Samantha Kingston has, to many people, a great life. She has a perfect family and is one of the most popular girls in school. When she wakes up on February 12th, it just seems like a regular Friday. Her best friends will pick her up, they'll go to school and end the day with another epic house party. Unfortunately, that day ends at the same time as her life when they are involved in a road accident. She wakes up in her bed, to her surprise, but discovers that it's Friday morning again. Confused, she spends the rest of the day in a daze of deja vu, but when she finds herself dying and waking up again, she knows something's wrong with her.
No matter how hard she tries to change things throughout the day, she still wakes up on the same day after the same night. Soon she starts to think that maybe her plight is something to do with a strange girl at her school named Juliet Sykes; a loner and a freak, at least in her and her friends' eyes, who they never stop making fun of. It's only when she starts to feel bad about how they're treating Juliet that she finally accepts that if she has to live this day over and over, she wants to be the best person she can be every time.
Based on the best-selling 2010 young adult novel of the same name by Lauren Oliver, 'Before I Fall' follows very much in the vein of 'Groundhog Day' and 'Edge of Tomorrow', but in a high school setting. It has been directed by Ry Russo-Young ('Nobody Walks') with a screenplay by Maria Maggenti ('Monte Carlo') and Gina Prince-Bythewood ('The Secret Life of Bees') and is set to be released in theatres on March 3rd 2017.
It’s been fourteen years since Toula Portokalos-Miller had her Big Fat Greek Wedding, but now it’s time to round up the family and do it all over again. Except this time there’s a difference.
When we join Toula and Ian again, they’re now parents to a teenage daughter who’s all set to go to college (as far away from her family as possible).
As they struggle to find the balance between being good parents and making time for each other, the couple still must deal with Toula’s ever-present, overbearing Greek family.
Some people are far more important than you might think. For one lowly cobbler, things are about to change. After a lifetime of fixing other people's shoes, the cobbler, Max Simkin (Adam Sandler) one day dares to try on a pair, discovering that if he walks in a man (or woman)'s shoes, he will become that person. After becoming the wrong person and coming into some money that doesn't belong to him, Simkin must do whatever he can to make it through, and maybe go back to helping other people instead of himself.
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There's a fundamental flaw to this multi-strand social media-themed drama: it's told completely from the perspective of older people who are fearful about the possibilities, rather than the generation for whom electronic communication is the norm. It's well-made by director Jason Reitman (age 36) and his cowriter Erin Cressida Wilson (50) from the novel by Chad Kultgen (38), but it kind of misses the point that this is the future of human interaction. So younger (or more switched-on) viewers won't buy the cautionary message.
IR's set in Austin, Texas, where Rachel and Don (Rosemarie DeWitt and Adam Sandler) are each so focussed on finding space outside their marriage that they don't notice that their teen son Chris (Travis Tope) is hanging out with self-proclaimed slutty cheerleader Hannah (Olivia Crocicchia). Her best friend Allison (Elena Kamporis) is starving herself to be like her, spurred on by her mother (Judy Greer), who is doing everything she can to make Allison a star. Meanwhile, Patricia (Jennifer Garner) is desperate to control how her daughter Brandy (Kaitkyn Dever) uses small-screens, especially worried about her growing friendship with Tim (Ansel Elgort), whose father (Dean Norris) is annoyed that he has quit the school football team.
Oddly, the film seems to adopt the adults' fears as its central tone: the internet and mobile phone communications are potentially dangerous, addictive and isolating. But this makes the film feel more like a sermon than a set of intertwined stories. A far more interesting approach would be to explore how communication and relationships are shifting due to the influence of online media. Indeed, the generational aspects to the films various plotlines are the most compelling elements, with clashing points of view between grown-ups and kids. But audience members who believe that mobile phones and social media sites are the future will struggle with the way Reitman presents them as inherently troublesome.
Continue reading: Men, Women & Children Review
One group of very different people - including popular high school teens and their less popular peers, and a married couple struggling in their relationship - is explored in a telling story of how social media has taken over various areas of people's lives. From love lives and infidelities to body image, the world of social networking has become a hub for public scrutiny and lack of privacy as the world flock to the net in order to gain acceptance and admiration, to meet potential partners, become famous, or even bully each other. 'Men, Women & Children' looks at the dangerous rise in the sharing of sexually explicit content, cyberbullying and other disastrous effects that the web has had on the Western world.
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With one of Kate Winslet's most layered, resonant performances, this film is definitely worth a look, even though the indulgent filmmaking style pushes it perilously close to Nicholas Sparks-style sappiness. Clearly, writer-director Jason Reitman (Juno, Up in the Air) is shifting gears as a filmmaker, but the movie is in dire need of just a hint of his usual jagged wit.
It's set in 1980s New Hampshire, as the agoraphobic Adele (Kate Winslet) is struggling to raise her sensitive teen son Henry (Gattlin Griffith) on her own after her husband (Clark Gregg) left. Then one night escaped convict Frank (Josh Brolin) arrives at their house in need of a place to hide. The next day, Frank offers to help with some repairs on the house. He also notices that Henry needs to learn how to throw a baseball. And that Adele needs some affection. So over the long Labor Day Weekend, he becomes the badly needed man of the house. Then when a neighbour (J.K. Simmons) and a cop (James Van Der Beek) start snooping, they make a plan to run for the Canadian border.
Instead of a dark, menacing edge, Reitman washes the film in sun-dappled earnestness, ramping up the soapy emotions rather than the grittier issues these people so badly need to deal with. This reaches a low point when Frank teaches Adele how to bake a peach pie in a scene reminiscent of the lusty pot-spinning sequence in Ghost: laughably ridiculous. Fortunately, Winslet and Brolin generate some uneasy chemistry, and Griffith is a fine young actor in a very difficult role. Together, they pull the film back from the sudsy brink just in time for a genuinely tense final sequence.
Continue reading: Labor Day Review
When Adele Wheeler lost her husband, her life started slowly deteriorating. Suffering from depression and having developed a slight tremor, she is rarely able to leave the house except for emergencies. When she finally has to face the streets to go last minute shopping with her 13-year-old Henry, they meet a scary-looking injured man named Frank who requests a lift to their house. Too frightened to argue, they accept and later discover that he is an escaped prisoner wanted for murder. However, the mother and son can't help feeling less and less frightened as the hours pass by when he shows them remarkable kindness, despite insisting on tying them up for his and their own safety. It's not long before Adele falls in love again and she, Frank and Henry embark on a dangerous adventure together to finally escape a world that has become so cruel to them - but will the threesome get away before the cops get suspicious?
This romantic drama is set in 1982 and is based on the novel of the same name by Joyce Maynard and has been written and directed by Jason Reitman ('Thank You for Smoking', 'Juno', 'Up in the Air'). 'Labor Day' made its premiere at the 2013 Telluride Film Festival and is set to be released in the UK on February 7th 2014.
Adele Wheeler is the single mother of 13-year-old Henry and suffers from depression, rarely leaving her house except for reasons she can't avoid. One of those reasons arises when she has to take Henry last minute school shopping over the Labor Day weekend at the end of the summer. Whilst out, they bump into Frank; a not so cuddly looking man who is bleeding profusely and asks for their help. Adele and Henry are hesitant to come to his aid, but eventually drive him to their home where the situation takes a strange turn when they become his hostages. It turns out that Frank is a convicted killer who has escaped jail and is desperate to get on the move in spite of his injuries. Initially terrified, Adele and Henry soon realise that they are not in any danger and help him win freedom once again.
Continue: Labor Day - Clip
Date of birth
16th September, 1997
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When Adele Wheeler lost her husband, her life started slowly deteriorating. Suffering from depression and...
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