James Jacks

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The Scorpion King Review


Terrible
The Rock: One name symbolizes everything that can be defined as the stereotypical American male. Why? He's a gruff, tough-as-nails, merciless, and sexually magnetic savior of the free world. And he's huge on TV. And sure enough, The Scorpion King - the latest installment in the mind-numbing, insanely profitable Mummy series - is pure trash. Starring the aforementioned WWF superstar, The Scorpion King is filmmaking at its worst.

The Scorpion King ably rehashes the plots of the variety of other, better films including Gladiator, the Indiana Jones series, Flash Gordon, Beastmaster, and even The Goonies. Set 5,000 years ago, a warlord named Memnon (Steven Brand), acting on crazed Napoleonic urges, ravages the land and bends its people into totalitarian rule. With the aid of a seer who foretells the future, Memnon stands invincible against all aggressors.

Continue reading: The Scorpion King Review

Dark Blue Review


Weak
Call it L.A. Confidential lite. In Ron Shelton's derivative new police corruption drama - adapted from a story by Confidential scribe James Ellroy - Kurt Russell stars as Sgt. Eldon Perry Jr., a self-professed gunslinger who sees himself as a noble warrior charged with cleaning up his beloved city's streets. A member of the LAPD's elite Special Investigations Squad, he's the kind of guy who freely expounds on the depravity of L.A.'s lower classes with a barrage of bigoted epithets, and feels no pangs of conscience when gunning down unarmed suspects in back alleys. According to Perry's tunnel vision logic, a criminal is a criminal, and worrying about the vague, inconsequential differences between each one is not only a waste of time, but a disservice to the community he's trying to save.

Unfortunately for Perry, it's April 1992, and not a very good time to be an arrogant, white LAPD officer. The Rodney King trial has set L.A. on the precipice of Armageddon, and the verdict - to be announced imminently - has become the focal point for a metropolis simmering with class and racial tension. Perry, however, has more pressing matters to worry about. His partner, a wet-behind-the-ears rookie named Bobby Keough (played with baby-faced blankness by ex-Felicity hunk Scott Speedman), has screwed up an arrest, and Perry - always looking to back up a fellow brother in blue - has killed the defenseless perp (with Keough's gun) rather than letting him escape. The film begins with both officers knee-deep into lying their way through an eight-hour inquiry, since Perry has decided that his incompetent protégé should take the heat for the killing anyway. As far as Perry is concerned, one's first shooting inquiry is a right of passage - a baptism into an immoral system that's primarily sworn to protect and serve its own members.

Continue reading: Dark Blue Review

The Gift (2000) Review


Weak
Maybe Paramount held back on giving The Gift a wide release during the Christmas season to avoid too many reviewers saying, "This Gift is a holiday lump of coal..." or something like that. If so, good call.

The latest from Sam Raimi (For Love of the Game) is a muddled thriller, filled with tired clichés and some of the worst casting in years. Raimi, along with screenwriters Billy Bob Thornton and Tom Epperson, try so hard to create a "serious" psychic chiller that the film is practically drained of any excitement.

Continue reading: The Gift (2000) Review

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James Jacks Movies

The Scorpion King Movie Review

The Scorpion King Movie Review

The Rock: One name symbolizes everything that can be defined as the stereotypical American...

Dark Blue Movie Review

Dark Blue Movie Review

Call it L.A. Confidential lite. In Ron Shelton's derivative new police corruption drama - adapted...

The Gift (2000) Movie Review

The Gift (2000) Movie Review

Maybe Paramount held back on giving The Gift a wide release during the Christmas season...

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