This film feels kind of like what you'd expect from a collision between George Clooney and the Coen brothers: a comical noir thriller with a hefty dose of social commentary. Essentially two films mashed together, it paints a clever portrait of America in the 1950s with repressed rage, racial unrest and deep-seated greed. But the film's most powerful angle is its story of a young boy's rather nightmarish coming of age.
It's set in 1959 middle America, where Suburbicon is the town of the future, an idyllic place to raise a family. Then the Meyers family moves in, the first black family, and the community blames them when the Lodges - dad Gardner (Matt Damon), mom Rose (Julianne Moore), son Nicky (Noah Jupe) and aunt Maggie (also Moore) - are violently attacked. But an insurance inspector (Oscar Isaac) suspects that Gardner knows more about his attackers (Glenn Fleshler and Alex Hassell) than he's letting on. And Nicky knows he does. So as the neighbourhood descends into chaos to protest the Meyers' presence, Nicky quietly befriends their son Andy (Tony Espinosa).
Clooney directs this in a colourful 1950s style, with jaunty music by Alexandre Desplat and vivid production design by James Bissell. This is a community that looks perfect on the surface, but more than a little rotten underneath. And the script lures the audience in with some clever twists and turns that shift perspectives and tones, playing with the way these people are interconnected. Much of this is observed through Nicky's eyes, and he sees everything even if he can't explain why something is happening. All of this builds to a properly intense final act that's laced with wicked humour to gleefully keep the audience off balance. So even as it turns increasingly violent, the suspense and irony keep us entertained.
Continue reading: Suburbicon Review
Eddie Mannix is a fixer who works in Hollywood where he tames celebrities and keeps theirs, and movie studios', secrets out of the press - no matter how big the story. It's not the easiest job in the world, and it's certainly not always the most morally fulfilling, but it's about to get a whole lot harder when one studio, Capitol Pictures, presents him with a major problem the likes of which could be career destroying. They're working on a huge production epic entitled 'Hail, Caesar!' starring Hollywood sensation Baird Whitlock, but things go particularly awry when he is kidnapped and held for ransom by a mysterious group known only as The Future. They want $100,000, and after 24 hours, the studio aren't looking any more hopeful. Mannix enlists a feisty and beautiful female star to procure the money, while Whitlook finds himself in a most unusual situation.
Continue: Hail, Caesar! Trailer
Tom Hanks, speaking in a recent interview, discussed working with the Coen brothers and Steven Spielberg on ‘Bridge of Spies’.
For Bridge of Spies, Tom Hanks was given the opportunity to work with the Coen brothers and Steve Spielberg. Hanks may be a global superstar, as much admired for his warmth and personality as he is for his diverse acting, but in a recent interview he revealed he was still delighted at being given the opportunity to work with the well-respected screenwriters and the legendary director.
Tom Hanks and Steven Spielberg during filming for Bridge of Spies.
'Dheephan' was the surprise winner of the Palme d'Or at the Cannes Film Festival.
The Cannes Film Festival jury headed by the Coen brothers and including Jake Gyllenhaal and Sienna Miller has awarded Jacques Audiard the Palme d'Or for his movie Dheepan. The gritty drama tells the story of refugees fleeing post-civil war Sri Lanka.
Jacques Audiard won the Palme d'Or for his gritty drama Dheepan
Elsewhere, holocaust drama Son of Saul won the Grand Prix - essentially the runner-up prize - while Vincent Lindon won Best Actor and Rooney Mara and Emmanuelle Bercot shared Best Actress.
Continue reading: Coen Brothers And Co Choose 'Dheepan' As Palme D'Or Winner
The Coen brothers mocked Netflix at the Cannes Film Festival jury press conference.
US film directors Joel and Ethan Coen mocked the influence of streaming services in the movie industry at a press conference for this year's Cannes Film Festival. The Coen brothers head the jury for the annual event, with Jake Gyllenhaal, Sienna Miller and Sophie Merceau also on the panel.
The Coen brothers head the jury at the Cannes Film Festival
Asked at the presser about the recent surge of film companies like Netflix, Joel gave a rather deadpan response.
Continue reading: Coen Brothers Mock Streaming Services At Cannes Press Conference
With a true story that's almost hard to believe, this inspiring biographical drama is made with attention to detail and a remarkable resistance to sentiment. And strong acting helps bring the characters to life, even if everything feels a little too carefully staged. But it's the real-life aspect that grabs the attention, and a central figure who's a remarkable example of the indomitable human spirit. The film also marks an auspicious step forward for Angelina Jolie as a director, telling a big story without giving in to the usual sappy moviemaking pitfalls.
Son of Italian immigrants, Louie Zamperini (Jack O'Connell) grew up in 1920s Southern California and by the time he hit his teens is on the way to becoming a criminal. But his brother Pete (Alex Russell) helps him channel his energy to running instead, and his natural skill make him a local champion as well as an American record-holder at the 1936 Berlin Olympics. When the war breaks out, he enlists and serves as a bombardier in the Pacific, surviving a plane crash before later going down at sea and drifting with two colleagues (Domhnall Gleeson and Finn Wittrock) for 47 days before being captured by the Japanese. From here he endures a horrific stint in a prisoner of war camp, taunted by the cruel commandant everyone calls The Bird (Miyavi), who takes particular notice of Louie simply because he refuses to break.
Jolie assembles the film as a big-budget epic, with massive set pieces as the plot cycles through several outrageous episodes before settling in on the prison years. Cinematographer Roger Deakins carefully contrasts Louie's sunny California youth with the much starker visit to Nazi Germany and the astoundingly bleak Japanese prison camp, with those endless days baking at sea in the middle. So the film looks terrific, drawing us into each chapter in Louie's story while building a sense of momentum. It's not quite as complex as it looks; Louie's darker moments feel a bit superficial. But O'Connell adds some weight to each scene, offering a kick of emotion as well as the charisma that convinces the men around him to draw inspiration from his tenacity.
Continue reading: Unbroken Review
The TV remake of the Coen Brother's 1996 movie has gone down a storm.
New television series Fargo premiered last night on FX, giving American audiences a first taste of the adaptation of the Coen Brothers famed 1996 dark comedy. Starring Martin Freeman ('The Hobbit') and Billy Bob Thornton ('Armageddon'), the new show has been developed by Noah Hawley ('Bones') but has received the blessing of Joel and Ethan Coen, who are acting as executive producers.
British Star Martin Freeman Adopts A Minnesotan Drawl For His 'Fargo' Character.
With plenty of black humour and often shockingly overblown violence, the show has been described by Hawley as more like ''a ten hour movie'', than a traditional series. Set in snowy Minnesota, Fargo is a furtherance of the '90s crime classic and has already been tipped by some as the next Breaking Bad in terms of its must-watch factor. Colin Hanks, Bob Odenkirk, Oliver Platt, Kate Walsh, Keith Carradine, Adam Goldberg, Keegan-Michael Key and Jordan Peele all take supporting roles in the show.
Continue reading: The Next 'Breaking Bad'? 'Fargo' Ep. 1 Is A Must-See [Video]
The latest outing from the Coen Brothers took home the top awards on Saturday (4 Jan.) night, but how good are it's Oscar chances?
Inside Llewyn Davis took home the top honour at the National Society of Film Critics Awards last night, winning the majority of votes from the panel made up of some of America's top film critics from the nation's best-known publishers. Having already found success at the Gotham Awards last month, the latest win for ...Llewyn Davis might further outline the credentials of the latest Coen Brothers film as a potential Oscar contender, having largely been overlooked by most commentators.
The film's star Oscar Isaac was also honoured with the Best Actor award
The film was crowned Best Picture ahead of American Hustle, which came second in the overall voting, and 12 Years a Slave, which placed third. Despite winning yet another award, the Coen Brother's 'a week in the life' tale of a musician traveling through the Greenwich folk scene in 60's New York is still largely considered an outsider for major awards success, however if these gongs keep on piling up for the Coens then the Academy may be persuaded to change their mind somewhat when the votes are cast.
Continue reading: 'Inside Llewyn Davis' Wins Big At US Critics Society Awards
The multi-talented Oberst lost out in the Llewyn Davis casting.
Now this is an interesting tidbit of movie trivia: Conor Oberst has revealed that he auditioned for the lead role in folk music comedy-drama, Inside Llewyn Davis. Although the Coen Brothers eventually cast Oscar Isaac as the titular folk singer, Bright Eyes' singer Conor Oberst was reportedly considered for the role.
Conor Oberst Auditioned For The Lead Role In 'Inside Llewyn Davis.'
"I know I told you this when we met, but I tried out for your role in Inside Llewyn Davis," Oberst told Isaac for Interview magazine. "Thank god for everyone that I didn't get it." Perhaps one of the main reasons Oberst failed to convince the Coen Brothers that he was best suited for the role was because of his non-existent acting C.V. which could have proved risky to take on in such a challenging lead role.
Continue reading: Bright Eyes' Conor Oberst Missed Out On 'Inside Llewyn Davis' Lead Role
The Coen brothers have a wry twinkle in their eyes as they take us on a lyrical journey with a hugely likeable musician for whom success is only barely out of reach. It's also an engaging exploration of both the the early 1960s New York folk music scene that gave us Bob Dylan and the tenacity it takes to make your dreams come true.
It's 1961, and Llewyn Davis (Isaac) isn't sure he wants to fight anymore. His career has stalled, and he's moving from couch to couch trying to pick up gigs. But he doesn't have anything to lose, and when he inadvertently acquires a pet cat he has a bit of purpose for a change. On the other hand, his longtime friendship with husband-and-wife folk duo Jim and Jean (Timberlake and Mulligan) is strained when Jean tells him she's pregnant with a child that might be his. In need of cash, he takes a job in Chicago, taking a long road-trip with two nutcases (Hedlund and Goodman). And he even considers re-enlisting in the Merchant Marines.
Despite Llewyn's quiet desperation, the Coens keep the film's tone light and endearing, with constant comical touches that keep us smiling right to the cleverly elliptical ending. They also pack the movie with folk music that's gorgeously produced by T Bone Burnett, offering emotive counterpoints to Llewyn's sardonic sense of humour. His snappy wit often gets him into trouble, but we can immediately see his depth of character as well, and Isaac is terrific in the role, the kind of guy we would happily spend a lot more time with.
Continue reading: Inside Llewyn Davis Review
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