Hailee Steinfeld Page 2

An unusually realistic teen movie, this drama gets deep under the skin of its characters, breathing new life into the genre. First-time director Kelly Fremon Craig (who previously wrote the rom-com Post Grad) has created an involving film about a teenaged girl who is easy to identify with. The script may try too hard to explain away all of her darker emotions, but it's sharp and entertaining.

Hailee Steinfeld stars as Nadine, a 17-year-old in Portland, Oregon. On the fringe of the popular kids at school, she feels like a loser who doesn't deserve to live. And she can't cope with the fact that her best pal Krista (Haley Lu Richardson) has fallen for her irritatingly popular big brother Darian (Blake Jenner). It certainly doesn't help that her mother Mona (Kyra Sedgwick) is an emotional wreck, or that Nadine is being pursued by the class nerd Erwin (Hayden Szeto), because she's much more interested in bad boy Nick (Alexander Calvert). In need of someone to talk to, she turns to her grouchy history teacher Mr Bruner (Woody Harrelson), who refuses to indulge in her angst. But he's also the only person who actually listens to her.

Steinfeld is terrific in the role, bringing an endearing raw authenticity to a character who isn't hugely likeable. As Nadine ruthlessly insults everyone around her, Steinfeld quietly reveals the sensitive soul inside, which adds a blast of complexity to her scenes with the superbly restrained Harrelson, Sedgwick and Jenner. All of these relationships are difficult and often startlingly realistic, as is the depiction of high school peer pressure. As Nadine's classmates, Richardson has a wonderfully twisty role as her childhood bestie who has apparently betrayed her trust, while Szeto steals his scenes as the hilariously awkward Erwin.

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Fans of the Oscar-winning 2006 Irish film Once (and its more recent stage-musical adaptation) may find this American drama a little derivative, but it's a strong story in its own right. This time writer-director John Carney has assembled a starry cast to nicely capture the rhythms of New York's streets. And the songs, while not quite as integral to the story, are gorgeous.

The opening sequence sets up the story from two perspectives, as music producer Dan (Mark Ruffalo) hears songwriter Greta (Keira Knightley) reluctantly perform at a bar's open-mic night. Both of these people are at their rope's end: always seeking offbeat talent, Dan is on the outs with his record label partner (Yasiin Bey, aka Mos Def), and wants to reconnect with his estranged wife and teen daughter (Catherine Keener and Hailee Steinfeld). Meanwhile, Greta has just been dumped by her rising pop-star boyfriend Dave (Adam Levine), who got his big break from a song she wrote. To stop her moping, her pal Steve (James Corden) encourages her to start singing her own songs. In Greta, Dan sees the kind of artist he longs to make records with, so with nothing to lose the two set out to record her songs at locations around the city for a new album.

Like Once, this is a love story that doesn't actually involve romance: these two people need each other to discover their life's passions. So Ruffalo and Knightley get the chance to create some terrific chemistry without much of a threat that they'll fall for each other. Indeed, each has other fish to fry, as they try to sort out their emotional connections elsewhere. Their flirty friendship plays out in a fresh, effortless way that generates some complex emotions and ideas. Ruffalo is always great at creating these kinds of loose, slightly hapless characters, while Knightley delivers an even more earthy performance, letting her own sparky personality emerge on-screen for the first time along with some serious skill as a singer. And the supporting cast add texture in just the right places.

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French filmmaker Luc Besson continues to combine family themes with intense violence (see Taken), but at least this film has a wry sense of humour about it. Director McG refuses to take the story seriously (see Charlie's Angels), balancing the escalating body count with a silly father-daughter drama to make this an enjoyably absurd guilty pleasure.

Kevin Costner stars as Ethan, a veteran CIA hitman who finds out that he's only got three months to live. So he retires and returns home to Paris to reconnect with his ex-wife Christine (Connie Nielsen) and their now-teen daughter Zooey (Hailee Steinfeld). But just as he discovers a family of immigrants squatting in his flat, the vampy CIA operative Vivi (Amber Heard) appears and coaxes him back into service for one last job, paying him with both cash and an experimental cancer treatment. So as he tracks down international arms dealers, he's also trying to bond with Zooey over three days of babysitting while Christine is away on business. But of course this is also just when the violence breaks out.

McG does a great job of cutting back and forth between these two story strands: the tetchy-sweet fatherly stuff and the action-man shootouts, car chases and fist-fights. Ethan even has to interrupt a spot of torture when Zooey gets in trouble at school. This wildly bizarre mixture of goofy sentimentality and vicious brutality takes in all of Paris' picturesque landmarks. And since this is a Luc Besson script, it's only a matter of time before the two elements merge for a big climax. Yes, everything is ludicrously predictable, but there's just enough spark to keep us entertained.

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Since this entire story centres on virtual-reality gaming, it's tricky to feel any sense of what's at stake here. But a strong cast and above-average effects work help hold our interest until the requisite dramatic shift takes hold. Along the way, the movie explores some punchy issues such as the nature of true leadership and the morality of war.

It's set in a distant future: Earth has regrouped after an alien invasion, turning to children to harness their quick gaming reflexes and inner fearlessness. Ender (Butterfield) is a 12-year-old who's sure he'll crash out of training like his older sister Valentine (Breslin). But Colonel Graff (Ford) and Major Anderson (Davis) see something in him and send him on to battle school in an orbiting space station. As he shows true leadership potential and a sharp mind for warfare, he's promoted even further, training with iconic hero Rackham (Kingsley) on one of the aliens' former planets. And as he approaches his final exam, there's the sense that the fate of Earth hangs in the balance.

Yes, everything Ender does throughout his training is game related, either with digitally created environments or in a weightless battle globe with other cadets. This adds huge possibilities for the script to grapple with moral issues as Ender faces some staggering decisions. But since it's just a simulation, does it really mean anything? Thankfully, Butterfield is a terrific actor who lends the character a steely interior life that catches our interest. And being surrounded by the terrific Ford, Kingsley and Davis helps. As do some intriguing fellow recruits played by Steinfeld, Arias and others.

Continue reading: Ender's Game Review