Forests can be mysterious and bewildering places, but for Paul and his family it is one filled with horror and - at least at nighttime. When he meets a family of three in the vast woodland surrounding his home, he is of course suspicious about their journey. Nonetheless, he provides them with shelter at his boarded up house, with the strict condition that all rules regarding their security will be followed to the letter. They must only go out in groups, there is only one way in and out of the property and that door must be kept locked with only one set of keys which are on Paul's person at all times, and most importantly, they must never go out after dark. Of course, when the door is found to be open one evening, no-one is admitting to leaving it unlocked. Naturally, the two families start to become seriously mistrustful of each other and the real monster of the story makes his face known.
Continue: It Comes At Night - Trailer and Clips
The film is set in a world of humans, orcs and elves.
In a world where we still have a lot to learn about diversity and inclusion between the members of a single human race, 'Bright' opens up that concept further with a world of many different races. In this Netflix Original Movie, it poses to challenge the harmony between humans, orcs and elves.
Will Smith stars as Scott Ward in 'Bright'
'Bright' is set in an alternate present-day Los Angeles where humans have been living amongst folkloric creatures the likes of orcs, elves and fairies for thousands of years. Directed by David Ayer ('Training Day', 'End of Watch', 'Suicide Squad') with a script written by Max Landis ('Chronicle', 'American Ultra'), it follows a nail-biting quest to save the planet with an undercurrent of parallels with real life racial issues.
Continue reading: First Images Of Joel Edgerton And Will Smith Taking On Evil In Netflix's 'Bright'
Joel Edgerton is generating Oscar buzz for his performance in the new drama Loving.
Loving is the true story of Richard and Mildred Loving, whose landmark 1967 Supreme Court case abolished laws that prohibited interracial marriage. The film reteams Edgerton with Midnight Special director Jeff Nichols, focussing on the couple rather than the court case.
As he approached making the film, the name of the case haunted Edgerton. "I kept seeing the words Loving v Virginia," he says. "I saw those words together and I thought it was very powerful obviously. It felt like humanity versus the system, which is really what the movie is about. I just kept thinking about a human quality, a human desire that we all share versus the system that's all about everything else."
Continue reading: Joel Edgerton Had To Dial Everything Down For Loving
Loving is a new film that documents the lives of Mildred and Richard Loving, a black woman and a white man who experienced racial discrimination during the 1950's. The film follows the couple on their journey through life and their aim to live peacefully and create a stable home for them and their three children.
The actress stars in Jeff Nichols’ drama about an interracial couple in 1950s' Virginia.
It’s only May, but critics already believe they have a frontrunner for next year’s Best Actress Oscar, Loving star Ruth Negga. The acclaimed drama debuted at the Cannes Film Festival yesterday (May 16th) and has already garnered plenty of Oscar buzz, especially for the Ethiopian-Irish actress.
Ruth Negga stars in Loving.
In the drama Negga stars opposite Joel Edgerton, as married interracial couple Mildred and Richard Loving, who battle against the supreme court for their right to live together as husband and wife, during a time when interracial marriage was illegal.
Continue reading: 'Loving' Star Ruth Negga Tipped For Oscar After Wowing Cannes
With its grindingly low-key tension and unusual perspectives, this Western has a chance to revamp the genre in intriguing ways. The first-rate cast adds plenty of depth to the usual roles, including a strong female point-of-view from Natalie Portman, who also produced the film. But some rather simplistic thematic touches undermine the originality, and the film never quite cracks through the surface to become something meaningful.
It's set in 1871 New Mexico, where Jane (Portman) lives on a hidden ranch with her outlaw husband Bill (Noah Emmerich) and their young daughter. But Bill's been badly injured, and the notorious scoundrel Bishop (Ewan McGregor) has vowed to track him down. For help Jane turns to her ex-fiance Dan (Joel Edgerton), an angry gunslinger who has never got over being abandoned by Jane all those years ago. He agrees to help her, and of course Bill isn't too happy about this, but he's too injured to protest. And Jane is so fiercely independent that she refuses to let her history with these two men define her future.
The premise is packed with all kinds of intriguing layers, but the script continually over-explains everything with a series of flashbacks to Jane's earlier encounters with Dan, Bishop, Bishop's hotheaded brother (Boyd Holbrook) and a particularly brutal desperado (Rodrigo Santoro). Not one of these people has even a hint of morality about them, which gives the actors a chance to inject a lot of complex texture into their performances. These are tough-minded men who never stop to think about the rule of law. And Portman's Jane is steelier than all of them, a woman who makes her own hard decisions in a place that doesn't let anyone off easily. Portman is terrific in the role, even if director Gavin O'Connor (Warrior) undermines her with his rather straightforward approach. Even so, her scenes with Edgerton and McGregor crackle with subtext.
Continue reading: Jane Got A Gun Review
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael Shannon, after Shotgun Stories, Take Shelter and Mud. This one's an involving character-based sci-fi adventure made in the style of classic films like E.T. or Close Encounters. As the characters are thrown into an extraordinary situation, the story gradually reveals its fantastical secrets without resorting to the usual overblown blockbuster formula, which makes the movie remarkably resonant and genuinely thrilling.
Shannon plays Roy, a man who is on the run across Texas with his 8-year-old son Alton (Jaeden Lieberher) and his childhood friend Lucas (Joel Edgerton), who's now a state trooper. And the FBI is on their trail, investigating the religious cult they escaped from. Led by the defiant Calvin (Sam Shepard), the cult seems to have been centred around the unusual ability Alton has to gather information from government satellites. Which is why the FBI is so intent on tracking him down. Working with the FBI, NSA Agent Sevier (Adam Driver) is fascinated by Alton's abilities, and he begins to worry what might happen if the boy is captured. Meanwhile, Roy and Lucas have reunited with Alton's mother Sarah (Kirsten Dunst) and are continuing their journey across the American South. And time is clearly of the essence, since Alton is growing seriously ill.
Writer-director Nichols skilfully keeps the audience gripped by the central mystery, dropping in hints and revelations along the way that slowly build up to the final big picture. This forces the viewer into the same perspective as the characters, who don't have a clue what's going on but are gripped by the possibilities of what they're witnessing. This also makes it impossible to predict where the story might go next as it cycles through action, humour, emotion and exhilarating drama. Through all of this, the actors all offer beautiful textures in their characters, underplaying even the most intense scenes to make them feel strikingly realistic.
Continue reading: Midnight Special Review
Adam McKay, Tom McCarthy and George Miller have aso been announced.
The first set of nominees for the 68th Annual Directors Guild Of America Awards have now been announced, with nods for the category of Outstanding Directorial Achievement in Feature Film for 2015 featuring five directors from some of the biggest film favourites of the year.
Alejandro G. Iñárritu and Leonardo DiCaprio on the set of 'The Revenant'
Predictably, Alejandro G. Iñárritu is up there for 'The Revenant'; a visceral biopic which won three awards at the Golden Globes this year (Best Drama, Director and Actor in a Drama with Leonardo DiCaprio). He was previously nominated for 2006's 'Babel', won the award for his 2014 movie 'Birdman', and also won Outstanding Directorial Achievement in Commercials for Procter & Gamble's 'Best Job' campaign in 2012. Ridley Scott is another DGA staple who's once again looking at this award for 'The Martian' starring Matt Damon; another Golden Globes favourite with two awards under its belt. He has yet to win at the DGA's, but this is his fourth time nominated following 1990's 'Thelma and Louise', 1999's Gladiator and 2000's 'Black Hawk Down'.
Continue reading: Alejandro G. Iñárritu And Ridley Scott Lead First Set Of Directors Guild Of America Nominations
Jane Hammond has always been an independent woman, but living in the developing West is precarious even for her. After a treacherous few years and constant aggravation from a nasty gang called The Bishop Boys, Jane marries a man by the name of Bill 'Ham' Hammond and things settle down.
However, when Hamm returns home badly injured after running into The Bishop Boys, Jane decides there's no other option but to face her past and take on the Colin McCann and the rest of the infamous gang. Jane contacts the only person she knows who she thinks will be able to help her, her ex-fiance and gunslinger Dan Frost. Recruiting Frost and returning to the family home, the three await the arrival of the gang. One way or another score will be settled.
Jane Got A Gun will be released in the UK from Spring 2016.
For a biopic of a real-life person, this feels like an oddly standard mob thriller. It's the true story of Boston gangster James "Whitey" Bulger, and it's told with gritty filmmaking and robust performances. But there's very little about the movie that sets it apart, leaving it as yet another depiction of violent criminal ambition and betrayal. And by the end, it's difficult to escape the feeling that we've seen it all before.
It opens in 1975 South Boston, where Jimmy Bulger (Johnny Depp) runs the Irish mafia, while his brother Billy (Benedict Cumberbatch) is a senator. Their childhood friend John Connolly (Joel Edgerton) is an FBI agent who has asked for their help in taking down the rival Angiulo family, which Jimmy sees as a win-win situation: he'll get rid of the competition while avoiding jail himself. Over the next 10 years, Jimmy expands his operation dramatically, and he's not afraid to get his own hands dirty as he sorts out problems that are created by his sidekicks (including Rory Cochrane, Jesse Plemons and W. Earl Brown), all of whom are increasingly annoyed at his control-freak ways. But as Jimmy becomes even more notorious, the FBI boss (Kevin Bacon) pressures John to take him down.
The actors dive into their roles. Depp transforms himself physically into a prowling thug with terrifyingly piercing eyes. He may be a heartless killer, but he's also a caring family man. Opposite him, Edgerton has a trickier role as a federal agent who operates more like the gangster he'd rather be, casually ignoring the law to push his own agenda. In the sprawling supporting cast, only a few characters emerge memorably: Cumberbatch has a sparky presence, Cochrane offers some thoughtfulness, and Bacon gets to chomp on the scenery. Other roles are much briefer, especially the sidelined female characters.
Continue reading: Black Mass Review
Alton is a very special young boy who has been given a unique gift. When his father, Roy, finds out that Alton is in trouble with his freedom - and life - in jeopardy, Roy takes matters in his own hands and kidnaps his son. On the run and being hunted by religious extremists and special agents, Roy takes to the road with his close friend in order to protect his son.
Continue: Midnight Special Trailer
After filming the recent 'Exodus: Gods and Kings', actor Joel Edgerton praised director Ridley Scott, saying "everybody wanted to go to battle with him".
It's always good for actors and directors to get along on the set of a film; it keeps everyone involved in a good state of mind, and can lead to a better finished product than if everyone is at each other's throats. But simply getting along is one thing, and being in absolute awe of the people you are working with. Recently, actor Joel Edgerton, who played Ramses in the recently release 'Exodus: Gods and Men', revealed how much he idolised director Ridley Scott on the set of the film.
Joel Edgerton as Rameses in 'Exodus: Gods and Kings'
"Just meeting Ridley [Scott] at all was impressive for me. I've just admired his work for so many years - so many of his movies. So I was very chuffed just to meet him." The two must have gotten on quite well, as Edgerton revealed that the two spent the day working together, before Scott had dinner with him later. "I had a dinner with him the first night we met, and it was funny, because we spent the day playing dress-ups - literally - and then the evening, having a dinner and hearing his stories, y'know, I felt very honoured to get a chance to work with him."
Continue reading: Joel Edgerton "Felt Very Honoured" To Work With Ridley Scott
Joel Edgerton discusses the relationship between his character, Ramses, and Christian Bale's Moses, in 'Exodus: Gods and Kings'. He Australian actor than goes on to discuss how his initial meeting with visionary director Ridley Scott, and how after "playing dress-up" for the day, the two had dinner together. He then continued to explain just how incredible it was to be on set with the director. Edgerton finally explains how the biggest difficulty he faced during the production, was how he had try to empathise with the character of Ramses, despite how he was steadily turning into a ruthless dictator over the course of the film.
Continue reading: Joel Edgerton - Exodus: Gods & Kings Video Interview
Dakota Johnson may be joining the cast of 'Black Mass'.
Dakota Johnson, the actress who is to play Anastasia Steele in next year's Fifty Shades of Grey movie, is reportedly being eyed to play Johnny Depp's love interest in Black Mass.
Dakota Johnson Could Line Up Alongside Johnny Depp
The movie directed by Out of the Furnace filmmaker Scott Cooper tells the story of Boston crime king-pin turned fugitive Whitey Bulger who was the leader of the notorious Winter Hill King. He topped the FBI's list of most wanted criminals before disappearing without trace for over a decade. The Great Gatsby actor Joel Edgerton is slated to star opposite Depp as crooked FBI agent John Connolly, who was tasked with tracking down Bulger but aided in his disappearance, reports Deadline.com.
Continue reading: Dakota Johnson To Join Already Awesome Cast Of 'Black Mass'?
The 'Prometheus' actress will team up with her favourite director once again.
Sigourney Weaver is set to star in another Ridley Scott-directed movie, 34 years after she made her name in his 1979 sci-fi classic, Alien. The 63 year-old will appear in Scott's upcoming biblical epic Exodus in which she will play Tuya, mother of Ramses, reports THR.
Sigourney Weaver Will Play The Mother Of Pharoah Ramses.
Weaver has just finished a stint on Broadway in the Tony-winning Vanya and Sonia and Masha and Spike and she has also signed up to the Mortal Instruments sequel, City of Ashes.
Continue reading: Sigourney Weaver Signs Up For Ridley Scott's Biblical Epic, 'Exodus'
Glenn Close will play a role similar to Samuel L Jackson's in The Avengers.
Well this is a surprising casting, though one that sort of makes a ton of sense. According to the Deadline.com, Marvel Studios has landed Oscar winning actress Glenn Close to play a major new role in its latest franchise, Guardians of the Galaxy. The actress will reportedly play a leadership role in Nova Corp, the intergalactic space control.
The new James Gunn-directed movie goes into production next month, so Marvel have left it late to cast what is essentially a major role. The movie already boasts a pretty decent looking cast including Chris Pratt, Zoe Saldana, Lee Pace, Michael Rooker and John C. Reilly. Pratt landed the lead role following a search that included Marvel looking at Joseph Gordon-Levitt, Joel Edgerton, Jack Huston, Jim Sturgess and Eddie Redmayne.
Sources tell Deadline that Close's role will be the closest thing to the one that Samuel L. Jackson plays in The Avengers, though perhaps with more of an edge. Close has proven she can play the hardnosed character in the likes of Damages, Fatal Attraction and, err, 101 Dalmatians and we see her being a real hit in Guardians.
Continue reading: Glenn Close To Play Top Cop In Marvel's 'Guardians Of The Galaxy'
The cast of 'The Great Gatsby' discussed their thoughts on the book-to-film adaptation of 'The Great Gatsby'. Among them were director Baz Luhrmann and stars Tobey Maguire, Isla Fisher, Carey Mulligan, Joel Edgerton and Leonardo Dicaprio.
Continue: Video - Baz Luhrmann, Tobey Maguire And Leonardo DiCaprio Comment On The New Movie 'The Great Gatsby' At The New York Premiere
The new trailer for Osama bin Laden takedown movie Zero Dark Thirty, directed by Kathryn Bigelow came out yesterday (October, 11 2012).
The movie, from Hurt Locker creator Kathryn Bigelow, follows the decade-long hunt for the Al Qaeda chief, which culminated in the death of the supposed mastermind of 9/11. This dramatic trailer shows the C.I.A plotting leading up to the events, as well as the lead female character, Jessica Chastain, who takes the central role alongside Joel Edgerton, Chris Pratt and Kyle Chandler in the tense drama. Sopranos lead James Gandolfini is the former CIA chief Leon Panetta and Mark Strong is a CIA official who voices the agency’s frustration at not finding the man behind the terrorist attacks in New York. The film is set for a December release in the U.S, hitting cinemas on the 19th of that month, whilst UK film fans will have to wait until a month after Christmas, as it doesn’t cross the pond until January 26, 2013.
Bigelow won Best Achievement in Directing and Motion Picture for The Hurt Locker, beating out film giant, and ex-husband, James Cameron in the process, whose fantasy epic Avatar was expected to clean up at the awards. Her latest offering won’t be out in time to be recognised by the next Academy Awards, but you can expect her to be in the running come 2014.
Cindy and Jim Green is a young, married couple who are looking forward to starting a family. They try everything they can but it doesn't work. After the couple find out they can never conceive, it leaves them devastated.
Continue: The Odd Life of Timothy Green Trailer
At a Norwegian base in Antarctica, a scientist (Thomsen) has assembled a crack team to investigate the discovery of an enormous flying saucer under the ice, complete with an alien creature frozen into a nearby block of ice. But palaeontologist Kate (Winstead) barely has time to examine the specimen before it explodes into the night with some secret weaponry that's rather tricky to fight against. Kate and her colleague Adam (Olsen), along with tough-guy American helicopter pilots (Edgerton and Akinnuoye-Agbaje) and the Norwegian team are all at risk now.
Continue reading: The Thing Review
After running away from home with his mother some 15 years earlier, ex-soldier Tommy (Hardy) drops in on his drunken dad Paddy (Nolte). Tommy isn't impressed that Pop has found God and remained sober for three years, but he agrees to let Pop coach him again as a mixed martial arts fighter. Meanwhile, Tommy's brother Brendan (Edgerton) is estranged from both his brother and his dad. A family man teaching physics at a Philadelphia high school, he's in trouble with the bank over a dodgy mortgage, so returns to his Ultimate Fighter roots.
Continue reading: Warrior Review
Rocky meets Mixed Martial Arts (MMA) fighting in the adrenaline pumped 'Warrior'.
Continue: Warrior Trailer
Buddy "Aces" Israel (Jeremy Piven) is a Vegas card sharp come gangster and former member of the La Cosa Nostra (LCN), one of the largest criminal organizations in the United States. In exchange for a vanishing act with Witness Protection, Israel (who is currently hiding out in the penthouse of The Nomad Casino in Lake Tahoe with his posse of bodyguards and hookers), has agreed to testify against his former mentor, Primo Sparazza, and the LCN.
Continue: Smokin' Aces - Clip Trailer
Of course, there's a plot you need to suffer through to marvel at the stunt casting, and it involves a presumably true story about Sinatra being wooed to visit Australia in 1974 by a two-bit promoter. Getting him Down Under is only half the fun. Once he arrives, Frank -- in his inimitable way -- insults a reporter (Portia de Rossi) by calling her a whore. Aussie's native sons rise to defend her, and over 100 unions go on strike to ensure Frank won't be able to eat, drink, travel, or take a shower -- much less perform on stage. Hilarity ensues as our promoter friend (Joel Edgerton) tries to patch things back together, dealing with his own love life along the way.
Continue reading: All The Way Review
According to the studio advertising campaign, the 2004 mega-budget version of "King Arthur" is "the untold true story that inspired the legend" -- you know, the factual version in which Arthur is a brooding bore, Lancelot has hip, runway-model facial hair and Guinevere is a half-naked post-feminist warrior hottie.
Borrowing superficially from recent theories about Camelot's origins only as a jumping off point -- producer Jerry "Armageddon" Bruckheimer cares about cool explosions and box office receipts, not historical accuracy -- this commercialized concoction draws its regal hero (played by rising star Clive Owen) as an idealistic, half-Anglo high commander in the Roman army, which is in the midst of abandoning Britannia as a protectorate.
Arthur and his knights (Sarmatian soldiers reluctantly bound to imperial service) take it upon themselves to defend the now unguarded territory against invading hoards of barbarian Saxons from the north. But first they're sent on one last suicidal mission into Saxon territory to rescue a rich Roman family living there for no explored reason.
Continue reading: King Arthur Review
Plied with fiction and short on depth, the new biopic of legendary Australian outlaw Ned Kelly plays like "Butch Cassidy and the Sundance Kid" without the excitement, charm and humor.
Bearded and brooding but otherwise uncharismatic, Heath Ledger stars as the folk-hero bushranger (Aussie for "cowboy"), who according to this film was an upstanding citizen of the Outback frontier until contemptible, crooked, downright sinister lawmen drove him to a life of crime by picking on his family.
They jailed his ma, molested his teenage sister, and falsely accused him and his brothers of horse rustling. They "started a war" against us, Kelly says in voice-over. "So I killed their coppers. I robbed their banks."
Continue reading: Ned Kelly Review
Date of birth
23rd June, 1974
Jennifer Lawrence stars in the intense new spy thriller 'Red Sparrow', about a group of...
This sharply original horror film not only approaches its premise from an unexpected angle, but...
Forests can be mysterious and bewildering places, but for Paul and his family it is...
While this film tackles a huge issue in the history of race relations in America,...
Loving is a new film that documents the lives of Mildred and Richard Loving, a...
With its grindingly low-key tension and unusual perspectives, this Western has a chance to revamp...
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael...
Jane Hammond has always been an independent woman, but living in the developing West is...
For a biopic of a real-life person, this feels like an oddly standard mob thriller....
Alton is a very special young boy who has been given a unique gift. When...
Beautifully written and directed, this fact-based drama is an odd mixture of excellent acting and...