Mary is a bright and happy little girl who lives with her uncle, Frank; he is her guardian and care giver since the death of her mother. Frank's sister made his promise that he'd always do right by her daughter and give her the most normal life possible - despite her loss.
Frank and Mary have a very close relationship and Frank home tutors the little blonde haired girl but as she gets older and her ability to learn more develops, Frank decides it's time for his niece to enrol at the local junior school. Despite Mary's pleas (and discussion to the point of 'Ad nauseum') to her uncle to let her stay home, Frank knows that she must start adjusting to a more normal way of life.
Howard School is a friendly local elementary and for the first time in her life, Mary is part of a classroom and soon her teacher discovers that Mary is an extremely clever girl - a child genius. The head teacher approaches her uncle Frank and tells him that she could potentially get Mary enrolled at a school for gifted children but thinking about his sisters last wishes, Frank decides she's best where she is.
Continue: Gifted Trailer
Once again, director Clint Eastwood lurks in the background, springing a stunningly atmospheric thriller on audiences when they least expect it. Honestly, for an 84-year-old Eastwood is an astoundingly nimble filmmaker, able to take an audience right into a tense situation while never cheating with flashy movie trickery. This film grabs us without mercy, pulling us into a morally complex situation that gets our head spinning.
It's the true story of Chris Kyle (Bradley Cooper), the Navy Seal sniper credited with the most official kills after serving four tours of duty in Iraq. Based on his memoir, the film traces him from his religious upbringing, during which he's taught about guns and encroaching evil from an early age. So after the 9/11 attacks, he enlists in the Navy. His sharp-shooting skills are quickly apparent. And as he prepares for his first assignment abroad, he romances local girl Taya (Sienna Miller), a feisty woman who knows what she's getting into. Chris, on the other hand, is instantly thrown into a quandary when his first targets as a sniper are a woman and child who seem to be carrying a bomb. Over the next few years, his marriage to Taya and his moral centre are tested by his military service. And when an Iraqi sniper challenges him, he takes it personally.
Jason Hall's script sticks close to Chris' perspective, which is intensified by Eastwood's coolly efficient direction and Cooper's beefy performance. By putting the audience so tightly within Chris' point of view, we are unable to escape the psychological impact of his experiences, even if real warfare is no doubt much more horrific even than what's depicted here. Cleverly, the film never asks us to judge Chris, merely to see how battle changes him. And Cooper is terrific at finding tiny details that reveal both Chris' altered state and the core stability that never leaves him.
Continue reading: American Sniper Review
What would you do when your own morals come into direct confrontation with your duty to protect your peers? For Chris Kyle (Bradley Cooper), a U.S. Navy SEAL working as a sniper in Iraq, the question comes in one of the worst possible ways. An armed patrol, under the watchful eyes of Kyle, is confronted by a woman and a child. When the woman hands the child what looks to be a Russian grenade, Kyle desperately calls for someone else to see and make a confirmation. When no one can, he is faced with the choice of killing the young boy in his tracks, or jeopardising the safety of his colleagues.
Continue: American Sniper Trailer
In a post-apocalyptical Earth inhabited by only the few humans who survived the viral pandemic that wiped out most of human civilisation less than ten years ago, man and ape are at war. A troop of genetically modified apes have taken over the planet led by the enraged and long-suffering Caesar; the first ape to have been modified enough to develop human speech and intelligence. Determined not to let humankind rule over them as they once did, the apes will stop at nothing to make sure they are never subjected to brutal scrutiny ever again. However, Caesar knows deep down that there are still good men in the world, and he also knows that if those men and his primate family don't work together to create peace in the world, it will be the end of all of them.
Continue: Dawn Of The Planet Of The Apes - Clip
Caesar was the world's first genetically modified ape, who was more than let down by his supposedly caring human conterparts as he grew older and wiser, with the ability to communicate like a human being. Now living in a world where apes rule over the Earth, and over the few remaining humans after a deadly virus swept the planet nearly ten years ago, Caesar has every right to feel unsympathetic. The humans appeal to the apes for peace but most of them are brutal and merciless in response, unwilling to let mankind rule over the planet again. However, Caesar sees that unless they can live in peace, everyone will die and he starts to feel that perhaps there's more good in humans than he was starting to believe. As a devastating war breaks out, he bonds with a man he likens to the scientist who brought him up and decides to find a way to help everyone live in harmony, risking his own life for both their races.
'Dawn of the Planet of the Apes' is the unnerving sequel to the 2011 sci-fi 'Rise of the Planet of the Apes'. Both are precursors to the 'Planet of the Apes' franchise, and 'Dawn...' has been directed by Matt Reeves ('The Pallbearer', 'Let Me In', 'Cloverfield') alongside writers Mark Bomback ('The Wolverine'), Scott Z. Burns ('The Bourne Ultimatum'), Rick Jaffa ('The Relic') and Amanda Silver ('The Hand That Rocks the Cradle'). It is due for release on July 17th 2014.
Earth has become a post-apocalyptic nightmare inhabited by the few survivors of a virus that plagued the globe nearly ten years ago, affecting only humans and destroying civilisation. Now, a breed of genetically modified apes whose intelligence and strength exceed far beyond the mental capabilities of mankind are well on their way to becoming the rulers of the planet - a power that the humans aren't about to give up in a hurry. They are led by the ruthless original 'improved' primate Caesar, and the once immaculately built-up cities of the world have overgrown into isolated wilderness. With apes on the warpath and mankind struggling to rebuild their homes and their lives in the face of the oncoming menace, the two races must join together and form some kind of peaceful truce, lest the fate of the world becomes even more dismal.
Continue: Dawn Of The Planet Of The Apes Trailer
Nearing a decade after a massive percentage of human civilisation was destroyed after a virus affecting only mankind spread its way across the globe, a breed of genetically modified apes with intelligence beyond normal capacity are on the verge of ruling the Earth, led by the original genetically reformed primate, Caesar. The once immaculate cities have become wild, with only a few survivors left to take on the challenge of rebuilding their lives - but it's something they are unlikely to achieve until some sort of peace is reached between the humans and apes. When that fails, the only thing left is war; something that could turn brutal enough to wipe out both species on their quest for dominance.
The arrivals for the premiere 'A Case of You' at the 2013 Tribeca Film Festival in New York seemed to be expecting some new arrivals as three of the women working on the movie are heavily pregnant. One of the stars, Evan Rachel Wood ('Thirteen'), showed off her bump in a floral Dolce & Gabbana maxi dress while another actress, Busy Philipps ('Cougar Town'), was looking quite far on in a black jumpsuit. The director herself, Kat Coiro ('L!fe Happens'), was snapped gleefully clutching her own bump with her husband, Rhys Coiro, in tow.
Keir O'Donnell Monday 28th January 2008 Los Angeles premiere of 'Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland' held at the Egyptian Theatre - Arrivals Hollywood, California
Soon there are interrupted weddings, "I tried to tellyou but couldn't" apologies and an avalanche of other plot machinationsthat come close to ruining what is otherwise the bawdiest, most consistentlyhilarious comedy so far this year.
Vince Vaughn and Owen Wilson have an ad-lib-happy, almostHope-and-Crosby-like chemistry as a pair of buddies -- ironically talenteddivorce mediators by profession -- who spend their free time attendingweddings of people they don't know to score with girls they'll never seeagain. Almost the entire first reel of the movie is something akin to afilmmaking miracle -- one long, perfectly-tuned montage sequence of variousethnic weddings that just keeps getting funnier and funnier as it mixestoasts, dances, flirtations, made-up war stories, fake tears, and prettygirls caught up in the romance of the day and jumping our heroes' bones.
Story proper kicks in when the boys dare to crash "theKentucky Derby of weddings" -- the Secretary of State's eldest daughteris getting hitched -- and Wilson lays eyes on the middle daughter (talented,bright-eyed Everygirl knockout Rachel McAdams) as she's quietly snickeringthrough her sister's corny self-written vows.
Continue reading: Wedding Crashers Review
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