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Norm is a polar bear frequently laughed at by his Arctic neighbours for his friendly disposition and inclination to hug rather than hunt. However, life becomes no laughing matter for the other polar bears, reindeer and orca that exist in their icy habitat when humans start visiting with cameras, boats. and plans to settle there. Norm is enlisted by a wise seagull to take to the city, flanked by three invincible lemming cohorts, to persuade the mastermind behind the new housing plans of Greene Homes that he really doesn't want to build on the chilly retreat, but unwittingly becomes his furry mascot. Norm does, however, meet a young girl who agrees to help publicize the issue, and save his family and friends. But if he ever wants to return to his own home, he's going to have to do some serious undercover research
Continue: Norm Of The North Trailer
With his most stylish film yet, horror specialist Alexandre Aja takes a wildly irreverent approach, packing the screen with rude humour, visual flourishes and spiky characters. But it's assembled in such a rapid-fire way that it's difficult to get a handle on anything, which makes the movie feel like a series of outrageous set-pieces without a coherent plot to hold them together. The likeable actors help bring their characters to life, but the film is too hyperactive to let us engage with any of them.
It's set in a small town near Seattle, where Ig (Daniel Radcliffe) is in shock after his childhood sweetheart Merrin (Juno Temple) was violently murdered. Then he becomes the prime suspect, and the media have a field day. So he hires his lifelong pal Lee (Max Minghella) as his lawyer, partly because he's the only person in town who believes he's innocent. This includes Ig's parents (James Remar and Kathleen Quinlan) and brother (Joe Anderson). As the situation continues to deteriorate, Ig suddenly discovers that horns are growing on his head and no one seems very shocked by this. They also seem unable to lie in his presence, so he decides to use this to find out who really killed Merrin. Along the way he gets a shocking glimpse into what everyone in town really thinks about each other.
The film is an assault on the senses, as Aja packs every moment with outrageous sights and sounds, encouraging the actors to sometimes drift over the line into broad slapstick. He also fills the screen with religious imagery, including churches, crosses, pitchforks and snakes, all hinting that Ig's transformation is connected with his loss of faith. Or maybe it's just part of the film's jokey attitude. But as pieces of the central mystery slowly fall into place, the movie seems to become looser and less coherent. Even when the real villain is identified, there's still at least half an hour of flashbacks and revelations, confrontations and conclusions, none of which are particularly surprising or satisfying.
Continue reading: Horns Review
Following the mysterious death of his girlfriend, Merrin Williams (Juno Temple), Ig Perrish (Daniel Redcliffe) wakes up from with a hangover and no recollection of the night before. When horns begin to steadily grow out of his head, and the local people begin to believe that Perrish is guilty of raping and murdering Williams, Perrish decides that the time has come to find his girlfriend's killer, once and for all - so that she may finally rest in peace, and he can save both his name and his soul from eternal damnation.
Continue: Horns - Alternative Trailer
For a comedy that so desperately wants to be rude and sexy, this movie is remarkably timid. It does a great job putting up a front as an anarchic laugh riot, but the genuinely funny moments are few and far between. And it seems to have been written by sniggering teenage boys who can only imagine what it's like to experience sex, drugs and romance, but they haven't a clue, really. Thankfully, the starry cast makes it just about watchable.
With a drunken mom (Mary-Louise Parker) and a deadbeat dad (Cary Elwes), 17-year-old Rick (Nat Wolff) pretty much has to grow up on his own. Then over two fateful weeks everything starts going wrong. Just as he seems to be making progress with hot good-girl Nina (Selena Gomez), he gets caught in a drug deal with a strip-club manager (Dylan McDermott), the cops find a dead mobster in his car, and then everyone is arrested when a house party he throws turns into a drug-fuelled sex romp. Even more precarious for Rick is the fact that he has just lost his virginity to Pamela (Elisabeth Shue), who is both his mother's best friend and the mother of his best friend Billy (Lachlan Buchanan).
Yes, the script wallows in sex and drugs, but never seems quite sure what to do with them, shying away whenever anything remotely grown-up threatens to happen. Instead, scenes degenerate into corny broad comedy that feels more than a little desperate. Director Tim Garrick throws everything he can think of at the screen, so naturally a few gags stick. Even if the plot is paper-thin, and several of the jokes are beyond offensive (including gags hinging on both statutory and prison rape), there are also several witty zingers that elicit outright laughter. Such as when Nina remarks casually that her parents are away from home attending a pro-life gun rally in Dallas.
Continue reading: Behaving Badly Review
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Daniel Radcliffe’s career has withstood two very distinct phases: being cast a child actor as Harry Potter and trying to shake off his reputation as a child actor in Harry Potter. It looks as though ‘Horns’ might be the picture to finally achieve that goal.
Daniel Radcliffe talks 'Horns' at Comic-Con 2014
In ‘Horns’, Radcliffe plays Ig, an ostensibly regular guy with a normal life, a girlfriend and all the rest of it. Until one day, his girlfriend is brutally murdered, and he wakes up hungover with horns growing out of his head. To boot: he is the number one suspect in the murder trial and the media are hounding him 24/7.
Continue reading: Daniel Radcliffe Is Unrecognisable With 'Horns' [Trailer + Poster]
Ig Perrish wakes up after a particularly drunken night with a very sore head - though, as it turns out, this is no ordinary hangover. He finds that he is somehow growing horns from his tempes, following the brutal murder of his girlfriend. Having been the prime suspect in the case, the media are swamping him everyday since he was absolved, and it seems no-one actually believes he was really innocent. Checking out his new growths, he visits one of the few friends he still has but is amazed to see that she neither looks surprised or troubled by them. As the day goes on, he visits a doctor, but soon discovers that everyone appears to be being painfully honest with him about their private thoughts - and not only that, but he seems to have to power to control their actions too.
Continue: Horns Trailer
Heather Graham says 80% of movies are male oriented.
Heather Graham, the Hollywood actress probably best known for her role as a stripper in The Hangover trilogy, says the movie business is fundamentally sexist. The Boogie Nights star made the statement during a Q&A with Esquire magazine.
Heather Graham Has Branded Hollywood Sexist
Graham - who has also played the 'sexy mother' in Judy Moody, Goodbye to All That, Petals On The Wind and Californication - said: "I'm just glad to be working. I'm not actually a mom in real life, so it's fun to pretend to be one.I like to approach things the same in art as in life. You can choose to look on the positive side and enjoy whatever roles you're given. You can find the silver lining in anything."
Continue reading: Is Heather Graham Right About Sexism In Hollywood?
Heather Graham - the 'Goodbye To All That' Premiere during the 2014 Tribeca Film Festival at the SVA Theater on April 17, 2014 in New York City. - New York, New York, United States - Friday 18th April 2014
For the final instalment of the trilogy, filmmaker Todd Phillips takes a sharp left turn, abandoning the formula of the first two movies to send the Wolf Pack on a road thriller that isn't remotely funny. A few wacky moments are provided by the actors, but there isn't one punchline in the entire film. And it doesn't really work as a thriller either, since there's no real suspense.
Once again it starts in Los Angeles, where everyone has recovered from their antics in Bangkok. But Phil, Stu and Doug (Cooper, Helms and Bartha) are worried that Alan (Galifianakis) is refusing to grow up, so they hold an intervention and set out to drive him to a desert retreat. On the way, they're waylaid by mobster Marshall (Goodman), who holds Doug hostage to force the the Wolf Pack to find renegade nutcase Chow (Jeong), who has stolen Marshall's stash of gold bars. They track Chow to Mexico, but things quickly get even messier as Chow slips through their fingers. And to catch him, they'll have to return to the scene of their original adventure: Las Vegas.
There isn't much to the screenplay, which is a series of action scenes and caper-style set-pieces strung together with rapid-fire dialog and general vulgarity. But while the film is expertly shot and edited, with a solid cast and terrific settings, there simply isn't any actual humour. No one gets drunk, so there's no hangover this time. And the only amusing moments are offhanded character bits that are utterly irrelevant to the nonsensical chaos of the plot. Which kind of makes us wonder why we ever found these losers so hilarious to begin with.
Continue reading: The Hangover Part III Review
Heather Graham - "Vegas Magazine Celebrates 10th Anniversary With Heather Graham at The Pool at Mandarin Oriental, Las Vegas" - Las Vegas, NV, United States - Friday 10th May 2013
Alan Garner is going through real emotional trauma when his beloved father passes away. Following the funeral, his friends Stu, Phil and Doug decide to take him back to Las Vegas to recuperate with the hope that previous experience and lack of upcoming weddings will prevent them from getting into any major trouble again with gangs or escaped wild animals. However, that hope is soon shattered when they are jumped by a brutal gang who demand to know where they can find their flamboyant gangster friend Leslie Chow who has allegedly stole $21 million dollars. As expected, the Wolfpack end up in enormous, but hilarious, trouble yet again which leads them to question their friendship ties and vacation choices. Will the foursome survive Sin City this time round? And will Alan find the peace he's looking for?
The Wolfpack returns in the last instalment of this side-splitting trilogy. Academy Award nominated director Todd Phillips ('Road Trip', 'Due Date') returns once more with the co-writer from 'Part II', Craig Mazin ('Identity Thief', 'Superhero Movie', 'Scary Movie 4'). It looks to be a spectacular end to the film series as the foursome's previous alcohol-fuelled vacations come back to haunt them. It is scheduled for release in UK cinemas on May 24th 2013.
Heather Graham Thursday 24th February 2011 The Hollywood Reporter Big 10 Party at the Getty House Los Angeles, California
Date of birth
29th January, 1970
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[WATCH] ‘The Stand’ First Trailer, Key Art Released For CBS All Access Series – Deadline Check out the new trailer… https://t.co/eEdAd4xBWE
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I’m watching #IMayDestroyYouhbo and #MichaelaCoel is SO COOL!
Norm is a polar bear frequently laughed at by his Arctic neighbours for his friendly...
With his most stylish film yet, horror specialist Alexandre Aja takes a wildly irreverent approach,...
Following the mysterious death of his girlfriend, Merrin Williams (Juno Temple), Ig Perrish (Daniel Redcliffe)...
For a comedy that so desperately wants to be rude and sexy, this movie is...
Following the vicious rape and murder of his girlfriend Merrin Williams, Ig Perrish goes on...
For the final instalment of the trilogy, filmmaker Todd Phillips takes a sharp left turn,...
Alan Garner is going through real emotional trauma when his beloved father passes away. Following...
Henry Whipple is a highly respected farmer in the world of agriculture and thinks of...
Stu, Phil, Alan and Doug return to Las Vegas in the hilarious third instalment of...
Henry Whipple is an ambitious farmer with high hopes for his promising agricultural family business....
Robert Axle is a wealthy infomercial master. However, when one of his latest inventions has...
It's a film never particularly loved by audiences and unlikely to be rehabilitated by critics...
Filmmakers go overboard all the time, but none more than Oliver Stone. When Stone released...