With visually stunning imagery and a solid A-list cast, this film just about transcends its oddly uninvolving story. Based on true events, the scenes are harrowing and emotive, but spreading the story among an ensemble obscured by mountaineering gear and snowstorms makes it difficult to engage with anyone. And the plot-strands that do find emotional resonance feel like they've been manipulated.
In the early 1990s, companies began selling Everest expeditions to wealthy clients, and by the spring of 1996 there were 20 teams of climbers jostling for position on the slopes of the world's highest peak. Kiwi guide Rob (Jason Clarke) opts for a cautious approach with his team, which includes impatient Texan Beck (Josh Brolin), journalist Jon (Michael Kelly) and the nervous Doug (John Hawkes), who only just failed to reach the summit on his previous attempt. Rob's base camp manager Helen (Emily Watson) keeps everything running smoothly and, since the mountain is so overcrowded, Rob coordinates the climb with a rival guide (Jake Gyllenhaal) and his team. On the day of the final ascent, the skies are clear, but delays along the way and an approaching storm threaten the climbers.
Since the is a true story, it's clear from the start that some of these people won't make it home. And Icelandic director Baltasar Kormakur lays on the emotion thickly, with an overly pushy-majestic score by Dario Marianelli and several sentimental phone calls home. Rob's wife is played by Keira Knightley, and you can almost hear the ominous chord when she reveals that she's pregnant. A bit subtler is Beck's interaction with his wife, played with insinuating bitterness by the always terrific Robin Wright. Meanwhile, Clarke's sensitive leader and Brolin's bullheaded alpha male contrast nicely with Gyllenhaal's cool dude, while Sam Worthington is almost lost in the shuffle as a friend who's climbing a neighbouring peak.
Continue reading: Everest Review
Basically the perfect summer movie, this lightweight drama has a great-looking cast and plenty of youthful energy, but not much authenticity or depth. The plot traces a young aspiring DJ trying to make his mark on the music world, and his struggle isn't exactly gruelling. But what the movie lacks in realism it makes up for in melodrama, keeping the audience involved simply because the characters are relatively enjoyable company.
Zac Efron plays Cole, a smart young guy who spends his days and nights hanging with his chucklehead pals Mason, Ollie and Squirrel (Jonny Weston, Shiloh Fernandez and Alex Shaffer), playing music, doing drugs and tormenting the girls. But Cole has skills mixing tracks to keep a dance floor busy, and one night he's noticed by his idol James (Wes Bentley), a star DJ with a hot girlfriend, Sophie (Emily Ratajkowski). James helps Cole discover his own distinct voice, while Cole can't help but fall for Sophie. Meanwhile, Cole and his buddies need to make some cash, so they take a job with a dodgy property developer (Jon Bernthal). But Cole is determined that this kind of work won't be his future.
Director-cowriter Max Joseph never really bothers to develop any of this properly, letting the film glide along on Cole's cool beats while indulging in arty touches like an animated drug trip. There isn't much complexity to any of the characters, but the actors add interest in the way they interact, developing camaraderie that says a lot more than their relentless macho swagger. Efron is the only actor who is allowed to offer a glimpse beneath the surface, and he navigates Cole's darker emotional moments nicely. But the script continually undermines him. For example, there are constant references to his strong moral code, and yet he seems utterly unbothered about seducing his mentor's girlfriend. Opposite him, Bentley gets to do some ace scene-stealing, but everyone else fades into the wallpaper.
Continue reading: We Are Your Friends Review
Liza Chasin - Celebrities attend NYU's Tisch School of the Arts Honor Oliver Stone and Liza Chasin at Annual Benefit Gala at The Beverly Wilshire Hotel. - Los Angeles, CA, United States - Monday 28th October 2013
In 1988 Barrow, at the top of Alaska, aspiring reporter Adam (Krasinski) stumbles across three whales trapped beneath the icecap. Unable to reach the open sea, there's just a tiny hole in the ice that lets them breathe. Adam's report goes viral, grabbing the attention of America's press as well as his Greenpeace-activist ex Rachel (Barrymore). And the rescue effort will require an L.A. journalist (Bell), military pilot (Mulroney), Inuit boy (Sweeney), whale expert (Nelson), oil baron (Danson), White House rep (Shaw), two chuckleheads from Minnesota (LeGros and Riggle) and the Russian Navy.
Continue reading: Big Miracle Review
For one thing, historical costume dramas rarely spawn second chapters, particularly ones that struggle to make back their production budgets. Kapur's critically acclaimed original Elizabeth earned multiple Oscar nominations but was largely overshadowed (at the ceremony and in the public eye) by John Madden's opposing Golden Age tryst Shakespeare in Love.
Continue reading: Elizabeth: The Golden Age Review
After an opening scene in which 13-year-old Tracy (Evan Rachel Wood) and her friend Evie (Nikki Reed, the writer) suck gas from a can of compressed air, laugh hysterically, and slap each other senseless, Thirteen flashes back to four months earlier, in order that we can get an idea of how Tracy got this way. Tracy's family situation is nothing spectacular, what with a distant father who only occasionally pays child support and a flaky mom (Holly Hunter) who scrapes by as a hairdresser and keeps letting Brady, her former cokehead boyfriend (Jeremy Sisto), sleep over. Her life seems pretty dull and irritating, so when Tracy ditches her nerdy friends to suck up to Evie, the lead Heather in the school's hottest clique, it makes an adolescent kind of sense. But when that friendship quickly morphs into an unending stream of shoplifting and drinking, Tracy also starts lashing out at her mother and pretty much everyone else around her, except Evie, who has essentially moved herself into Tracy's bedroom.
Continue reading: Thirteen Review
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You can't argue that the film Thirteen doesn't know its teenagers. It gets all the...