Jesse Luken

What could easily have been a sentimental slog is given a spark of intelligent wit by writer-director Helgeland (A Knight's Tale). This is the story of an iconic figure from American sport who had a massive impact on society at large, and Helgeland focusses on the elements we can most readily identify with while quietly stressing how important and, yes, inspirational this story is.

In 1945 post-War America, most states still have segregation laws on the books, and black baseball players are sidelined in their own league. But Brooklyn Dodgers owner Branch Rickey (Ford) wants to break this barrier, and drafts Jackie Robinson (Boseman), making him the first black player in the Major League. Jackie is a determined, principled young man who struggles to hold his tongue in the face of blatant bigotry. But he gets help from Branch and team manager Leo (Meloni), and support from his equally feisty wife Rachel (Beharie). There's also a young black journalist (Holland) who works with him to further both their causes. But it takes Jackie a little longer to win over his teammates.

The film portrays endemic racism as the hideously ugly thing it is: socially accepted cruelty and prejudice. In truth, it was probably a lot worse than shown here, but we certainly don't miss the point. Especially since this kind of abusive language is never heard in today's politically correct climate. And Helgeland also creates complex characters who can't be tagged as heroes or villains, played with cheeky energy by a very strong cast. Boseman oozes charisma in the central role, undercutting what could be a too-saintly characterisation with sensitivity and steeliness. And Ford shines in a rare character role as a cantankerous old guy who simply won't take no for an answer.

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