Keenan Wynn

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Nashville Review


OK
Call me a heathen. I don't like Nashville.

Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.

Continue reading: Nashville Review

The Man In The Gray Flannel Suit Review


Very Good
You've heard of "the man in the gray flannel suit." He's the workaholic office drone who commutes into the city every day and struggles wearily to climb a daunting corporate ladder while dealing with petty office politics. In The Man in the Gray Flannel Suit, Gregory Peck plays Tom Rath, that quintessential '50s organization man, an archetypal tormented post-war striver and father of the baby boom who wonders if he's making the right choices... or if he has the freedom to make any choices at all in his conformist world.

A Madison Avenue advertising executive, Rath lives in a comfortable Connecticut bedroom community and commutes in and out of the city, leaving him little time for his wife Betsy (Jennifer Jones) and his funny, television-addicted kids. Betsy, who in typical '50s suburban style is deeply concerned about keeping up with the Joneses, pushes Rath to find a better job, and he agrees even as he realizes that more work and stress is not what he wants. In fact, he's heading toward what we now call a mid-life crisis, although they didn't have a word for it back then.

Continue reading: The Man In The Gray Flannel Suit Review

Orca Review


Weak
Jaws may have had a profound effect at the beaches, sending vacationers out of the water in fear of their lives... but it had the opposite effect for the hack filmmakers of the world, sending them in to the water to make cheap knockoffs.

In addition to the Jaws sequels, Orca stands at the very nadir of these "nature's killers from the sea." In its opening scenes, Orca tries to tell us that Jaws was a wuss: A killer whale smashes into a great white shark, sending him shooting 20 feet into the sky and devouring him in a foaming mess of blood. Ooh, that killer whale's one to be reckoned with, ain't he?

Continue reading: Orca Review

The Americanization Of Emily Review


Good
Arthur HIller directed this oddball black comedy (script courtesy of the masterful Paddy Chayefsky), which turns out to have little to do with Emily (Julie Andrews) at all. Rather, the film captures a quirky navy admiral who's intent on having the first casualty at Omaha Beach be a sailor -- and he wants to capture it on film. Lt. Commander James Garner doesn't want to go, and all manner of hijinks ensue. James Coburn steals the show, and rescues it from dated, overblown oblivion.
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