Peter Rabbit (James Corden) is a naughty little critter, easily identifiable by his little blue jacket. His favourite activity in the world is eating vegetables, and more often than not that involves sneaking into the garden of the often exasperated Mr. McGregor (Domhnall Gleeson). He takes his friends along with him - some of which you'll definitely recognise from Mrs. Tiggy-Winkle the hedgehog to Mr. Tod the fox - and together they have a whale of a time with an all-you-can-eat buffet of lettuce, carrots and tomatoes.
When Mr. McGregor returns home one day to find his garden ransacked and his house littered with leftovers, he thinks things couldn't get any worse. That is until he realises that there are a load of anthropomorphic animals hiding in his furniture. By the looks of things, he's not the furious farmer we read about in the original story - rather one of Peter's poor victims. But we'll soon discover what happens to the rebellious buck, and whether or not he learns his lesson about stealing from people's gardens.
Beatrix Potter's world famous children's characters have been brought to life in this wonderful CGI / live action comedy 'Peter Rabbit'. Directed by the Golden Globe nominated Will Gluck ('Friends with Benefits', 'Easy A', 'Annie'), who co-wrote the screenplay alongside Rob Lieber ('Alexander and the Terrible, Horrible, No Good, Very Bad Day'), the film is based on the original 1902 story 'The Tale of Peter Rabbit' - with a humorous modern twist, of course.
Continue: Peter Rabbit Trailer
It was never going to be easy to match the impact of 2014's Guardians of the Galaxy, which jolted the Marvel franchise to life with its fresh comedy and freewheeling adventure. This sequel is still a lot of fun, but it's also far more controlled, a conventional, plot-based step of the Marvel universe. And all of the characters are angry about everything and everyone. Thankfully, there's also an emotionality that sneaks into the final act.
Now working as a team, the bickering Guardians just manage to complete their latest mission when Rocket (Bradley Cooper) makes an enemy of a tenacious high priestess (Elizabeth Debicki). Her fleet chases them into an encounter with Ego (Kurt Russell), a god-like being who claims to be the father of Guardian leader Peter (Chris Pratt). So Peter takes Gamora and Drax (Zoe Saldana and Dave Bautista) to check out Ego's planet, while Rocket and Baby Groot (Vin Diesel) fend off both the priestess and Peter's old mentor Yondu (Michael Rooker), who arrives with a large posse. And then there's Gamora's perpetually furious sister Nebula (Karen Gillan), who's on the rampage, determined to get revenge against everyone who has slighted her.
There's an underlying rage that drives everyone's actions, and the constant screaming matches become exhausting as the film progresses. The worst offender is Rocket, who expresses his perpetual aggravation in a stream of tetchy tirades. Thankfully, the dialogue is sharply written, with wicked insults to keep the audience smirking along. And there's also a nice sense that all of this fury is masking a deeper affection these misfits have for each other, which boils over in some remarkably strong dramatic scenes. Pratt and Russell are both terrific, seizing every chance to play with the comedic and dramatic notes. There are nice moments for Rooker, Saldana and Gillan, plus some witty cameos. And while Baby Groot is almost painfully adorable, it's Bautista's hilariously open-hearted Drax who steals the show.
Continue reading: Guardians Of The Galaxy Vol. 2 Review
Elizabeth Debicki at a special performance of Letters Live hosted by Porter Magazine in celebration of their Incredible Women of 2016 edition held at The V&A - London, United Kingdom - Tuesday 29th November 2016
Elizabeth Debicki seen arriving at the 2016 Evening Standard Theatre Awards held at the Old Vic - London, United Kingdom - Sunday 13th November 2016
Shakespeare's Scottish play returns to the big screen with earthy energy, visual style and roaring performances. Acclaimed Australian filmmaker Justin Kurzel (Snowtown) takes an artistic approach that makes terrific use of sweeping landscapes and harsh weather, which allows the cast to put their guts into their roles. Yet while the film looks absolutely amazing, the sound mix is so muddled that anyone unfamiliar with the play will find it difficult to follow.
Michael Fassbender plays Macbeth, an 11th century general who has just triumphed on the Highland battlefield but is struggling internally after he and Lady Macbeth (Marion Cotillard) lost their infant child. So when three witches tell him that he is destined to become king, his wife encourages him to make it happen sooner rather than later. In secret, Macbeth murders King Duncan (David Thewlis) and pins the blame on his son Malcolm (Jack Reynor), who flees in fear, raising suspicion. Now on the throne, King and Queen Macbeth are overwhelmed by paranoia about any hint of a threat to their power, raising distrust of loyal friends like Banquo (Paddy Considine) and Duncan's defender Macduff (Sean Harris). Meanwhile, Malcolm has raised an army in England and is coming back to claim his title.
This is one of Shakespeare's bleakest, leanest plays, and Kurzel gives it an intriguingly expansive tone by setting most of the action outdoors in the elements rather than in shadowy castle corridors. In addition to adding a gritty, muddy kick, this allows the battle sequences to take on a Lord of the Rings-scale intensity. So the effect of this violence on the characters is that much more resonant. Lady Macbeth turns inward, tormenting herself in an extended dream sequence, while Macbeth goes the other way, killing anyone who seems even remotely shifty. But of course they also understand that their ambition and guilt are causing these extreme reactions.
Continue reading: Macbeth Review
Adopting a deliciously groovy vibe, Guy Ritchie turns the iconic 1960s TV spy series into a flashy action-comedy. There's absolutely nothing to this frothy romp, but it's packed with hilarious characters and lively action scenes that continually surprise the audience with inventive twists on the genre. And it just might turn the suave, fast-talking Henry Cavill and the brooding, engaging Armie Hammer into A-list stars in the process.
It opens in 1963 East Berlin, where ex-con CIA operative Napoleon Solo (Cavill) is trying to help sexy mechanic Gaby (Alicia Vikander) escape to the West, chased by his nemesis, KGB agent Illya Kuryakin (Hammer). Gaby's father is a nuclear scientist on the verge of selling his secrets to a rogue Italian billionaire couple (Elizabeth Debicki and Luca Calvani) so, even though the Cold War is raging, the CIA and KGB decide to cooperate on the mission. This means that rivals Solo and Illya must work together as they travel to Rome with Gaby, making contact with British agent Waverly (Hugh Grant) and Gaby's creepy uncle (Sylvester Goth). And of course, there are unexpected wrinkles along the way.
As always, Ritchie cleverly subverts each set-piece, letting chase scenes unfold in carefully staged but enjoyably inventive ways, often putting the real action in the background while the characters act as if they're above all this nastiness. As popcorn entertainment, this is first-rate, with a cast that's more than up to the challenge. Cavill is particularly smooth, a Bond-style spy who seems unable to resist seducing every pretty woman he meets. Hammer's role is pricklier, since Illya never quite relaxes, although his petulance makes him just as likeable. Their interplay is snappy and often very funny but, unlike Ritchie's similarly toned Sherlock Holmes movies, this strains to avoid being a bromance. Solo and Illya continue to spy on each other right to the end, maintaining their Cold War distance even as they team up to save the world.
Continue reading: The Man From U.N.C.L.E. Review
Elizabeth Debicki and Alicia Vikander are the leading ladies of forthcoming spy comedy 'The Man From U.N.C.L.E.', and recently revealed a little more about what the ladies went through will preparing for the movie; including learning to drive and the all important costumes.
Continue reading: The Man From U.N.C.L.E. - Alicia Vikander & Elizabeth Debicki Interview
When two different climbing parties set out on the expedition of their lives, they knew there would be dangers; however, no-one could prepare them for the tragedy that was in store. Reaching the summit of Mount Everest in Nepal is every passionate climbers dream, but this isn't a trip to take lightly. Such altitudes and temperatures are not meant to be experienced by human beings as frostbite and altitude sickness are almost inevitable perils, not to mention falling, strong winds and, of course, avalanches. As fate would have it, these climbers are about to run into one of the worst snowstorms ever documented as an earthquake hits the nation and mother nature has no mercy. Victory turns to catastrophe in an event that will change the lives of the survivors.
Continue: Everest Trailer
America and Russia have never seen eye to eye, but they do have some of the best government spies the world has to offer. Now's the time to put their differences aside in a bid to fight the real enemy - crime - as an international organised gang find themselves in possession of an atomic bomb powerful enough to kill billions. Napoleon Solo and Illya Kuryakin, American and Russian agents respectively, are thrust together as a team to hunt down the criminals and save the world, returning the destructive weapon to the CIA. However, predictably, it's not the most comfortable of duos, but perhaps these competitive professionals can use their animosity usefully, because they're about to face off against some unlikely and dangerous suspects.
Napoleon Solo and Illya Kuryakin are American and Russian government agents respectively - and an unlikely team given America's long history with the European nation. Unfortunately for them, whether they like each other or not, they have no choice but to band together to save the world from a deadly threat. A criminal organisation with global membership have managed to get their hands on an atom bomb with which they could destroy billions of lives, so they have to investigate to ensure it's returned safely to the American government before anyone can get hurt. Along the way though they meet some unlikely suspects, including femme fatale Victoria Vinciguerra, and team up with another feisty agent named Gaby Teller. They are willing to do anything to succeed in their mission. They have the skills to save the world. They are U.N.C.L.E.
Some people get a once in a lifetime chance to make history. Some people, unfortunately end fining themselves part of events that live in infamy. Such is the story of the people who attempted to climb the highest mountain in the world, Mount Everest, in 1996. Their story would later be referred to as the 1996 Mount Everest disaster, as two competing expeditions were caught on the mountain by a horrific storm, leading to the most terrifying events on the mountain until that point. This is the story of those climbers.
Continue: Everest - Teaser Trailer
After a long, hard battle, a Scottish Thane learns of a prophesy that will change his life forever. Macbeth (Michael Fassbender) is confronted by three witches, who inform him that he shall one day be king, and that no man born by a woman shall ever kill him. When another of their prophecies comes true, he confronts his wife (Marion Cotillard), who convinces him that he must murder King Duncan (David Thewlis). From there, Macbeth falls into the darkest depths of the human soul, as he betrays those he loves for power, and abandons his friends for the love of prophesies.
Continue: Macbeth - Teaser Trailer
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Shakespeare's Scottish play returns to the big screen with earthy energy, visual style and roaring...
Adopting a deliciously groovy vibe, Guy Ritchie turns the iconic 1960s TV spy series into...
When two different climbing parties set out on the expedition of their lives, they knew...
America and Russia have never seen eye to eye, but they do have some of...
Napoleon Solo and Illya Kuryakin are American and Russian government agents respectively - and an...