Marketed as a horror-thriller, this sharply well-made film is actually a bleak drama with a strong message about bullying. Actor turned writer-director Joel Edgerton creates a vividly creepy atmosphere as he digs into the perceptions and motivations of three central characters, and he finds plenty of opportunity to unnerve the audience in the process. There are a few big jolts, but it's the unsettling themes that freak us out.
There has clearly already been quite a lot of trauma in the marriage between Simon and Robyn (Jason Bateman and Rebecca Hall), so much so that they've packed up their home in Chicago and moved to Los Angeles to start over. As they're settling into their stunning new home in the hills, Simon runs into his old school friend Gordon (Edgerton), who seems to appear out of nowhere, worming his way into their life with a series of thoughtful gifts. But Simon doesn't want to reconnect with Gordon, whom he always thought was a weirdo, which Robyn thinks is rather cruel. She reluctantly agrees with Simon that they break contact with Gordon, due to pressures at work and in their attempts to start a family. But things immediately turn very nasty. And Robyn realises that there's more to Simon and Gordon's past than either is letting on.
With a pungent sense of foreboding, the film is instantly riveting, mainly because it resembles movies like Fatal Attraction. So we brace ourselves for that bunny-boiling moment, and as a writer, director and actor, Edgerton plays with us mercilessly, dropping all kinds of hints and revelations about the reality beneath the surface of these characters. But instead of turning into a crazed, violent thriller, the film instead takes a much more internalised approach, generating suspense from the implications of what is happening. Essentially, it works because it forces us to understand even the darkest motivations of the characters.
Continue reading: The Gift Review
Simon and Robyn barely have time to contemplate their perfect lives with their happy marriage and beautiful new house when they come face to face with the less than perfect past. While shopping at a department store Simon bumps into an old classmate named Gordo, though it takes a while for him to recognise him. When a bottle of expensive wine shows up on their doorstep from Gordo, they are left wondering how he got the address but nonetheless invite him over for dinner to say thank you for the house-warming gift. But pretty soon Gordo starts frequently showing up uninvited with stranger and stranger gifts, and when Simon tries to break off their unwanted friendship, things start to get scary. Threatening notes are left, Robyn's fish are suddenly dead and their house is being vandalised. Robyn starts to become seriously suspicious of her husband when the suggestion of an uncomfortable past between the two men arises, and she's desperate to find out what happened before things get out of hand.
Continue: The Gift Trailer
Irish-American criminal mastermind Whitey Bulger was arguably one of the most dangerous men in America before his arrest in 2011 at the age of 81. He'd already spent time in Alcatrez as a much younger man, having spent a lot of time on the streets of South Boston. However, by the 70s he proved to be the FBI's best tool in controlling organised crime within the country, and he was eventually persuaded by his friend John Connolly to be their informant in all workings of the rival Italian Mafia. However, it's not safe business being both a highly respected gangster and a police informant, and while much of his activity is being largely ignored as he rises to become top of the Irish Winter Hill Gang, it seems he is gaining too many killings and dodgy dealings under his belt to go unnoticed.
Continue: Black Mass - Teaser Trailer
The GoodFellas reunite at Tribeca's closing night, while Carey Mulligan and Jack Black lead the red carpet charge in New York and Los Angeles. There's one last insane trailer for Mad Max, plus the first glimpses at Tom Hardy as the Krays, Johnny Depp as Whitey Bulger and Nicole Kidman in small-town Australia...
The Tribeca Film Festival in New York wrapped up at the weekend with a 25th anniversary screening of Martin Scorsese's 'GoodFellas', which featured a reunion of the film's actors including Robert DeNiro, Ray Liotta, Paul Sorvino, Debbie Mazar, Lorraine Bracco, Kevin Corrigan and Mike Starr. Take a look at pictures from the closing of The 2015 Tribeca Film Festival here.
Paul Sorvino, Debi Mazar, Robert De Niro, Lorraine Bracco and Kevin Corrigan
Also in New York, the US premiere of 'Far From the Madding Crowd' brought out stars Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple and director Thomas Vinterberg, plus other celebrities including Kathleen Turner and Sarah Silverman. The film opens this weekend in both the UK and US. Check out pictures from the premiere of 'Far From the Madding Crowd' here.
Continue reading: A Week In Movies: Tribeca Wraps In New York, 'Madding Crowd' And 'D Train' Hold US Premieres, A New Trailer Drops For 'Mad Max', And There Are First Looks At 'Legend', 'Black Mass' And 'Strangerland'
For anyone overtaken by Johnny Depp's recent filmography, the trailer for 'Black Mass' can serve as a great reminder that he is a phenomenal actor.
With the recent trailer release for 'Black Mass', it's clear to see why the world fell in love with Johnny Depp. A short clip within the trailer perfectly demonstrates the veteran actor's ability to switch at will between fun-loving and friendly, to nightmarishly monstrous, in a great acting showcase. And that creepy make-up job certainly helps.
Johnny Depp shows off his more villainous side in 'Black Mass'
In recent years, Johnny Depp has received a critical savaging, specifically for films like 'The Lone Ranger' and 'Transcendence', but this triumphant return to form may be just what he needs before launching into an 'Alice in Wonderland' sequel, and a fifth 'Pirates of the Caribbean' film.
Sometimes, the greatest hiding place is in plain sight. For twelve years from the mid-1990s, he was the FBI's second most wanted fugitive, behind Osama Bin Laden. Throughout the 1970s, he was an FBI informant, revealing information to bring down an Italian American crime family, and he was the brother of a US senator. But really, his informant years were to stop another family from invading his own turf. Whitey Bulger (Johnny Depp) was one of the most brutal and violent criminals in Boston, being the secret puppet master behind one of the most dangerous crime families in history.
Continue: Black Mass - First Look Trailer
The 'Black Mass' trailer has been released and Johnny Depp is absolutely terrifying as criminal, Whitey Bulger.
Johnny Depp is almost unrecognisable in the trailer for Black Mass. The 51-year actor plays the notorious American gangster, Whitey Bulger, in the upcoming film. The first official trailer was released on Thursday (23rd April). It shows Depp, with a receding hairline and incredibly piercing blue eyes, intimidating a colleague over dinner. Depp's intimidating voice becomes a voice over as other scenes from the movie, including Depp wielding a gun and dumping a dead body, cut in.
Johnny Depp and his wife, Amber Heard.
Continue reading: Johnny Depp Terrifies As Whitey Bulger In The Trailer For 'Black Mass'
Ridley Scott's latest movie, 'Exodus: Gods and Kings', has been hailed by critics as a grand spectacle.
Ridley Scott is no stranger to the biblical epic. From 'Gladiator' to 'Kingdom of Heaven', he has proved that he's fearless when creating a massive-scale movie. Although he has long been criticised for skimping on the emotional engagement, offering just enough sketchy melodrama to hold audience interest, but little more.
Christian Bale in 'Exodus: Gods and Kings'
His new movie 'Exodus: Gods and Kings' is his biggest yet, a gigantic movie retelling of the clash between Moses and his adoptive brother Pharaoh Ramses, played with muscly energy by Christian Bale and Joel Edgerton, respectively. And critics have agreed that the film is certainly spectacular.
Continue reading: Ridley Scott's 'Exodus: Gods And Kings' Brings Spectacle To Cinemas
Aside from impressive 21st century digital effects, this new take on the Moses story pales in comparison to Cecil B. DeMille's iconic 1956 version, The Ten Commandments, which is far more resonant and intensely dramatic. Biblical epics are tricky to get right, and Ridley Scott certainly knows how to make them look and feel terrific (see Gladiator and Kingdom of Heaven), but his films are generally about the spectacle rather than the human emotion. So this version of the biblical story will only appeal to viewers who have never seen a better one.
It's set in 1300 BC, when the Israelites have been in captivity in Egypt for 400 years. Now rumours of liberation are circling, centring on Moses (Christian Bale), the adopted son of Pharaoh Seti (John Turturro), raised as a brother alongside the future Pharaoh Ramses (Joel Edgerton). When it emerges that Moses is actually a Hebrew, he is sent into exile in the desert, where he finds a new calling as a shepherd and marries his new boss' sexy daughter Sefora (Maria Valverde). Moses also has a run-in with the Jewish God, who appears in the form of a young boy (Isaac Andrews), challenging Moses to free the Israelites. As Moses attempts to spark a slave revolt, God sends seven horrific plagues to convince Ramses to let his people go.
The script struggles to have its cake and eat it too, finding rational explanations for the plagues and miracles while still maintaining God's supernatural intervention. It's a rather odd mix that demonstrates just how compromised the movie is: it's a big blockbuster rather than a story about people. Several elements work well, such as depicting God as a boy, although the screenplay never manages to make much of the female characters. And only Ben Mendelsohn manages to inject any proper personality as the weaselly overseer of the slaves. Bale and Edgerton both catch the complexity of their characters' situations, privilege mixed with personal revelations. But Scott is more interested in parting the Red Sea than taking them anywhere very interesting.
Continue reading: Exodus: Gods And Kings Review
Rupert Murdoch has attempted to defend the casting of 'Exodus: Gods and Kings' after critics claimed the film's casting was racially insensitive.
Ridley Scott has hit back at criticism of the predominantly white casting in his new movie 'Exodus: Gods and Kings'
Ridley Scott has responded to the apparent lack of ethnic diversity in his latest movie Exodus: Gods and Kings, saying that having a lead actor called "Mohammad so-and-so" wouldn't enable him to get a film financed.
Chrsitian Bale plays the historically middle eastern character Moses in Exodus
Scott insists that, had white actors not filled the major roles in the biblical epic, it would never have got off the ground financially.
Continue reading: Ridley Scott: "Mohammad So-And-So Isn't Going To Get My Movie Financed"
Malcom Toohey is a highly respected detective who lives life by the book, and tries to help as many people as he can along the way. All this gets upended, however, when he accidentally knocks down a child in the road with his car leaving him in a coma. He calls from an ambulance, but from the moment he fails to admit he was the one who struck the child with his vehicle, he thrusts himself into a whirlwind of lies, corruption and suspicion. His boss, Detective Carl Summer, is behind him, reluctant to reveal what really happened and convincing his team that Malcolm is innocent of any crime. However, one colleague refuses to let the matter lie and goes about trying to prove Malcolm's guilt, leaving Malcolm desperate to come clean before he is exposed, despite Carl's protestations.
Continue: Felony Trailer
Director Ridley Scott (Alien, Gladiator, Kingdom of Heaven) talks about world of his new film, 'Exodus: Gods and Kings'. The film follows the life of Moses (Christian Bale), and works on "the complexity of his character". Scott also talks about what drew him to the material, namely, the "beauty in the massive scale of it". He discusses the process of using computers to turn four thousand extras look like twenty thousand soldiers. Aside from the battle scenes, we see evidence of the biblical plagues that come from the original story at work.
Continue: Exodus: Gods and Kings - Featurettes
Christian Bale and Joel Edgerton star as Moses and Rhamses in director Ridley Scott's big budget interpretation of the Exodus Bible story. The film isn't out until December but check out the trailer for 'Exodus: Gods and Kings'.
Director Ridley Scott has dealt with some epic stories whether it's the might of the Roman Empire and the obsession with gladiators, slavering murderous aliens in space or legends of British folklore. But now the 76-year-old director is tackling the Bible and is adapting the story of Moses for the big screen in Exodus: Gods and Kings.
Moses and the Egyptian Pharaoh Ramses grew up together as brothers after the former was saved from drowing in the Nile. However, Moses has not forgotten the reason why he was cast into the river; all newborn Israelites were condemned to death by the past Pharaoh for fear of their growing numbers. Now he is enlisted by God to save the Israelites from their slavery at the hands of the Pharaoh's people, but to do so he must turn his back on his brother and friend. The Egyptians fight back as Moses defiantly leads the Israelites on an arduous journey across the desert, while God unleashes a series of horrific plagues and turns their Nile to blood. Egypt face new dangers as God decides that rules need to be laid down for Moses and his people.
Continue: Exodus: Gods And Kings Trailer
Johnny Depp next stars in 'Transcendence' but his role as Whitey Bulger in 'Black Mass' is creating waves.
Johnny Depp has begun his promotional tour for his new science fiction thriller Transcendance, which opens on April 18. However, journalists appear to be more concerned with another of the actor's upcoming projects, Black Mass - in which he plays convicted mobster Whitey Bulger.
Johnny Depp Plays An Artificial Intelligence Researcher in 'Transcendence'
"I don't think of him as Whitey - it's James 'Whitey' Bulger," Depp said at the Four Seasons Hotel during a press day for Transcendence.
The star of the Alien quad-rilogy has signed on to star in the British director's upcoming biblical epic
Sigourney Weaver is re-teaming with the man who gave her her big break; Ridley Scott, to co-star in the director's upcoming Bible epic Exodus. The 20th Century Fox production will see Weaver star as Tuya, mother of Ramses (played by Joel Edgerton), in the movie, with John Turturro already signed on to appear as her husband.
Weaver will star as Tuya in one of 2014's two biblical movies
Weaver re-unites with Scott for the first time since the 1979 sci-fi classic Alien, in a film that is already looking like a star-studded affair, even though casting hasn't yet finished.
Continue reading: Sigourney Weaver And Ridley Scott To Join Forces Once Again For 'Exodus'
Chris Pratt is bulking up for his role in the Guardians of the Galaxy.
Chris Pratt, the 34-year-old actor who has bagged himself some pretty tasty roles in recent years, is bulking up for his role in the upcoming Guardians of the Galaxy movie. Pratt is the latest movie star to undergo a dramatic physical transformation and posted his progress in an Instragram photo this week.
It's not the first time the Parks and Recreation actor has changed weight for a movie role - he sported a hugely toned physique for his role as a member of Seal Team Six in Kathyn Bigelow's Osama Bin Laden movie 'Zero Dark Thirty' last year.
Continue reading: Guardians Of The Galaxy: Is Chris Pratt The Next Big Hollywood Star?
Baz Luhrmann (Moulin Rouge) is the perfect director to take on F. Scott Fitzgerald's iconic novel about the American dream, simply because he's an expert at showing the emptiness of hyperactive excess. The film is a feast for the eye from start to finish, but it also eats away at us with its bleak story of people who live the high life even though it leaves them naggingly unsatisfied.
The tale is told by Nick (Maguire), trying to work through his life-changing summer in 1922 Long Island, where he rented a small cottage across the sound from his wealthy cousin Daisy (Mulligan), who is married to his college pal Tom (Edgerton), an all-American sportsman with an eye for other women. Next door to Nick's cottage is the vast mansion owned by reclusive millionaire Jay Gatsby (DiCaprio), who throws outrageously raucous parties for New York's celebrity class. But Nick realises that Jay only does this to catch the eye of Daisy, because he's still in love with her after a romance five years earlier. Now he wants to take her away from Tom, and he needs Nick's help.
It's tricky to know whether Luhrmann is celebrating Gatsby's luxuriant lifestyle or offering a cautionary tale about the emptiness of materialism. Obviously, the story is trying to do both, and Luhrmann fills the surfaces with decadent extravagance, filling the air with wafting fabric, buckets of glitter and exploding fireworks. Like a lavish 3D pop-up book, the party scenes are wildly over-the-top, as are smaller gatherings in opulent city flats or roaring open-top cars. These people's lives are so vacuous that they live at top speed, always in search of the next thrill. And it's difficult not to see Gatsby's earnest quest as just another greedy acquisition.
Continue reading: The Great Gatsby Review
The Hollywood Reporter says women are flocking to the cinemas to see The Great Gatsby.
This wasn’t in the script. Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s classic tale of the roaring twenties, The Great Gatsby, was one of the most anticipated movies of the year. With a huge budget, an all-star cast and various exotic filming locations, Gatsby was supposed to be the film of 2013. Hell, it was even supposed to be the movie that won Leonardo Dicaprio that elusive Oscar for best actor. Sure, that could still happen, but it's hugely unlikely.
One Of The Many Visually Impressive Scenes In The Great Gatsby
There’s no way to avoid the fact that Gatsby has been mauled by the critics. Though some have pointed in the direction of the stunning visuals, it soon became all too clear that Luhrmann forget one key element: Fitzgerald’s classic tale, the best possible material any director could have to work with. “This dreadful film even derogates the artistry of Fitzgerald, who wrote "The Great Gatsby" while living on Long Island and in Europe,” said Joe Morgenstern of the Wall Street Journal. J.R Jones of the Chicago Reader said, “Baz Luhrmann is exactly the wrong person to adapt such a delicately rendered story, and his 3D feature plays like a ghastly Roaring 20s blowout at a sorority house.” R. Kurt Oseland of Slant magazine pondered what could have been, saying, “When The Great Gatsby actually stops to breathe, there is some greatness to be found, however brief it may be.”
Continue reading: It Seems Women Could Rescue Baz Luhrmann’s ‘The Great Gatsby’
Joel Edgerton - Joel Edgerton, Hollywood, California - Los Angeles Premiere of Legend of the Guardians The Owls of Ga'Hoole held at the Grauman's Chinese Theatre Sunday 19th September 2010
Joel Edgerton Monday 5th July 2010 'The Waiting City' film premiere at the Dendy Cinemas Sydney, Australia
Date of birth
23rd June, 1974
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