George Lucas does not buy the Star Wars/Star Trek rivalry.
George Lucas has chucked a massive bucket of cold water on the entire Star Trek/Star Wars rivalry by suggesting Gene Roddenberry's sci-fi television show paved the way for his legendary space franchise. A new documentary titled Trek Nation sees Rod Roddenberry attempt to uncover the importance of his father's TV series, and rivalry producer Lucas is hugely complimentary of the show, reports Yahoo Movies.
"Star Trek softened up the entertainment arena," he explains in the documentary, "so that Star Wars could come along and stand on its shoulders." The filmmaker suggested that Star Trek crucially proved to studios that audiences were hungry for science fiction, "There was an effective group of people in the beginning who accepted it," he said, "That it wasn't that far out. For the studios it was way far out. [They said] 'What is this?' But there was a fan base out there - primarily the Star Trek fan base -who understood science-fiction, understood visual science-fiction, and was ready for something like [Star Wars] to be in the feature arena."
Lucas certainly has plenty to be thankful for, recently selling LucasFilm to Disney for a cool $4 billion, safe in the knowledge that his sci-fi franchise will continue with new movies and TV series. Set to hit theaters in 2015, Star Wars Episode 7 will be directed by Star Trek's Jj Abrams.
Continue reading: George Lucas Admits Star Trek Paved The Way For Star Wars: Agree?
But the original Trek also drew heavily on Cold War-era sci-fi series like The Outer Limits and The Twilight Zone -- groundbreaking and experimental in their ideas, but with a traditional moral and dramatic approach. Their serious tone fit the fifties, that uneasy, schizoid time of cultural confidence, space exploration, and looming nuclear Armageddon. Star Trek's cautious presentation probably helped viewers to swallow its innovations, from flip-phone communicators and automatic doors to alien characters like Leonard Nimoy's Spock. The idea of a character motivated by "logic" instead of emotion is pretty silly (they're not opposites), but it was perfect for the liberationist sixties -- and it was a powerful gimmick that generated years' worth of story ideas. (In one of season three's last episodes, "All Our Yesterdays," Spock goes back in time, loses his civilized veneer, and develops a primordial passion for Mariette Hartley.)
Continue reading: Star Trek: Season Three Review
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