Rap legend Ice T, who stars in 'Law & Order: Special Victims Unit', was spotted arriving on the red carpet at the 2015 NBC Upfront Presentation held at Radio City Music Hall in New York alongside his curvaceous wife Coco Austin.
In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.
Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.
In a recent TV interview, Tarantino said he and Rodriguez had always wished those low-budget flicks were as good as their posters -- and they set out to achieve that, decades after the movies' heyday. With an obvious passion for the genre, the pair has recreated the experience of being at some cheap Texas drive-in with two features, fake coming attractions, missing reels, local ads, and announcements from theater management. Even if you don't catch on to everything, just watching the package is a complete thrill.
Continue reading: Grindhouse Review
Sometimes it is as curious as all get-out (see Anne Hathaway in Havoc). I don't know if I've ever seen a more radical departure of film roles than Hathaway's decision to go from the Princess Diaries films to this one. Hathaway's former work is almost unilaterally square in the rated-G realm. Her PG-rated movies earned those ratings primarily due to events like Hathaway falling on her butt.
Continue reading: Havoc Review
You won't find any sort of rabblerousing or sense of time in Emilio Estevez's Bobby, his account of the people that were in attendance when Robert F. Kennedy was shot and killed in Los Angeles' Ambassador Hotel. Estevez tosses together close to two dozen major characters and storylines along with footage of RFK campaigning against racism, America's poverty, and unlawful McCarthy tactics. The stories run the gamut from a young couple (Elijah Wood and Lindsay Lohan) getting hitched to keep the groom out of the war to an alcoholic diva (Demi Moore) and her forgotten husband (Estevez himself) to a philandering hotel manager (William H. Macy) who must keep his affair with a switchboard operator (Heather Graham) from his wife (Sharon Stone) and from an infuriated ex-employee (Christian Slater). There's also a pack of poll campaigners (Nick Cannon, Joshua Jackson, Shia Labeouf, and Brian Geraghty) who must deal with an acid freak out facilitated by a hippie (Ashton Kutcher), a pushy Czech journalist (Svetlana Metkina), and a flirty waitress at the hotel restaurant (Mary Elizabeth Winstead). Sounds like the makings of an ensemble comedy, no?
Continue reading: Bobby Review
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