After the death of his father, Brian, Kathy and their son Jake move into a building they inherited. The building is already inhabited by Leonor and her son Jake who rent the shop at the front and the apartment at the back. Jake and Tony soon become friends, they're both into different things but they bond nevertheless.
Jake has always been a bit of a loner and his mum and dad are both glad that Jake finally seems to have a good friend. Each person in the building has their own personal struggles, Leonor's business is quiet and lives apart from her husband whilst Kathy is the main provider for the Jardine family - Brian is a struggling stage actor whose wage doesn't go far enough to cover the family's finances.
When the Jardine's learn that Leonor's rent is considerably under the average amount for the neighbourhood, they feel they have no other option but to increase the amount she pays. Leonor pleas for the Jardine's to be a little sympathetic to their cause and initially Brian allows her to continue renting the property but when his sister intervenes, he's left with no option but to evict Leonor and Jake.
Continue: Little Men Trailer
This weekend's box office is predictable, but seems to spell out the fate of the rest of the year's releases.
Captain America: The Winter Soldier surprisingly came in first in the box office charts over Easter weekend, after toppling the predicted winner, Rio 2. This was Cap’s sixth outing and third weekend topping the chart. Starring Chris Evans, Samuel L. Jackson, Scarlett Johansson and Sebastian Stan, it made $26.2m (£15.5m), leaving the animated parrot love story in second place with $22,5 million, according to Box Office Mojo. Not a bad haul, but still not enough to topple the first Avenger. While The Winter Soldier and Rio 2 kept passing the ball around in the top spots, elsewhere in the chart things got a lot more interesting.
Chris Evans as Cap had the hearts and wallets of moviegoers once again.
Heaven is for Real, the story of a young boy who claims to have visited heaven during a near-death experience, came out of nowhere to take number 3 over Easter weekend. The Sony production opened on Wednesday with $3.7 million, earning another $3.3m on Thursday and now scored $21.5 million over the Fri-Sun period. The surprise surge likely had a lot to do with the themes of the film. Heaven is a family-friendly, religious film, which centers on a young boy, who claims to have seen heaven during a near-death experience. Releasing it over Easter weekend seems like an obvious choice, and it obviously worked. Heaven blasted straight through Transcendence’s $11 million.
Continue reading: "Captain America" Trumps "Rio 2" At The Box Office, Superheroes And Religious Flicks Win The Game
The reviews for 'Heaven is Real' aren't looking good
It’s always a risk, taking a New York Times bestseller and adapting it for the silver screen. Heaven Is Real documents the near-death experience of a small child, who then recounts with startling detail seeing his sister – lost in a miscarriage – and grandfather, who died 30 years before he was born.
Greg Kinnear at the 7th Annual Kidstock Music And Art Festival
It’s an emotive story, and one that was ripe for a movie re-telling, but it would appear as though Randall Wallace (director) and Chris Parker (screenplay, co-written with others) haven’t been able to recreate whatever it was that made the preceding book so popular.
Continue reading: Turns Out 'Heaven Is Real' - Real Bad. Critics Slate Greg Kinnear Drama
Far too tidy to be believable, this multi-strand romance holds our attention with a warmly comical tone and a watchable cast. But it's only entertaining as a bit of escapism, because the various relational entanglements are far too contrived for us to identify with them. A looser, messier approach would have made it a lot more involving.
The action takes place over the course of a year. Bill (Kinnear) is a noted novelist who stopped writing when his marriage to Erica (Connelly) ended. Even though she's now married to a fitness instructor (Joiner), Bill is waiting for her to come back to him. Although he's engaging in a mindless fling with a married neighbour (Bell) in the mean time. Bill and Erica's daughter Samantha (Collins) has just published her first novel, but has sworn off romance. Then she meets the persistent nice-guy Lou (Lerman). Meanwhile, her teen brother Rusty (Wolff) is finally working up the nerve to speak to his crush Kate (Liberato), who has both a cocaine problem and a bully (Schwarzenegger) of a boyfriend.
Writer-director Boone lets each character introduce themselves with the first line from the book of their life, and the litrary theme continues in almost every scene as they continually discuss their writings and their favourite books. Very quickly, this begins to get on our nerves, as if Boone is reminding us that nothing we're watching is actually happening: it's carefully orchestrated fiction that draws on real-life emotions to tell a series of implausible love stories. Aside from Kinnear and Connelly, who are strong enough actors to convince us of almost anything, none of the interaction feels remotely realistic.
Continue reading: Stuck In Love Review
With critics hoping for more G.I. Joe action as per Rise of Cobra, they are in for a disappointment. A brand new World War Z trailer shows Brad Pitt and company in a couple of the movie's spectacular looking set pieces.
This week's biggest global release is G.I. Joe: Retaliation, and critics were on edge at press screenings earlier in the week, hoping against hope that the sequel maintained the entertaining ironic subversiveness of the 2009 original, G.I. Joe: The Rise of Cobra. Alas, the news isn't good.
The week's other blockbuster is The Host, based on the novel by Twilight author Stephenie Meyers. Saoirse Ronan stars as Melanie, a young woman facing an alien force that's taking over humanity. In fine Twilight style, there are two leading men vying for her affections, played by rising-star hearthrobs Max Irons and Jake Abel. Despite good early word-of-mouth, the studio hasn't shown the film to critics.
Continue reading: A Week In Movies Feat: The Host, Trance And G.I. Joe: Retaliation Hit Cinemas While World War Z, The Brass Teapot And Hummingbird Trailers Emerge
William Borgens was once a highly regarded novelist, however after a heart-breaking divorce with his wife Erica who left him for a younger, more handsome man, he hasn't been able to write a single word. He just spends his days thinking about the time they had together and spying on them through their windows. His pretty friend-with-benefits, Tricia, who is also divorced, does her best with her sometimes overly honest opinions to force him to get back to dating. Meanwhile, his promiscuous and cynical daughter Samantha is having her first book published while struggling to come to terms with the idea of love and still refusing to speak to her mother after she left her father, and his son Rusty, who is also an aspiring writer, tries to show one troubled and vulnerable girl that he is the guy for her.
Continue: Stuck In Love Trailer
Author Nicholas Sparks is certainly a popular man in Hollywood at the moment his hugely popular books Message in a Bottle, A Walk to Remember, The Notebook, Nights in Rodanthe and Dear John have all been turned into movies and now the latest addition to his catalogue The Last Song will receive the same treatment.
Continue: The Last Song Trailer
For the first time, LaBute is not directing from his own script, which might explain why, if I didn't know better, I would have sworn I was watching a Coen brothers movie. Who else would put a fantasy dancing sequence on the edge of the Grand Canyon at night?
Continue reading: Nurse Betty Review
We Were Soldiers is based on the book We Were Soldiers Once...And Young written by Lieutenant Colonel Harold Moore and Joseph L. Galloway, the only journalist willing to go into the front lines to capture a first hand account of the war. In the film, Mel Gibson plays Harold Moore, a down-to-earth officer who is responsible for leading a group of innocent, naive young men into the area of Vietnam known as "The Valley of Death." But not soon after Lt. Col. Moore and his troops touch down, their position is compromised and they find themselves outnumbered almost 5 to 1. The American soldiers engage in a deadly battle for control of the area.
Continue reading: We Were Soldiers Review
The latest from Sam Raimi (For Love of the Game) is a muddled thriller, filled with tired clichés and some of the worst casting in years. Raimi, along with screenwriters Billy Bob Thornton and Tom Epperson, try so hard to create a "serious" psychic chiller that the film is practically drained of any excitement.
Continue reading: The Gift (2000) Review
You've Got Mail is about a woman named Kathleen Kelly (Meg Ryan), who's children's book store is in danger of being put out of business because of a new Barnes and Noble type book super store, owned by Joe Fox (Tom Hanks). When they meet each other they (of course) hate each other. What's the problem? They don't know that the other one is their favorite e-mail buddy. The premise is actually creative but they don't do anything with it. Hanks and Ryan have the unnecessary romances with Parker Posey and Greg Kinnear at the beginning, but the audience knows better. We know they're going to be history in about forty-five minutes. Bored yet?
Continue reading: You've Got Mail Review
That also explains director Nick Hamm's jackhammer approach to his material. He knows he's working with a cheesy campfire story, the kind best whispered to terrified boy scouts in the dead of night. But he's sadly unaware of when enough is enough, and his final act becomes a series of ludicrous scientific explanations offset by cheap jolts to our nervous system.
Continue reading: Godsend Review
A comedian whose schtick has always been his acute social-sexual dysfunction, in "What Planet Are You From?" Garry Shandling is nothing if not well-cast as an alien packed off to Earth by his neutered, all-male race to impregnate an earth female as a prelude to invasion.
Given a crash course in inept pick-up lines and fitted with a motorized prosthetic penis that hums when he's aroused, Shandling is transported to the privy of a passenger jet and emerges to piggishly proposition stewardesses and every other female in sight, in what has to be the most awkwardly sexist comedy since the 1960s.
Populated by fundamentally unlikable, abusive men and pathetically needy, bitchy women, the drudging, deadpan farce tracks Shandling's libidinous frustration as he fails to pick up chicks and is chased by FAA investigator John Goodman (his arrival caused an air traffic incident), who figures out his secret with the flimsiest of suppositions.
Continue reading: What Planet Are You From? Review
When Walt Tenor (Greg Kinnear) decides he wants to become an actor, he tries to convince his twin brother Bob (Matt Damon) -- his conjoined twin brother -- to move out to Hollywood with him by saying, "You could be my stunt double!"
Yes folks, "Stuck On You" is another cheeky comedy of good humor and questionable taste from the Farrelly Brothers ("Kingpin," "There's Something About Mary" and "Shallow Hal"), and yes, folks, they get a surprising amount of mileage out of jokes like that one -- rim-shot-quality punchlines given winkingly ironic sparkle by the wily writing-directing team's laughing-with-not-laughing-at sensibilities.
There's the scene in which Walt walks his shy sibling over to a pretty blonde in a bar, then takes over the seduction himself when Bob blows it -- and ends up bringing the girl home (Bob tries to ignore their moaning from the other side of a makeshift curtain). There's Walt's "one-man" stage show about Truman Capote, in which Bob tries to slouch as inconspicuously as possible behind Walt's back.
Continue reading: Stuck On You Review
Date of birth
17th June, 1963
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