Dr. Bennet Omalu is a pathologist who loves his job and, in many ways, the patients that he looks after. His methods are his own but they work for him and he's very successful at his job. When ex-American Football star Mike Webster turns up on his morticians table, Omalu treats his body just like he would any other. What isn't initially known to Omalu is that after years of playing professional football Webster had become something of a recluse whilst suffering with Dementia and depression.
Bennet's initial findings with the late Mr Webber is that he died of cardiac arrest, but unhappy with this conclusion, the pathologist begins to dig deeper. Looking at every possible outcome, Bennet beings to study the brain of the ex-footballer and what he discovers is a new disease that hasn't been seen before.
Before this point, people knew about a condition called Punch Drunk, a disorder often associated with contact sport such as boxing, but up until Dr. Bennet Omalu's discovery the disorder hadn't been seen as a physical effect.
Continue: Concussion Trailer
Following the vicious rape and murder of his girlfriend Merrin Williams, Ig Perrish goes on a grief-ridden binge and awakens the next morning with the mother of all hangovers. He also discovers two horn like growths pushing through his temples which appear to be growing larger. He visits a friend and shows her his new appendages, but to his surprise she seems untroubled by the unusual deformity - as do the reporters that Ig is struggling to shake off since being acquitted of Merrin's murder. More unusual still, he also finds that everyone is sharing their darkest secrets and desires with him, including his doctor who is also unfazed by his appearance. As he becomes used to the horns, Ig also discovers he has another ability - he has the power to control the actions of nearly everyone he comes into contact with.
Continue: Horns - International Trailer
'McCanick' was one of Cory Monteith's final film projects, telling the story of a drug addict accused of murder. The movie is due to premiere, alongside Monteith's other final film 'All the Wrong Reasons', at the Toronto International Film Festival in September.
Cory Monteith's final film McCanick is due to premiere at the Toronto International Film Festival on September 9th. In one of his final roles, Monteith plays Simon Weeks a drug addict and recently released prisoner. According to reports by MTV, Weeks is suspected of a murder he committed whilst in his teens, he is tracked down by two detectives: Eugene 'Mack' McCanick (David Morse) and Floyd Intrator (Mike Vogel).
Cory Monteith at the 2012 San Diego Comic-Con, appearing in the Glee press room.
The trailer suggests Monteith's character is likely innocent of the suspected crime. One character warns the irritable McCanick "he's done bad things but he is not a killer", whilst the detective retorts "you don't know him as well as you think." This could be a red herring in itself, but we shall have to wait and see!
Escaping the deepest and darkest realms of hell, Milton returns to Earth in a bid to save his baby grand daughter from death. Milton's daughter was murdered by a cult days earlier and now Milton has three days before the cult leader sacrifices the baby in an attempt to unleash hell on earth.
Continue: Drive Angry Trailer
Adoption is a life changing situation for all involved.The woman who feels she must give up her baby must find a way of life after giving up her child, the adoptee ofter goes through months of unknowing before finally being given a new family member and the child often grows up feeling loved by their adoptive parents but wanting to discover more about their birth parents. Mother and Child is a moving tale of three women all in very different situations but all connected through a similar circumstance. Adoption.
Continue: Mother & Child Trailer
The film's beginning will not allay your fears. Kale (LaBeouf) and his dad (Matt Craven) are fishing. Knee-deep in a lake and surrounded by mountains, they share a particularly cheesy father-son moment. We see that he's not just Kale's father, he is his friend. The relationship is so clichéd and the setting so cloyingly idyllic, that one wants to run for the (admittedly beautiful-looking) hills. However, before you go to switch off the Hallmark channel, Caruso offs the dad in a car accident just brutal enough to forgive what came before and dissolve some preconceptions. It's a pretty good move (although not quite Janet Leigh in the Bates Motel shower) and sets us up for a film that effectively handles and plays its audience.
Continue reading: Disturbia Review
Consider the strange coincidence of Russell Crowe's character in Proof of Life making the moves on a distraught wife played by Meg Ryan's character in the film -- all while the real Russell Crowe was hitching up with married woman Meg Ryan in the outside world. I haven't seen this much chemistry between actors since McQueen and MacGraw teamed up in Peckinpah's masterpiece, The Getaway.
Continue reading: Proof Of Life Review
Director Anthony Fuqua doesn't seem terribly interested in the plot of "Bait," a impotent "Enemy of the State" knock-off that reeks of a sloppy re-write designed to accommodate the comedy stylings of Jamie Foxx in the Will Smith-type role.
Fuqua's main focus is turning the picture into a resume-builder and he spends the whole two hours showing off his technique. Dripping with visual flair overkill, the chase scenes, stunts and explosions get the deluxe treatment. A 30-second sex scene is shot from about 20 angles. Even a throwaway speech Foxx gives about missing his father (it's just a line to get his ex-girlfriend in the sack) is filmed with four or five cameras -- one of them restlessly circling him as he mock-emotes -- and edited with slow-motion effects and multiple fade-ins and fade-outs.
"Lookie what I can do!" Fuqua seems to be saying, much as he did in "The Replacement Killers," Chow Yun-Fat's Hong-Kong-style American debut. "Please don't send me back to making music videos!"
Continue reading: Bait Review
"The Green Mile" begins with a little deja vu. Like Tom Hanks' last mid-Century, Oscar-baiting drama, "Saving Private Ryan," it's bookended by a modern framework that finds an old man reluctantly reminiscing about a difficult year of his life, more than half a century ago.
Because of the familiar faces and the similar prestige posturing, this platitudinous structure invites a little eye-rolling as Dabbs Greer (Reverend Alden on "Little House On the Prairie"), playing the aged Hanks, begins to spin what becomes an engrossing three-hour yarn about a year of extraordinary horrors and miracles on death row in a Louisiana state penitentiary.
Hanks plays prison guard Paul Edgecomb, an unjaded joe in charge of death row who treats people on both sides of the bars with humanity and civility. Set in 1935, the central story opens with the arrival of a kindly colossus of a condemned killer named John Coffey (Michael Clarke Duncan).
Continue reading: The Green Mile Review
For years filmmakers have been trying to reinvent the musical. "Evita" went big, "My Best Friend's Wedding" sneaked musical numbers into its semi-standard romantic comedy, the "South Park" movie mocked the cartoon musical while besting it with genuinely catchy tunes, "Love's Labour's Lost" was an homage to the Fred and Ginger sing-songs of the 1930s.
But no one has succeeded in making a truly modern movie musical, one that employs emerging filmmaking techniques instead of reaching back 50 years for inspiration. In fact, no one has ever even attempted something like "Dancer In the Dark."
Writer and director Lars von Trier -- the reclusive Dane behind the minimalist Dogme95 movement that espouses natural lighting, no props and handheld cameras -- discovers a way to marry his trademark sparseness with the unfettered showmanship of song and dance numbers in this daring retooling of the musical genre.
Continue reading: Dancer In The Dark Review
Dr. Bennet Omalu is a pathologist who loves his job and, in many ways, the...
With his most stylish film yet, horror specialist Alexandre Aja takes a wildly irreverent approach,...
Following the mysterious death of his girlfriend, Merrin Williams (Juno Temple), Ig Perrish (Daniel Redcliffe)...
Following the vicious rape and murder of his girlfriend Merrin Williams, Ig Perrish goes on...
Starting as a clever Contagion-style investigative thriller, this fiercely paced apocalyptic adventure begins to fall...
Gerry Lane is a government employee whose job takes him on missions he never imagined...
Gerry Lane is a United Nations employee with a family life anyone would wish for....
Less a fully realised thriller than a series of rampaging set pieces, this rollicking movie...
Escaping the deepest and darkest realms of hell, Milton returns to Earth in a bid...
Adoption is a life changing situation for all involved.The woman who feels she must give...
Disturbia is a critically vulnerable film at the outset. Its task is an audacious one:...