Scotty Galban and his partner Joey are New York City cops, whilst Scotty usually sticks to the rules, his partner has been tempted by dirty money. When Joey is found on an underground rail road track with a knife in his back, Scotty immediately goes to the scene.
Scotty wants justive for his partner but he also knows Joey was taking money from drug dealers and by finding his murderers, he might just bring a lot of dark secrets to light that are best kept unknown. With few leads, Galban begins to piece together his partners last steps and his dodgy dealings - one of his first leads him to a teacher, Isabel, who he feels is connected to the case in more ways than she's letting on.
Exposed is a gritty 'whodunnit' based in a modern day New York City directed by Declan Dale.
Former elite agent Luke White lives in New York and is all too familiar with the city's seedy underbelly, which crawls with corrupt policemen, killers and gangsters. The policemen, along with the Russian mafia and the Triads, are all looking for New York's Most Wanted, who has memorised a very long safe combination that is of the utmost importance.
Continue: Safe Trailer
Henry (Reeves) is just drifting through life with his wife Debbie (Greer) when his old school friend Eddie (Stevens) leaves him to take the fall for a bank robbery Henry knew nothing about. His life in prison isn't much worse than outside, and his new friend Max (Caan) makes up for the fact that Debbie runs off with one of the robbers (Hoch). And when he gets out a year or so later, Henry decides that since he's done the time, he might as well do the crime.
Continue reading: Henry's Crime Review
Meanwhile, the movie forces me to reconsider my own, because it spends a lot more time seeming like a good movie than actually being one. For a film with such an ominous, encompassing title, We Own the Night is content to skim the surface of the NYPD, lacking the obsessive attention to detail that distinguishes other crime-heavy glimpses into bygone American eras as diverse as Gangs of New York, Zodiac, or The Assassination of the Jesse James by the Coward Robert Ford. Even Night's period details feel half-assed and incidental, like background songs that sound more like bits of '90s soundtracks to '80s-set movies instead of 1988 itself. In fact, though an early subtitle says so, the year doesn't even seem to be 1988 in particular but a vague, amorphous "eighties," Wedding Singer style.
Continue reading: We Own The Night Review
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