To look at the life of Rodney is to look at a near-complete history of several decades of music. A shy kid from a broken home, Rodney left Mountain View, California, for Hollywood in the early 1960s and never really left. Quickly making himself at home on the Sunset Strip scene, Rodney surrounded himself with every kind of celebrity, especially from the music industry. One interviewee after another comments on his Andy Warhol-like blank demeanor that allows the famous and talented to see reflections of themselves. But there is also an eternally childlike innocence to him that was quickly picked up on: Cher, who practically adopted Rodney for a time with Sonny, talks about how you could just tell that Rodney never wanted anything from you, just to be there and absorb the glittery experience was enough. There's a sense of a kid trying to make up for his own fractured past with a famous family, and also just looking for someone to take care of him.
Continue reading: Mayor Of The Sunset Strip Review
Set in broken down Mexico City, the film finds Vollmer receiving a visit from beat-heads Allen Ginsburg (Ron Livingston) and Lucien Carr (Norman Reedus). (Carr, a minor figure in beat history, was a UPI reporter responsible for introducing many of the beats to one another as well as inspiring Jack Kerouac to type On the Road on a roll of teletype paper.) Burroughs (Kiefer Sutherland) is off on one of his bisexual booty calls, leaving his wife to ponder whether she should stay with her philandering husband (being no faithful lap dog herself) or skip town and return with her two kids to New York with Lucien and Allen. (Her very short history should tell you which route she actually chose.)
Continue reading: Beat Review
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