Richard Gere, perfectly cast, plays Clifford Irving, a down-and-out writer who in 1971 wrote (and nearly got published) a fake biography of Howard Hughes. Desperate to jump-start his career, Irving duped his editor Andrea Tate (Hope Davis) and the top dogs at McGraw-Hill into believing he was not only a friend of Hughes, the notorious recluse, but that the billionaire had tapped Irving to write his life story. Smelling a publishing sensation, McGraw-Hill offered Irving a then-record publishing deal, and the writer suddenly found himself the crown prince of the publishing world.
Continue reading: The Hoax Review
It's not really Spacey's fault, it's just the script. Spacey is Quoyle, a newly single father, after his slutty whore of a wife (Cate Blanchett) is killed while selling their daughter on the black market to earn spending cash for her latest biker boyfriend. Quoyle spends his time grieving and in denial and soon decides to follow a long lost aunt to the homeland of his family in Newfoundland. There, he stumbles into a job as the shipping news reporter for the local newspaper.
Continue reading: The Shipping News Review
Set against the idyllic backdrop of a quaint puritanical village in the French countryside, mysterious Vianne (Juliette Binoche) and her daughter, dressed in identical Red Riding Hood outfits, literally blow into town "on the North Wind." Within days, the duo brazenly opens a magical chocolaterie across the street -- gasp -- from the church, and on the first week of Lent, no less. Vianne -- who comes off as a 50's-era Erin Brockovich sporting low-cut tops and bright red stilettos -- is turning the townsfolk on to her sweets, which a la Pleasantville miraculously inspire increased sex drives, feminist awakenings, familial reconciliation and even criminal rehabilitation. Soon, the town's prudish mayor launches a campaign to drive the sin-inducing shop out of business.
Continue reading: Chocolat Review
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