Somebody messed with the wrong mother when they murdered her daughter Angela Hayes (Kathryn Newton). Mildred Hayes (Frances McDormand) will stop at nothing to make sure that her child's killer is caught and after several months of still no arrests, she decides to take drastic action. She forks out for three enormous billboards to go up in her Missouri town with a message to the highly respected Police Sheriff Bill Willoughby (Woody Harrelson). An embarrassed Willoughby visits her to encourage her to take the billboards down, but she's standing firm and will certainly not be intimidated by police involvement - or, indeed, anyone who dares complain about them. She assaults her dentist with his own drill after discovering that he made a complaint and attacks two local high school kids who try to mock her. Even the local vicar is trying to appeal to her sanity at this point, but when she torches the local police station, it becomes clear that she's quickly becoming way out of control.
The Avengers are suffering from an image crisis. As much good that they do and as many lives that they save, the superheroes also cause unlimited amounts of damage to cities and civilisation. The government wish to find an answer to this problem and they decide that all superheroes should be registered and held accountable for their actions.
Tony Stark is brought in to begin talks on behalf of The Avengers, knowing how much damage he's personally done under his superhero disguise, Stark see the government's point and decides that a register wouldn't be entirely unwelcome. Captain America on the other hand has no such wishes; The Cap sees any government intervention as something beyond reasonable requirement. In the middle of all this is Cap's old friend Bucky who could be prosecuted under the new laws. As The Avengers are forced to split into two halves, it looks like there's going to be no way for the old team to form any kind of agreement.
As their opinions deepen and rivalries are deepens, certain members of Hydra begin to tighten their control and their plans for future domination of the world are getting stronger. The Avengers must find a way to put their differences aside in order to beat the real enemy.
Kerry Condon - Season 2 premiere of 'Better Call Saul' at ArcLight Cinemas - Red Carpet Arrivals - Los Angeles, California, United States - Wednesday 3rd February 2016
Dom Hemingway is a rather adept safecracker with serious anger issues and an addiction to drinking, women and partying. Having just completed a draining 12-year stint in prison, he's desperate to make up for lost time by teaming up with his old partner Dickie who has agreed to assist him in tracking down the money owed to him by his former boss Mr. Fontaine. On the way, there's plenty of boozing, sex and debauchery, but he's not happy when Fontaine offers him a price smaller than what Dom thinks his decade of silence is worth. Needless to say, the money doesn't last long as it disappears during one major bender; however, there's more than just money on his mind. His young daughter has grown up and is now a mother and he finds himself eager to rebuild a relationship with her. But making a fresh start after 12 years of absence is harder than expected.
Continue: Dom Hemingway - Red Band Trailer
Definitely a film of two halves, this crime comedy kicks off with a spark of witty energy as the title character blusters his way through a series of events with hilariously profane rants. Then the plot kicks in. And from here on, it's a dull slog as we lose all interest in what happens next. It's well-played and stylishly directed, but it feels pointless.
We meet Dom Hemingway (Law) just before he gets out of prison after serving 12 years for refusing to rat out his boss Ivan (Bichir), a Russian mobster now living the high life on the French Riviera. So Dom and his sardonic friend Dicky (Grant) travel from London to see Ivan. After a very rocky start caused by Dom's loose tongue, they're in the middle of wildly hedonistic holiday when things take a sudden turn. Dom finds himself penniless back in England, turning to his daughter Evelyn (Clarke) for help. When she refuses to talk to him, he seeks work from a young thug (Hunter).
Up until the mid-point plot-shift, the film is a lot of fun, mainly because Dom's tirades are riotously rude but still have a literary lilt to them. This man clearly has no filter on what he says or does, so he goes from one spot of trouble to another. Law plays him with gusto, winning us over in the comical first half then struggling to keep even a hint of sympathy in the much mopier drama that follows. Frankly, we begin to think that Dom is finally getting what he deserves; we certainly don't want him to come out on top.
Continue reading: Dom Hemingway Review
Dom Hemingway has recently completed a 12-year stint in prison for his criminal exploits as a talented safecracker but, needless to say, he is anything but reformed. On his release, he meets up with his balding, glove-wearing partner Dickie who helps him track down his old gangster boss Mr. Fontaine to retrieve a large sum of money owed to him for keeping his silence on his criminal past for so long. The first thing he does when he gets hold of it? He throws a massive, alcohol-fuelled, women-laden party to celebrate his freedom, but with dire consequences. When he wakes up outside in the worst state he's been in for a while, he realises that his money has completely disappeared, but that's not the only thing he has to seek out. His daughter Evelyn is now a mother, and he's determined to re-build a relationship and get to know his grandson. However, getting his life on track proves more difficult than he imagined.
This gritty British crime thriller has been directed and written by Primetime Emming winning Richard Shepard ('The Matador', 'The Hunting Party', 'Oxygen'). It has a wicked humour in all the right places but looks like it could be a pretty touching story too. It is set to be released on November 15th 2013.
Kerry Condon - Guests attend the 2013 IFTA Awards at The Convention Centre Dublin Ireland Saturday 9th February 2013
Cheyenne is a soft-spoken, retired rockstar still wearing make-up and hairspray whilst living in Dublin and has been estranged from his Jewish father for 30 years. When he discovers that his father is dying in New York, he is determined to set out to put things right with him, but his journey is delayed by Cheyenne's aversion to flying; when he finally makes his way over, he is too late to see his father alive for the final time. He learns that his father was a victim of persecution in Auschwitz during the Holocaust of World War II and that he was once made to suffer public humiliation by the Nazi officer Aloise Muller. In a last bid to make peace with his father, Cheyenne sets out to kill Muller (who is currently hiding out in the States) whilst meeting several people along the way, including members of Muller's family. When he is finally led to Muller, he finds himself confronted with a difficult decision as he listens to his story and, eventually, he manages to mark out a new chapter in his retired life.
Continue: This Must Be The Place Trailer
Valentin (McAvoy) is a young Tolstoyan in 1910 assigned by the movement's leader Chertkov (Giamatti) to keep an eye on Leo Tolstoy (Plummer) and his sceptical wife Sofya (Mirren). But what Valentin finds is a lively, loving marriage that's strong enough to include opposing views. This isn't good enough for Chertkov, who moves to get Leo to change his will to leave everything to the movement. Which of course enrages Sofya. Meanwhile, Valentin is experiencing his first flush of love with a Tolstoyan commune resident (Condon).
Continue reading: The Last Station Review
Plied with fiction and short on depth, the new biopic of legendary Australian outlaw Ned Kelly plays like "Butch Cassidy and the Sundance Kid" without the excitement, charm and humor.
Bearded and brooding but otherwise uncharismatic, Heath Ledger stars as the folk-hero bushranger (Aussie for "cowboy"), who according to this film was an upstanding citizen of the Outback frontier until contemptible, crooked, downright sinister lawmen drove him to a life of crime by picking on his family.
They jailed his ma, molested his teenage sister, and falsely accused him and his brothers of horse rustling. They "started a war" against us, Kelly says in voice-over. "So I killed their coppers. I robbed their banks."
Continue reading: Ned Kelly Review
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Plied with fiction and short on depth, the new biopic of legendary Australian outlaw Ned...