl who somehow mysteriously appears in an enchantingly beautiful forest full of talking slugs and miniature soldiers. In this strange new world, a war is waging between the forces of good and those who do everything within their power to try to defend nature, and the forces of evil; those who are responsible for its destruction. Wishing she'd dreamt it all at first, Mary eventually joins a team of weird but friendly characters to help protect this world as well as her own which is also, consequentially, under threat.
Continue: Epic Trailer
That one good character is Doug, played with real depth by Farrell. After a chemical war has left just two inhabitable spots on earth (Britain and Australia), Doug is working as a robotics engineer and living a quiet life with his wife Lori (Beckinsale). But he keeps dreaming about running for his life with another woman (Biel), so he heads to a Rekall memory-implant centre to clear his mind. Of course he instead opens a can of worms, discovering that he's not who he thinks he is. But what's the truth? And who's side he really working for - the totalitarian chancellor (Cranston) or the violent rebel leader (Nighy)?
Continue reading: Total Recall Review
It is an uneasy period in human history, with the nation states of Euromerica and New Shanghai vying for supremacy a factory worker, Douglas Quaid, begins to question this new world order. With the questions mounting in his head it seems that the only thing that can clear his head is a decent vacation and Rekall looks to be the company to help him out with this desire.
Continue: Total Recall Trailer
Besides some cheap scares, it never generates a moment of suspense, but it's still good fun.
In suburban Las Vegas, Charley (Yelchin) is a nerdy teen with an impossibly hot girlfriend (Poots) and a feisty single mum (Collette). But there's something suspicious about the new neighbour Jerry (Farrell), whom Charley's best friend Ed (Mintz-Plasse) insists is a vampire. And as events start to get increasingly bizarre, Charley begins to believe it himself. He asks TV vampire expert Peter Vincent (Tennant) for advice, but Peter is a jaded showman who doesn't really believe in the supernatural. Or does he?
Continue reading: FrightNight Review
Nick Hendricks (a management candidate), Kurt Buckman (an accountant) and Dale Arbus (a dental assistant) are three best friends who love their jobs. However, for the three of them, there is just one thing coming between them and their happiness - their evil bosses.
Continue: Horrible Bosses Trailer
In fact, Oliver Stone's overblown biopic detailing the global conquests of Alexander the Great (Colin Farrell) would make a nice bookend to Wolfgang Petersen's lopsided sword-and-sandal epic. One day you'll be able to tap Netflix for the two titles and combine them for a battle-worthy double feature. You'll only need an entire weekend to wrap it up.
Continue reading: Alexander Review
A few years later, after the deaths of both Carlton and his mother, Bobby is a puppy-eyed teenager who inherited Carlton's magnetic personality and utter lack of guile, which is what attracts another teen, the gawkier Jonathan, to him. After his dad dies, Bobby moves permanently into the Glover household as a sort of unofficial adopted brother to Jonathan - except that they're brothers who occasionally make out and smoke joints with Mrs. Glover (Sissy Spacek). The rather uptight Jonathan (he wears glasses and has braces, you see) can't handle Bobby's openness and is more than a little jealous of how eagerly her mother has embraced him into their family, and their romantic relationship stalls.
Continue reading: A Home At The End Of The World Review
There's plenty of blame to go around, but it should probably start with the script by David Ayer and David McKenna, which starts with your basic bank hostage scenario that can only be solved by (cue music) the S.W.A.T. team. Hotdoggers Jim Street (Colin Farrell) and Brian Gamble (Jeremy Renner) move into the bank, disobeying orders, and Gamble ends up shooting (nonfatally) one of the hostages. Street gets demoted out of S.W.A.T., while Gamble quits the department entirely, holding a serious grudge.
Continue reading: S.W.A.T. Review
Joel Schumacher, director of some of the worst films in a generation (8MM, Batman & Robin, Batman Forever), redeems himself with his first really good flick since Falling Down in 1993. A tale of army recruits in their final days of training before heading to Vietnam in 1971, Tigerland is an original and modestly powerful anti-war film that never even goes "in country."
Continue reading: Tigerland Review
An unremarkably routine superhero movie based on the cult-favorite comic book about a satanically-costumed blind vigilante, "Daredevil" plays like a C-grade grad project for a night school course called Superhero Filmmaking 101.
Faithful to his inspiration -- the era of "Daredevil" issues written by "Batman" revitalizer Frank Miller and comic-crazy film director Kevin Smith -- in several important details, writer-director Mark Steven Johnson's one stroke of true genius comes in the pulses of fluid, misty, ghostly imagery he uses to depict the sightless crime fighter's enhanced ability to "see" through sound waves and smells.
But most of the picture apes its action style -- and many whole fight scenes -- from last year's "Spider-Man." It has the same ineffectual opening voice-over, the same unconvincingly CGI-assisted rooftop leaping and building-swinging (Daredevil uses a grappling-hook-modified walking cane instead of spider-webbing) and its hero has the same slow-mo back-flip method of dodging weapons thrown by villains.
Continue reading: Daredevil Review
After his full frontal scene was cut from a recent movie, Colin Farrell has expressed amazement that the scene stirred up so much interest, as McGregor supposedly has a bigger penis.
Hollywood star Colin Farrell has expressed dismay at the amount of publicity his penis has received, especially as it doesn't even appear onscreen. and it's nothing compared to Ewan McGregor's, apparently. The 'Phone Booth' star was recently part of a full-frontal nudity scene which was pulled from the film when test screening audiences found it distracting.
Said audiences have reported that Farrell's manhood is "big", despite the actor's own suggestion that it's nothing to write home about. And compared to Ewan McGregor - who recently went full frontal for 'Young Adam' - it's not worth talking about. Farell spoke to Entertainment Weekly about the scene, saying: "I mean, f*** me! Who gives a f***? Apart from the readers of (gay magazine) 'The Advocate' maybe, who wants to see Colin Farrell's c*** that much?"
Continue reading: Colin Farrell Explains That His Penis Is Smaller Than Ewan Mcgregor's
Date of birth
31st May, 1976
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