THANK YOU ALL!!!! Thanks for watching with us and for all the @halloweenmovie love #halloweenkillsathome
It's never helpful when a comedy becomes a bit too smug about its own quirkiness. This movie is wilfully goofy but feels oddly irrelevant, focussing on a colourful central character who never quite seems like a real person. Woody Harrelson pours plenty of energy, humour and emotion into the title role, but it's difficult to identify with this optimistic curmudgeon. Still, quite a few moments are genuinely hilarious.
Harrelson plays Wilson, a guy who can't resist saying whatever he thinks, even though it annoys pretty much anyone within earshot. He over-shares with strangers, complains constantly about everything and refuses to stop offering unwanted advice. In his mind he's making the word a better place, but his life is a mess. And when his father dies, he realises that he has no friends left aside from his dog Pepper. Leaving Pepper with a neighbour (Judy Greer), Wilson tracks down his ex-wife Pippi (Laura Dern) and is shocked to learn that she gave birth to his daughter after they split up, giving the baby up for adoption. So Wilson goes on a quest to find the now 17-year-old Claire (Isabella Amara), barging into her life in the hope of rescuing his own.
There are very few characters in this film who can bear to be in the same room as Wilson, a man with no manners who has no idea that he is rubbing everyone the wrong way. And for the audience, it's not much better to be in his presence for the length of this 94-minute movie. Harrelson is charming, but the script has Wilson veering from giddy to angry to cruel and back, which is a serious challenge for the actor to play consistently. That Harrelson manages it is no mean feat. Opposite him, Dern and Greer are terrific as his long-suffering foils. And Amara takes every opportunity to steal scenes out from under her veteran costars.
Continue reading: Wilson Review
The long anticipated war between man and ape has finally arrived. The leader of the genetically-modified apes, Caesar, refuses to take responsibility for it; he has given the surviving humans too chances to maintain peace between them to count, but it's not in a human being's nature to allow their planet to be ruled by anything other than their own species. After Caesar's former right-hand man Koba betrays him and incites anger between both humans and apes, their ultimate civility was always going to collapse into an all-out war. Now that an army has been assembled lead by the Colonel, no mercy will be shown towards their primate counterparts. Though there is one man, the Preacher, who still believes there's a chance there can be peace.
Continue: War For The Planet Of The Apes Trailer
Wilson (Woody Harrelson) may not be the most likeable of fellows; he has a penchant for startling and offending strangers with his overly honest opinions; but he considers almost everyone as a friend he just hasn't met yet. His gregariousness, however, didn't save his relationship with his estranged wife Pippi (Laura Dern) when she left him 17 years ago, and since then he's been on a quest to save himself from his crushing loneliness. Things seem to take a turn for the better when he discovers that Pippi put a daughter named Claire (Isabella Amara) up for adoption around the time that they broke up, and he sets out to find her and become the father that he's always wanted to be. He drags a reluctant Pippi along with him, but is he just trying to force a happy family on two unwilling figures that don't really want anything to do with him?
Continue: Wilson Trailer
The fabulous Lily Tomlin finally gets the lead role she deserves in this smart, engaging comedy-drama. Like her title character, the film itself refuses to play nice, tackling big issues like abortion and the strain between mothers and daughters without ever simplifying the topics or the people involved. The plot may feel a bit contrived, and the entire movie rather lightweight, but it's thoroughly entertaining. And the subtle approach to the big themes gives it a strong kick.
Tomlin plays Elle, a mature woman who has just broken up with her girlfriend Olivia (Judy Greer) for no real reason. Then her young granddaughter Sage (Julia Garner) turns up asking for money to terminate her pregnancy. Elle doesn't have the cash, but offers to help her find it, so they head off into Los Angeles in her rattling 1955 Dodge, visiting the unborn baby's stoner father (Nat Wolff) and some of Elle's colourful old friends (Elizabeth Pena, Laverne Cox and Sam Elliott). But both Elle and Sage are terrified that they might ultimately need to get in contact with Sage's workaholic mother Judy (Marcia Gay Harden), the daughter Elle never knew how to talk to.
The layers of mother-daughter interaction in this film are fascinating, and played with riotously jagged chemistry by the gifted cast. Tomlin punches every witty one-liner perfectly, capturing Elle's life-loving spirit and also her weary exhaustion at the way the world keeps changing around her. Tomlin finds terrific angles in each of Elle's relationships, drawing out Garner's wide-eyed yearning, Greer's steeliness and Harden's professional bluster. Each of the side roles feels like a fully formed person with a life of his or her own, which gives context to the humour and makes the entire film feel more weighty and meaningful.
Continue reading: Grandma Review
Michael Douglas addressed his mother’s death in a recent interview at a screening of his upcoming film 'Ant-Man'.
Michael Douglas described his late mother, Diana Douglas, as a “class act” during a recent appearance at a press screening of his soon-to-be-released movie, Ant-Man, on Monday (13th July). Diana died earlier this month at the age of 92 after losing her battle with cancer.
Michael Douglas at the press screening of Ant-Man in New York on Monday.
An awful lot has happened in the world - A Second World War super soldier has risen from the dead, a billionaire playboy has revealed himself as a costumed superhero, and the Norse God of thunder himself has come to earth on four occasions. So for Scott Lang (Paul Rudd), a petty criminal entrusted with the secret of his mentor's super-secret substance designed to shrink a person, it should be seen as just another day in the life for a person of planet Earth. Now, with the ability to shrink his down to a minuscule size while increasing his strength, Ant-Man is born.
When young science enthusiast Casey Newton (Britt Robertson) fell into a spot of trouble with the local cops and went to retrieve her confiscated belongings from the police station, she did not expect where it would take her. After accidentally being handed a coin shaped red pin bearing a strange blue letter 'T', she is shocked to find herself transported to a strange land, amidst a wheat field surrounding a futuristic looking city under a glorious blue sky. She meets an ageing inventor named Frank Walker (George Clooney) who encourages her to explore Tomorrowland with him; a mysterious dimension in time and space whereby their actions can immediately affect the world; and unveil the secrets behind this mystical land.
Continue: Tomorrowland - Teaser Trailer
One group of very different people - including popular high school teens and their less popular peers, and a married couple struggling in their relationship - is explored in a telling story of how social media has taken over various areas of people's lives. From love lives and infidelities to body image, the world of social networking has become a hub for public scrutiny and lack of privacy as the world flock to the net in order to gain acceptance and admiration, to meet potential partners, become famous, or even bully each other. 'Men, Women & Children' looks at the dangerous rise in the sharing of sexually explicit content, cyberbullying and other disastrous effects that the web has had on the Western world.
Continue: Men, Women & Children Trailer
In a post-apocalyptical Earth inhabited by only the few humans who survived the viral pandemic that wiped out most of human civilisation less than ten years ago, man and ape are at war. A troop of genetically modified apes have taken over the planet led by the enraged and long-suffering Caesar; the first ape to have been modified enough to develop human speech and intelligence. Determined not to let humankind rule over them as they once did, the apes will stop at nothing to make sure they are never subjected to brutal scrutiny ever again. However, Caesar knows deep down that there are still good men in the world, and he also knows that if those men and his primate family don't work together to create peace in the world, it will be the end of all of them.
Continue: Dawn Of The Planet Of The Apes - Clip
Caesar was the world's first genetically modified ape, who was more than let down by his supposedly caring human conterparts as he grew older and wiser, with the ability to communicate like a human being. Now living in a world where apes rule over the Earth, and over the few remaining humans after a deadly virus swept the planet nearly ten years ago, Caesar has every right to feel unsympathetic. The humans appeal to the apes for peace but most of them are brutal and merciless in response, unwilling to let mankind rule over the planet again. However, Caesar sees that unless they can live in peace, everyone will die and he starts to feel that perhaps there's more good in humans than he was starting to believe. As a devastating war breaks out, he bonds with a man he likens to the scientist who brought him up and decides to find a way to help everyone live in harmony, risking his own life for both their races.
'Dawn of the Planet of the Apes' is the unnerving sequel to the 2011 sci-fi 'Rise of the Planet of the Apes'. Both are precursors to the 'Planet of the Apes' franchise, and 'Dawn...' has been directed by Matt Reeves ('The Pallbearer', 'Let Me In', 'Cloverfield') alongside writers Mark Bomback ('The Wolverine'), Scott Z. Burns ('The Bourne Ultimatum'), Rick Jaffa ('The Relic') and Amanda Silver ('The Hand That Rocks the Cradle'). It is due for release on July 17th 2014.
Earth has become a post-apocalyptic nightmare inhabited by the few survivors of a virus that plagued the globe nearly ten years ago, affecting only humans and destroying civilisation. Now, a breed of genetically modified apes whose intelligence and strength exceed far beyond the mental capabilities of mankind are well on their way to becoming the rulers of the planet - a power that the humans aren't about to give up in a hurry. They are led by the ruthless original 'improved' primate Caesar, and the once immaculately built-up cities of the world have overgrown into isolated wilderness. With apes on the warpath and mankind struggling to rebuild their homes and their lives in the face of the oncoming menace, the two races must join together and form some kind of peaceful truce, lest the fate of the world becomes even more dismal.
Continue: Dawn Of The Planet Of The Apes Trailer
If Matt Reeves' synopsis doesn't get you pumped, the new stills should do the trick.
Let’s just slip into geek out mode for a few minutes with these ten new Dawn of the Planet of the Apes stills released by Empire Magazine and USA Today, among others. The stills reveal nearly the entire cast of Dawn characters, some really cool CGI and the biggest news of all – it looks like the formerly mild-mannered and lovable Caesar is now wielding a shotgun.
Watch the Dawn teaser trailer below.
We also get several glimpses of the apes, which have well and truly taken over the world by the time of the film. The virus, released in Rise has by this point wiped almost all of humanity, including James Franco’s character from the previous film (or his contract expired, both valid possibilities). Either way, the main protagonist is now Gary Oldman’s character, the leader of a small band of survivors, whom we’ve already seen give a rousing speech in one Dawn trailer. Oldman stars alongside Jason Clarke and Keri Russell, the other leaders of the colony, which settles just outside of San Francisco.
Nearing a decade after a massive percentage of human civilisation was destroyed after a virus affecting only mankind spread its way across the globe, a breed of genetically modified apes with intelligence beyond normal capacity are on the verge of ruling the Earth, led by the original genetically reformed primate, Caesar. The once immaculate cities have become wild, with only a few survivors left to take on the challenge of rebuilding their lives - but it's something they are unlikely to achieve until some sort of peace is reached between the humans and apes. When that fails, the only thing left is war; something that could turn brutal enough to wipe out both species on their quest for dominance.
A more feminine slant elevates this remake to something interesting, even if the film is overwrought and essentially unnecessary. Director Peirce calls this a new adaptation of the Stephen King novel rather than a remake of the 1976 Brian DePalma film. But while this is an efficiently made freak-out, Peirce packs the screen with nods to the earlier movie, which remains the iconic version of this story.
Carrie (Moretz) is bullied at high school because she doesn't quite fit in. Mean girl Chris (Doubleday) targets her ruthlessly, humiliating her in the locker-room when she first gets her period. But Chris' friend Sue (Wilde) thinks this went too far, and convinces her hunky boyfriend Tommy (Elgort) to take Carrie to the prom. Back home, Carrie's mother Margaret (Moore) is a religious fanatic who hates men, rejects any hint of sex and locks Carrie in a tiny closet to pray for forgiveness when she even mentions going to a dance with a boy. But Carrie's womanhood has also brought her telekinetic powers. And as the prom approaches, Chris is planning something nasty that will provoke Carrie to react.
The first problem here is in casting Moretz as a teen wallflower, because she's simply too confident and glamorous to believe as someone so socially inept. Thankfully, Moretz is a terrific actor, so she sharply catches Carrie's nervous energy and makes us believe that she's been pushed to the brink by both her mother and her classmates. Even so, she works out how to use her power far too quickly. Opposite her, Moore delivers a superbly detailed portrayal of a paranoid true believer.
Continue reading: Carrie Review
Carrie White is a plain and very sheltered girl raised alone by her extremely strict Christian mother who frequently punishes her. At school she is habitually bullied, something that gets ten times worse after a both humiliating and terrifying experience in the girls' locker room which causes her mother to inflict yet more punishment on her. Through her tumultuous life, she discovers that she has the power to move objects with her mind, something that causes much distress to her mother. The only people to truly show any compassion is her gym teacher Miss Desjardin and one of the popular girls, Sue Snell, who encourages her handsome boyfriend Tommy Ross to take her to the school prom. Carrie accepts, believing that she has been accepted for the first time in her life, only to face the biggest and most destructive humiliation of her life.
The re-make to the Oscar nominated 1976 horror based on the book by acclaimed author Stephen King is due to hit screens this year in the first major rendition since the Brian De Palma flick's release. 2013's 'Carrie' has been directed by Kimberly Peirce ('Boys Don't Cry', 'Stop-Loss') with a screenplay by Roberto Aguirre-Sacasa ('Roberto Aguirre-Sacasa') and it is set for release in UK cinemas everywhere from November 29th 2013.
Katie Holmes' new black comedy Dead Accounts had its official opening at Broadway's Music Box Theatre on Thursday (November 29, 2012). Tony Award winner Jack O'Brien (Hairspray) directs the Cincinnati-set play that began previews on November 5.
It represents Holmes' first major week since her acrimonious split from husband Tom Cruise, though she appeared a picture of happiness at the premiere photo-call in New York. Wearing an oriental-inspired Bottega Veneta floral blouse, the actress stepped out after the performance looking decidedly happy with her evenings work. The performance actually received mixed reviews from critics. The New York Times said, "Dead Accounts is, I think, meant to be about the inflation of the superficial in a materialistic society, and the attendant, unsatisfied craving for belief. ... But the play never follows through convincingly on any of its ideas," while the Associated Press said, "Holmes relies too much on a whiny teenage angst and a guilelessness that worked on TV but lacks nuance onstage. That said, she does generate two of the biggest cheers in the play." The Los Angeles Times commended Holmes for being "charming" and "natural." The play is written by Pulitzer Prize finalist Theresa Rebeck, the creator of the NBC musical series 'Smash.'
Continue reading: Pictures: Katie Holmes Beams At Dead Accounts Premiere
Jeff could not be more different from his brother Pat. Where Pat is a successful businessman in a happy marriage, Jeff lives in his mother's basement all day, smoking weed and watching his favourite film, Signs. Drawing deep significance from the film, Jeff starts to believe that everything in life has a purpose. This takes its toll on his mother, who is tired of Jeff staying indoors all day. Also becoming irritated by his brother's behaviour is Pat, who has much better things to do than pick up after his brother.
Continue: Jeff, Who Lives At Home Trailer
And Clooney has never had a role that was quite as emotionally resonant as this.
In sunny Hawaii, Matt (Clooney) has coasted through marriage and parenthood, focussing on his career and managing the estate of his family, which is descended from Hawaiian royalty. But now his wife (Patti Hastie) is in a coma, and he has to take responsibility for his free-spirited daughters, 10-year-old Scottie (Miller) and 17-year-old Alexandra (Woodley). Meanwhile, his cousins want to sell off a gorgeous tract of ancestral land in Kauai. Amid all of this, Matt finds out that his wife isn't going to wake up, and also that she had been having an affair.
Continue reading: The Descendants Review
Matt King is a Hawaiian land baron who has never had time for his two daughters; rebellious teenager Alexandra and her younger sister Scottie. But when his wife Elizabeth is in hospital on life support following a boating accident off the coast of Waikiki, he has no choice but to start looking after his children.
Continue: The Descendants Trailer
Henry (Reeves) is just drifting through life with his wife Debbie (Greer) when his old school friend Eddie (Stevens) leaves him to take the fall for a bank robbery Henry knew nothing about. His life in prison isn't much worse than outside, and his new friend Max (Caan) makes up for the fact that Debbie runs off with one of the robbers (Hoch). And when he gets out a year or so later, Henry decides that since he's done the time, he might as well do the crime.
Continue reading: Henry's Crime Review
Jamie is the kind of guy who doesn't like commitment, sex and fun are the main things he looks for from the opposite sex and he enjoys his current way of life. A pharmaceutical salesman by trade, his job is another hugely important part of his life, when his company begin to sell a new male performance enhancing drug on the market, he feel it's a brilliant way of making money.
Continue: Love And Other Drugs Trailer
Really, both should've been covered when Miramax reunited Scream's writer and director, Kevin Williamson and Wes Craven. In the Scream trilogy, these uneven artists brought out the best in each other: Williamson's overwritten self-referential dialogue felt smarter braced against Craven-directed tension, which flourished with funny and likable characters. Cursed starts with the likable characters, and then jams on the brakes.
Continue reading: Cursed Review
The story involves young Haru (voiced for the States by Anne Hathaway), who rescues a helpless cat from an oncoming truck, only to find herself in the debt of a feline kingdom she formerly didn't know existed. Haru is awakened one night by a bizarre procession on her street: It's the king of the cats (Tim Curry), bearing gifts. Before she knows it, she's whisked into the world of the cats, where she is transformed into a half-cat/half-person, and is told she will be marrying the cat she saved, who turns out to be the cat prince.
Continue reading: The Cat Returns Review
Crowe's uncanny knack for turning up the volume has allowed countless scenes to soar to their potential. One problem nagging Elizabethtown, Crowe's most awkward project to date, is that the director is obligated to crank the knob again and again to overcome bland performances and missed emotional connections. He has assembled another astonishing collection of inspirational rock tracks, but for the first time the soundtrack outshines the accompanying movie by a long shot.
Continue reading: Elizabethtown Review
Date of birth
20th July, 1975
THANK YOU ALL!!!! Thanks for watching with us and for all the @halloweenmovie love #halloweenkillsathome
Aaaaaaand now we wait…… #halloweenends #halloweenkillsathome
@ReapersReel #justice4karen #halloweenkillsathome
Here we gooooo. BYE BYE #halloweenkillsathome
@msgproductions THANK YOU!!! #halloweenkillsathome
@jason_blum But does it?? #halloweenkillsathome
@BDisgusting He passed away. He was amazing and we lost a talent. He bought out the best in me. #halloweenkillsathome
RT @jason_blum: I love this scene. David’s work gave one of the most iconic shots of the year. #halloweenkillsathome https://t.co/saTbFvrhFh
@dfield3 Yes. Totally. And then sometimes when they yell cut we all start laughing. It’s both.
Hated this because i love @dylanarnold https://t.co/TVRGAhNj60
@DrBanner84 I will never say goodbye to mom!! #halloweenkillsathome
@OmarAzimi6 @andimatichak Ding ding ding
@mattthejames Gooooooood question……no. I like the same but different. #halloweenkillsathome
@tksaturn @MeekerSheriff Yay!!!! #cherylforever #halloweenkillsathome
@SengokuPunk It felt so real when we were shooting. I’ve never been so in the moment #halloweenkillsathome
@GeekDad248 @UniAllAccess @halloweenmovie YEAH!!!! #detroitwhatsup #halloweenkillsathome
@bradallanhayman It was VERY hard to watch #halloweenkillsathome
@OmarAzimi6 The running was no joke #halloweenkillsathome
I loved shooting this whole sequence #halloweenkillsathome https://t.co/gVgeU0mLUr
@RyanMarkBarrett No!! #halloweenkillsathome
The surprisingly thoughtful prequel trilogy comes to a powerful conclusion with this robust, dramatic thriller,...
It's never helpful when a comedy becomes a bit too smug about its own quirkiness....
The long anticipated war between man and ape has finally arrived. The leader of the...
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