In a flamboyant, futuristic universe, Qohen Leth works as a computer hacker desperate to uncover the meaning of life. He appears to suffer from a range of conflicting phobias and his eccentricity forces him to stand out to the formidable Management who enlist him to try and crack the most fundamental formula of mankind history, the Zero Theorem. Meanwhile, he is waiting desperately for an important phone call that will reveal to him the purpose of human existence. But as he absorbs himself deeply with his own work at the dilapidated chapel he calls home, he finds himself repeatedly distracted by Management's teenager son Bob and a stunning blonde seductress named Bainsley who was specifically hired by the dictatorial authority. Qohen's sanity is frequently tested as it becomes more and more clear that the Zero Theorem is trying to tell him that all is for nothing.
'The Zero Theorem' is a vibrant sci-fi drama set in an almost Orwellian dystopian future. It has been directed by the Oscar nominated Terry Gilliam ('Twelve Monkeys', 'Brazil', 'Monty Python and the Holy Grail') and written by Pat Rushin ('No Ordinary Sun' short) in his full-length screenplay debut. It has already caused a stir having won the Future Film Festival Digital Award at the Venice Film Festival and it is set to be released in the UK on March 14th 2014.
Naturally, Victoria gets separated and spends the next hour-plus running around in the catacombs in her boots (has Sossamon ever appeared in a movie in heels? just wondering), being chased by, you guessed it, a dude in a goat-head mask. He doesn't stop, no matter how injured Victoria gets or how many people she encounters get killed... until the end, when one of cinema's most absurd twist endings of all time gets sprung on you.
Continue reading: Catacombs Review
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