#TBT to where Jon would rather be @Seal https://t.co/bTY0EBtnSO
Everything Everything (formed in 2007) Everything Everything are a British indie band consisting of lead singer Jonathan Higgs, bassist Jeremy Pritchard, drummer Michael Spearman and lead guitarist Alex Robertshaw.
Formation Everything Everything have members from Tynedale, Kent and Guernsey but the band are now based in Manchester. Higgs and Pritchard met at Salford University where they both graduated with degrees in Popular Music before going on to set up the band. Everything Everything: Musical career Everything Everything released their first single 'Suffragette Suffragette' in 2008 through XL Recordings. Singles 'Photoshop Handsome' and 'MY KZ, UR BF' came soon after in 2009 though the latter was released on the Young & Lost Club label.
Career: breakthrough came with their appearance on the BBC's Sound of 2010 poll. They subsequently signed to Geffen Records before releasing single 'Schoolin'' in 2010 which became their first to appear in the charts. Their debut album 'Man Alive' was released in 2010 and peaked at number 17 in the UK. It was also shortlisted for the 2011 Mercury Prize. In 2011, they performed at Radio1's Big Weekend in Carlisle and the following year they supported Snow Patrol on their Fallen Empires UK Arena tour. In 2012, they released single 'Cough Cough' - the first from their second album 'Arc' which came out in 2013.
From Everything Everything to Idles, it's been a great month for music.
It's been a bit of a mix of dark truths and determined positivity when it comes to some of our favourite albums of September, but that's exactly the sort of thing we expect as we come up to the final quarter of 2020. Indie bands have been on top form though, and whether you want to upbeat tunes or melancholy ballads, these records have got you.
Everything Everything - Re-Animator
Everything Everything - Re-Animator
Best song: Violent Sun
From Lana Del Rey to Machine Gun Kelly, this could be an awesome month.
As some degree of normality returns to a crazy year and artists stop delaying their overdue album releases (COVID-19 isn't going anywhere any time soon after all), it looks like 2020 may not be a write-off for music in the end. Quarantine has obviously been good for some artists' creativity, because there's some seriously interesting looking releases coming this month alone.
Lana Del Rey at the 2020 Grammy Awards / Photo Credit: Image Press Agency/SIPA USA/PA Images
1. Lana Del Rey - Chemtrails over the Country Club
Now in its third year, and most definitely at home, By The Sea festival returned to Margate in glorious style. Having surely established itself as Kent's premier music festival, By The Sea once again upped its game with an inspired roll call of artists. Across the last weekend in September, and in some iconic venues that included Dreamland heritage theme park and the Margate Winter Gardens, East Kent was treated to a spectacular musical menu.
If the thrill of riding the U.K.'s oldest wooden roller coaster, The Scenic Railway, taking a stroll along the golden sands or even seeing Steve Davis DJ in Olby's Soul Café were not enough to tempt you down to the coast on Friday night then surely huge dancing bears and the Hall By The Sea's headline acts were. As the dodgem DJs began to spin their last few tunes, the theme park took on a new guise under the bright lights and neon kitsch. As the yearning for Candy Floss subsided and the need for an Acapulco Taco took over Dreamland came to life.
Dutch Uncles were in great spirits in The Hall By The Sea kicking off their set with 'Oh Yeah' off of their most recent and most successful album to date, 'Big Balloon'. Singer Duncan Wallis was in fine form, excited to 'finally be there' and even inviting the crowd to come and 'ram us later' on the dodgems. With some very funky slap bass, a playful exuberance and a tight, polished set, Dutch Uncles proved a delight. After delivering crowd favourites, 'Face In' and 'Fester', Duncan declared, 'That's enough dancing around like p***ks, we're 30 for God's sake! If we wanted to be sick we'd have gone on the waltzers!' 'Steetlight' and a pulsating, percussively excellent 'Big Balloon' followed before the first of the evening's crowd participation, the harder hitting 'Dressage', closed out their set.
Continue reading: By The Sea Festival 2017 - Festival Review
By The Sea Dreamland & Margate Winter Gardens; Margate, Kent 29th Sept-1st Oct 2017
By The Sea festival returns to Margate at the end of September for its third year. Over the course of three days alongside the heritage rides, candy floss stalls, 2p slots and just a stones throw from the golden sands, By The Sea will feature a plethora of bands in some iconic settings.
Having previously played host to Super Furry Animals, Hot Chip, Wolf Alice, Bat For Lashes, Mystery Jets and Foals, amongst others, By The Sea has attracted a finely balanced and eclectic mix of inspirational artists. 2017's bill is just as tempting and looks set to delight and excite in equal measure. The variety of acts is a diverse selection of the up and coming as well as some established, unmissable favourites.
Continue reading: By The Sea 2017 - Preview
Everything Everything were picked to headline the main stage on the Friday night at Blissfields 2016. The band played a selection of tracks from their three studio album. Winchester, United Kingdom - Friday 1st July 2016
Everything Everything's arrival in 2009 came via 'My Kz Yr Bf', a song which gave critics much leeway in comparatives. Based on its poly-rhythmic, twitchy math pop body and almost perfect euphoria soaked chorus, it was easy to sum up their hybrid appeal, or so it seemed: Sparks doing Slint whilst digging Late of The Pier? Maybe. Foals, without all the prissy, complicated abstractions? Sure. A universe apart from almost anything in their time zone? Definitely.
Clearly this freshly minted feeling of intellectual hair down was going to attract some comments about the clip of the foursome, but then again any outfit that gives their work titles like 'Photoshop Handsome' and 'Suffragette Suffragette' is apparently willing to stick their neck out for shapes being busted in Iambic Pentameter. A second album, 2013's 'Arc', underlined the ability of singer-songwriter Johnathan Higgs as an individual capable of fusing the realness of both art and emotion together seamlessly, a voice of conscience which placed the band into a category in which other Great British Avant Goodists such as XTC, Roxy Music and Radiohead had carved a similarly idiosyncratic niche.
The build up to 'Get To Heaven''s recording proved to be something of a tortuous process for Higgs, who had spent it absorbing some of the atrocities of our modern 24 hour news existence as connected directly into our lives via TV and computer. Building this kind of mental library can have a de-humanising effect on anyone, but the mental strafing turns itself into verbal ammunition on opener 'Blast Doors', on which the singer reframes the word play of Dylan's 'Subterranean Homesick Blues' in extremis. In one of its rare sedentary moments, Higgs gargles, "I can smell your fingerprints all over my computer": It's one of the album's signature moments, intimacy and paranoia on a knife edge, the twitching curtains of the psyche turning the outside world in.
Continue reading: Everything Everything - Get To Heaven Album Review
Recommended Albums... New York garage-rock new-wavers The Strokes are on album number five and Comedown Machine marks a return to form for Julian Casablancas & co. Whilst they may not be trying to replicate the pared down sound of their now-iconic debut This Is It, they have at least re-captured some of that raw energy. With a sound now owing as much to 80s synth bands such as A-Ha and Human League as it does to their beloved garage rock idols.
As a result, The Strokes, circa 2013 finds the band fully rejuvenated and seemingly enjoying themselves. They may struggle to regain the popularity that they enjoyed when the band first emerged but they have at least done themselves proud with Comedown Machine.
Albums of Note... David Bowie’s return to the shelves of our local record shops (well, the few that still exist) has been met with a grateful and adulatory fanfare, across the board and it’s been no different here at Contactmusic. Having run out of contemporary influences upon which to draw, Bowie took the old adage that pop will eat itself and made an album to fit. On The Next Day, Bowie largely references himself and his own body of work, recalling his Berlin days, as well as providing an extension of the tracks he released in the nineties.“Assessing how The Next Day sits alongside anything else he's done is irrelevant; an artist who has gone through as many character changes, taken on as many styles and moved through as many eras as he has defies such lazy list making. What can be said is that it is, at this point in time, at this point in his life and career, probably as good a record that David Bowie could've possibly come up with.”
Some of the mystery of Rhye’s cloaked existence has been unveiled and the band’s two components have been revealed as Toronto born producer Mike Milosh and Robin Hannibal of Quadron. They draw comparisons to The XX, partly thanks for Milosh’s falsetto, which led many to believe that it was a woman on vocals. Possibly part of the reason they choose to entitle the album Woman...? “'Woman' is a chilled, tranquil listen but not a boring album by any means. The duo creates songs that fill with distant, mysterious moods. But, it still feels like an intimate album piled high with textured layers.”
Everything Everything Saturday 11th June 2011 Performances from the Parklife Weekender held at Platts Field - Day 1 Manchester, England
#TBT to where Jon would rather be @Seal https://t.co/bTY0EBtnSO
Mogwai have a new record this week and it's very good. Keep streaming it and get @mogwaiband the number 1 spot they… https://t.co/rluXyCZTBS
Happy Birthday to Jonathan 🍷 https://t.co/TLMVJ7F9YD
@maiarev Thrillseeker became Lottd x
Hear Jon chatting with @andybackhouse on @Labestiaradiomx tonight from 7pm UK Time / 1pm Mexico City Time on… https://t.co/iZz2b1TBK1
RT @E_E__BOT: That was the future on the phone
OK Magazine, 24th November 2011 https://t.co/dZecdjUd19
Take me to the distant past. Released six years ago today. https://t.co/xva0idpUQU
We got a SNOOD SALE. Only a handful remaining; you snood you lose... https://t.co/bTselMGR7T https://t.co/zTPZzPpXdU
Recording RE-ANIMATOR with John Congletoes https://t.co/wCcTAcwzq0
Jeremy spoke to the @JJ_albumclub podcast about RE-ANIMATOR, and goes into a late 90s classic in depth. Listen here. https://t.co/RjxrZDlOKJ
RT @E_E__BOT: Isambard, I'm all steel!
RT @6MusicStudio: The Chain now links to Desire by Everything Everything. What next? Let us know on [email protected] https://t.c…
RT @E_E__BOT: Ah, kiss me baby with your Hapsburg lip Make me nervous
RT @E_E__BOT: We met inside a war-zone, you said, "Let's fuck the ozone" But boy, that hole's too wide
RT @E_E__BOT: I was unafraid Knew it was time The plan was gonna work So perfectly because He Fit my clothes and has a face like mine If…
Brexit and pandemic not enough to kill live music #KeepVATat5 https://t.co/O7hqQIcfFW
RT @E_E__BOT: I hear song in reverse Birdsong, song in reverse I’m vapour in your love