A lot has happened in the four years since Depeche Mode released their last record. An Austrian skydiver jumped from space, the Conservative and Liberal parties formed a coalition government, London hosted the Olympic Games for the first time in over half a Century and Jorge Mario Bergoglio became the first Argentinian pope. At the same time, singer Dave Gahan was diagnosed with a tumour on his bladder, which put the brakes on the world tour for the band's last album, 2009's 'Sounds Of The Universe'. Thankfully, the growth was treated before it had chance to spread, allowing the band to reschedule those cancelled shows culminating in a headline slot at the following year's Lollapalooza festival in Chicago. In the meantime, fellow songwriter and occasional singer Martin Gore got himself into a Twitter spat with none other than Simon Cowell after initially stating the pop mogul should be shot.
Not exactly business as usual then, and far removed from the clean cut image portrayed by the four then-teenage Basildon boys whose song 'Photographic' had created such a stir on a low-key compilation album over three decades earlier. Of course, the ensuing time period has confirmed Depeche Mode to be anything but conventional. Over the course of their previous twelve albums, they've embraced any number of genres from avant-garde electronica, pop, soul, techno, industrial rock and even metal. All the while enlisting a burgeoning and religiously devoted worldwide fanbase almost every one of their peers would happily sacrifice their right arms for.
It's also to their credit that they've gradually stepped further away from the synthetic pop sound of their first record with every subsequent release. Preferring instead to set up base camp left of centre and ultimately remain there, it should come as no surprise to learn that 'Delta Machine' largely operates from the same ballpark. Terse and industrially harsh in places, at times an uneasy - if never unpleasant - listen, it isn't so much the sound of three fifty-year-olds wrestling with their demons. Instead, the core surviving trio of Gahan, Gore and Andy Fletcher seem intent on antagonising those demons into an indeterminable rage. And as a result, 'Delta Machine' feels a whole lot more energised rather than exorcised for it.
Continue reading: Depeche Mode - Delta Machine Album Review