There's no reason why this animated comedy adventure needed to be this pointless. Solidly entertaining movies have been made using far less as source material (see The Lego Movie). But while there are some hilarious verbal and visual gags peppered throughout this movie, it all hinges on a script that's painfully obvious and animation that simply isn't inventive enough to hold the attention without a decent story and stronger characters.
It's set in Textopolis, an app inside the smartphone of the teen Alex (Jake T. Austin). The central character is Gene (T.J. Miller), who has far too many expressions for a meh emoji. His parents (Jennifer Coolidge and Steven Wright) worry that he has some sort of defect. Threatened by the cruel senior emoji Smiler (Maya Rudolph), Gene and his pal Hi-5 (James Cordon) sneak out of the app in search of the hacker Jailbreak (Anna Faris), who can help reprogramme him if they can make it to the cloud. But Smiler sends a team of killer bots in hot pursuit.
Yes, the plot is cursory at best, and essentially exists only so the film can namecheck carefully placed apps in a series of sponsored, rather pointless extended set pieces. This leaves the movie feeling like a low-rent variation on Wreck-It Ralph, although only a few of these sequences have any visual interest. The Candy Crush world is at least a colourful alternative to the dull digital look of most of most of the movie. And the lack of imagination shows in the depiction of music streaming as a stream and a firewall as a wall of fire. There's also a strange rush to violence in almost every sequence, as the bots continually try to delete our heroes.
Continue reading: The Emoji Movie Review
We use Emojis in text messages and social media everyday, but have you ever thought about what these images get up to when you put away your iPhone? When a high school boy goes to send his crush a 'Meh' emoji, it turns into something quite different. To the disappointment of his parents, Gene has never been quite as apathetic as he's expected to be, so when he messes up his moment it causes quite the problem for everyone else. Now the boy thinks his phone is broken, and he's on the way to get it re-set. That's not looking good for the emojis who find themselves desperately trying to back-up their world in the Cloud before their whole world gets wiped out. Meanwhile, Gene is about to learn that having more than one expression may not be such a bad thing after all.
Continue: Emoji Movie Trailer
Jennifer Coolidge at Farm Sanctuary's 30th Anniversary Gala held at the Beverly Wilshire Four Seasons Hotel, Beverly Hills, California, United States - Saturday 12th November 2016
'Alexander And The Terrible, Horrible, No Good, Very Bad Day' follows its roots, and sets its sights squarely on the family market.
It's taken quite a while for a film adaptation of the beloved children's book to appear, perhaps because its title is rather cumbersome: Alexander and the Terrible, Horrible, No Good, Very Bad Day. But there the full title is on posters (with commas) and across the screen (without them), although it could be argued that the story hasn't been adapted with quite as much reverence.
‘Alexander And The Terrible, Horrible, No Good, Very Bad Day’ is based on the book from 1972
Originally published in 1972, the award-winning book by Judith Viorst won a shelf-load of awards. The film adaptation, by first-time screenwriter Ron Lieber, flips the story around: now it's not Alexander who's having such an awful day: he has wished his bad luck on everyone around him instead.
There's nothing wrong with this bright and goofy family comedy, but there's nothing much to it either. As a bit of mindless entertainment, the film is smart and funny enough to keep audiences entertained, spinning a swirling vortex of bad luck and wacky slapstick around one lively family. But it's utterly weightless, without even a hint of an edge, and anyone who loathes either nutty physical gags or sappy sentimentality should steer well clear.
Everyone in the audience can understand how Alexander (Ed Oxenbould) feels: he's fed up with the fact that no one notices that his life is just one humiliation after another, so on his 12th birthday he wishes that his family would have a taste of his misfortune. Sure enough, everything that can go wrong does. Dad Ben (Steve Carell) has to take the baby with him to an important job interview; mom Kelly (Jennifer Garner) has a work event go horribly wrong; teen brother Anthony (Dylan Minnette) struggles to make prom night special for his demanding-diva girlfriend (Bella Thorne); and middle sister Emile (Kerris Dorsey) gets ill on opening night of the school play she's starring in. On the other hand, Alexander's day isn't so bad, as he finally catches the eye of cute girl Becky (Sidney Fullmer).
The plot is laid out as a series of minor calamities that escalate to crazed proportions as the day goes on, but only until the screenwriter decides to have mercy on the characters and let them bond to face the mayhem. Frankly, this is such a wildly happy family that nothing about the film is believable: their problems exist strictly for laughs. Thankful, most of the set pieces are genuinely funny due to the up-for-it actors, who make the most of their characters and the connections between them. There's also a terrific stream of cameo roles for comedy aces like Megan Mullally (Will & Grace), Jennifer Coolidge (American Pie) and Donald Glover (Parks and Recreation). Dick Van Dyke even makes a witty appearance as himself.
Continue reading: Alexander And The Terrible Horrible No Good Very Bad Day Review
Jane Hayes has, what some might say, an unhealthy obsession with Jane Austen's novels and all things from the Regency era. She's infatuated with Mr. Darcy from 'Pride and Prejudice' - of whom she has a cardboard cut-out portrayed by Colin Firth from the 1995 Emmy winning BBC series - and has filled her bedroom with all manner of Austen-themed memorabilia. After discovering an ultimate Austen experience in England, she puts all her life savings into making the trip there, immersing herself completely in the Regency style excursion and finding her Mr. Darcy. However, it soon becomes clear that living without modern amenities is almost unthinkable and the paradise she imagined is far from bliss. Although she starts to contemplate that she may have wasted all her life savings, she does meet a potential love interest, though he may not be what she was looking for.
Continue: Austenland Trailer
When we last saw East Great Falls' Class of '99, they were celebrating the wedding of classmates Jim Levenstein and Michelle Flaherty. Several years later, Jim and Michelle have a two year old son and have settled into a comfortable routine.
Continue: American Pie: Reunion Trailer
During their heyday in the late '60s/early '70s, Marcus Hooks (John Legend) and the Real Deal -- Floyd Henderson (Bernie Mac) and Louis Hinds (Samuel L. Jackson) -- were R&B icons. But as with most legendary acts, acrimony led to a split-up and solo work. Hooks was a smash. The Real Deal had one hit, and then faded into obscurity. When death takes the famed frontman away from the world, VH1 decides to hold a tribute concert, and the Deal's former manager (Sean Hayes) is selected to secure their participation. Unfortunately, Henderson is living in an upscale retirement community, while Hinds is trying to put his life back together after a stint in prison. Refusing the offer at first, they finally embark on a five-day cross-country road trip. Playing pick-up dates along the way, they hope to make it to New York's Apollo before the final curtain falls.
Continue reading: Soul Men Review
But things are changing in the animation scene. The freshness of CG has worn away, and audiences are no longer wowed by flashy technology alone. Disney/Pixar's The Incredibles has raised the bar on both animation excellence and story-telling savvy to a level that will be hard to top in coming years. If such early hits as Toy Story or Antz premiered today, it's unlikely they would wow the crowds nearly as much as they did on their initial releases. It's a tough time to be an animated film.
Continue reading: Robots Review
After reinventing the sex comedy in 1999's American Pie, AP2 had a high bar to live up to, and miraculously, it has done so. It actually outdoes the original (by a mile) when it comes to juvenile and crude humor. And the sex gags... jeez, the dick jokes come rapid fire, one every minute. It ain't Woody Allen, but damn if it isn't utterly hysterical.
Continue reading: American Pie 2 Review
But will you guess that a major subplot will blatantly (and explicitly) rip off The Rocking Horse Winner? Or that MacLaine will spew a monologue about rubbing manure on her breasts? Wow. How could you?
Continue reading: Carolina Review
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