Marty McFly is an ordinary high school teenager, with a passion for music and a talent for skateboarding - not to mention a beautiful girlfriend named Jennifer. However, his parents have it less easy; his father George lacks confidence and so is easily bullied by his boss Biff, while his mother spends her days drowning her sorrows and getting seriously unhealthy. Soon Marty meets an ageing scientist named Doc, who has built a time-machine into a DeLorean. But when the pair run into some trouble, Marty is forced to escape in the vehicle and winds up in 1955 - the year his parents first got together, despite them being leagues apart. Now not only has Marty got to find the younger Doc to help him get Back To The Future, but he also has the task of uniting his parents so that he eventually gets born.
Continue: Back to the Future (1985) - Clips
Calling an album after the name of an estranged wife is certainly weird but it pales in comparison to some of music's most horrific album titles.
In perhaps the most audacious and downright ridiculous move the music business has witnessed in the last few years, singer Robin Thicke has announced his new album will carry the title of Paula, which by some strange coincidence just happens to be the name of his estranged wife- actress Paula Patton.
Thicke and Paula in more happy circumstances.
To say such a public declaration of love is cringe-worthy would be an understatement, it is such a trite attempt at reconciling with his wife that is seems like something straight out of Spinal Tap. You can imagine the album title sitting quite comfortably alongside the likes of Smell The Glove and Shark Sandwich. As if that wasn’t irksome enough, Thicke’s debut single from the album is entitled "Get Her Back” and it sees the ageing crooner positively straining to exude as much heartfelt sincerity as he can before he gives himself a heart attack.
In the 1970's Howard Marks was one of the biggest weed smugglers in the world but the Welshman from the small town of Kenfig never indented to become such a major player in the industry. In the beginning Marks started out as a relatively minor drug dealer, supplying small amounts of dope but as his connections began to grow more opportunities became available.
Continue: Mr. Nice Trailer
When Adam and Nick discover their friend Lou almost killed himself (by accident, though they're not convinced) they decide to take him and Adam's nephew away for a break. Where better to take their old mate than Kodiak Valley Ski Resort a place where all three men have fond memories of their past.
Continue: Hot Tub Time Machine Trailer
Crispin Glover Sunday 7th March 2010 E! Oscar Viewing and After Party held At Drai's in The W Hotel Hollywood, California
Number 9 (Wood) is a brave little creature who wakes up into a decimated city where meets the inventive 2 (Landau), who's promptly captured by a scary monster. Soon 9 finds a community led by conservative leader 1 (Plummer) with his muscly/dim bodyguard 8 (Tatasciore) and obsessive sketch artist 6 (Glover).
It's the friendly 5 (Reilly) who accompanies 9 to rescue 2, and along the way they meet swashbuckling 7 (Connolly) and bookish twins 3 and 4. Together they need to figure out how to stop a voracious soul-sucking machine.
Continue reading: 9 Review
One such role is Willard, an introverted loner who discovers an innate ability to control rats. When the original Willard was released in 1971 with Bruce Davison in the title role, Glover was seven years old and probably horrifying a helpless babysitter. Thirty-two years later, with this remake from director Glen Morgan, the actor finally sinks his teeth into the role of his lifetime.
Continue reading: Willard Review
Wild at Heart was puzzling, because it was screwed up and it was hard to figure out why. Time - and, 14 years later, the DVD release - helps to clear up that central enigma. Based very loosely on Barry Gifford's novel, this manic, Southern Gothic road movie now seems too deliberately weird. And in retrospect the cause seems to be that its creator, a strange man if the available evidence of his films is to be believed, and one who then was only recently revered as a certain type of genius, was trying so hard just to be himself.
Continue reading: Wild At Heart Review
For the first time, LaBute is not directing from his own script, which might explain why, if I didn't know better, I would have sworn I was watching a Coen brothers movie. Who else would put a fantasy dancing sequence on the edge of the Grand Canyon at night?
Continue reading: Nurse Betty Review
Amusing enough, and a quick read. And Fast Sofa, the movie, keeps the guts of this road trip intact -- enough to realize that our pal Rick is on a real road to nowhere. Jake Busey makes for a creepy and considerably miscast hero, though Jennifer Tilly's wanton Ginger is enough fun for the both of them. Stealing the show, however, is Crispin Glover, as a shut-in sophisticate named Julian who tags along on the latter half of Rick's abortive journey. His outfit alone is reason enough to rent the tape.
Continue reading: Fast Sofa Review
The film is largely a platform for odd soliloquies from its odd cast members, and even the strangest among them seem to have trouble spouting off their improbable lines. Suzy Amis is particularly awful in one of her first starring roles. You might amuse yourself instead by watching for appearances from Tim Robbins, William S. Burroughs, and a few other notables. Director Michael Almereyda is clearly working on a budget of pennies here, and though he makes the most of it, the movie can't help but look pretty cheap. Characters come and go willy-nilly, the camera doesn't seem to move much, and the film's lame synth-driven music feels more like 1980 instead of 1990.
Continue reading: Twister (1990) Review
Date of birth
20th April, 1964
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