Nominated for an Oscar as a teenager, Lucas Hedges is certainly one to watch.
For someone who’s starred prominently in no fewer than three Oscar-nominated films by the time most are still at university, the name of Lucas Hedges perhaps isn’t one of the best-known names in cinema at the moment, but maybe it ought to be.
At the age of 11, the American youngster was cast in a cameo role in his father’s 2007 film Dan In Real Life – though apparently his one and only line in the film was lopped out in post-production – brutal!
As a teenager, he was tapped by Wes Anderson for minor parts in two of his movies, 2012’s Moonrise Kingdom and 2014’s The Grand Budapest Hotel.
Continue reading: Everything You Need To Know About Rising Star Lucas Hedges
Somebody messed with the wrong mother when they murdered her daughter Angela Hayes (Kathryn Newton). Mildred Hayes (Frances McDormand) will stop at nothing to make sure that her child's killer is caught and after several months of still no arrests, she decides to take drastic action. She forks out for three enormous billboards to go up in her Missouri town with a message to the highly respected Police Sheriff Bill Willoughby (Woody Harrelson). An embarrassed Willoughby visits her to encourage her to take the billboards down, but she's standing firm and will certainly not be intimidated by police involvement - or, indeed, anyone who dares complain about them. She assaults her dentist with his own drill after discovering that he made a complaint and attacks two local high school kids who try to mock her. Even the local vicar is trying to appeal to her sanity at this point, but when she torches the local police station, it becomes clear that she's quickly becoming way out of control.
This may not be the cheeriest movie of the season, but it's so skilfully written, directed and acted that it's impossible not to be pulled into its powerfully wrenching drama. Writer-director Kenneth Lonergan (see also 2011's sleeper masterpiece Margaret) creates characters so vivid that they get deep under the skin, and he allows his actors to so fully inhabit them that they become unforgettable.
This is the story of Lee (Casey Affleck), a janitor who is hiding in Boston from his past. When his brother Joe (Kyle Chandler) has a heart attack, he returns to his hometown Manchester to take care of Joe's 16-year-old son Patrick (Lucas Hedges), who isn't remotely happy about this set-up. But Joe's estranged wife Elisa (Gretchen Mol) has vanished, and Lee's ex-wife Randi (Michelle Williams) has started a new life. So while Patrick struggles to maintain his independence, Lee tries to build some sort of relationship with him. But both are still reeling with pain over things that happened to them over the years.
Yes, the central theme here is grief, and Lonergan piles mountains of it onto these characters. As details about their back-stories are revealed, the intensity of the emotions becomes nearly unbearable, and yet neither Lonergan nor the actors ever give into sentimentality or trite sermons. This is achingly realistic, an exploration of how people survive even the worst things life can throw at them. And Affleck delivers his best performance yet in the role, a devastatingly transparent turn that holds the audience in rapt attention. Newcomer Hedges matches him beat for beat as a deeply likeable teen whose prickly reactions make him even more sympathetic. And both Williams and Mol add some blistering electricity as women struggling to reinvent themselves. In just a few scenes, Williams very nearly steals the film.
Continue reading: Manchester By The Sea Review
Lucas Hedges at the Premiere of 'Manchester by the Sea' held at Samuel Goldwyn Theater - Beverly Hills, California, United States - Monday 14th November 2016
Lee Chandler lives a life of self-imposed exile but that's not how he's always been. For many years prior, he lived in the small town of Manchester-By-The-Sea where the rest of his family and his fiancé all live. It's a picturesque fishing town and the pace of life is slower than any city could offer and the Chandler's all live good lives. Now, Lee lives in Boston and works as a janitor and his strict day to day routine has been brought about to limit the amount of people he see and has to deal with.
When Lee's brother, Joe, dies Lee is made the guardian of Patrick, Joe's teenage son. The news comes as a surprise to both men. Patrick is dealing with the loss of his family and now is forced to live with his uncle who's distanced himself from the family years prior.
Patrick doesn't understand his uncle's reluctance to relocate and move back to the small neighbourhood he used to call home. As hard choices are made and old acquaintances become part of the present day picture, Lee must not only do what is best for himself but also consider his nephew and the wishes of his brother.
Continue: Manchester By The Sea Trailer
Kill the Messenger follows the real life story of Journalist Gary Webb (Jeremy Renner), as he stumbles upon the story of a lifetime. When Webb hears that the US government was aware of the exportation of drugs to America, he begins following up the story. This, in turn, leads him to uncover a conspiracy where the CIA imported vast amounts of cocaine to sell in the US in order to raise money for the Nicaraguan Contras rebel army. Webb is then faced with the option to leave the story alone, or continue his investigation and put his career, family and own life at risk.
Continue: Kill The Messenger Trailer
Wallace Avery is struggling with the hardships that life is throwing at him; a boring job, a failed marriage, an estranged son and an unfulfilling relationship; and decides that something must be done in order for him to find happiness again. He fakes his own drowning and purchases a new identity, becoming golf pro Arthur Newman and landing himself a job at a golf club away from Florida. It's then he meets Michaela "Mike", who is actually named Charlotte Fitzgerald and has assumed the identity of her twin sister who's suffering from mental health problems. They set out on a road trip together to Indiana but it isn't long before they both discover each other's true identities. With that in common, their bond strengthens and a romance blossoms as they take comfort in each other's dissatisfactions in life. But when it comes down to it, this couple have some serious decisions to make about the kind of people they really want to be.
Continue: Arthur & Mike Trailer
With one of Kate Winslet's most layered, resonant performances, this film is definitely worth a look, even though the indulgent filmmaking style pushes it perilously close to Nicholas Sparks-style sappiness. Clearly, writer-director Jason Reitman (Juno, Up in the Air) is shifting gears as a filmmaker, but the movie is in dire need of just a hint of his usual jagged wit.
It's set in 1980s New Hampshire, as the agoraphobic Adele (Kate Winslet) is struggling to raise her sensitive teen son Henry (Gattlin Griffith) on her own after her husband (Clark Gregg) left. Then one night escaped convict Frank (Josh Brolin) arrives at their house in need of a place to hide. The next day, Frank offers to help with some repairs on the house. He also notices that Henry needs to learn how to throw a baseball. And that Adele needs some affection. So over the long Labor Day Weekend, he becomes the badly needed man of the house. Then when a neighbour (J.K. Simmons) and a cop (James Van Der Beek) start snooping, they make a plan to run for the Canadian border.
Instead of a dark, menacing edge, Reitman washes the film in sun-dappled earnestness, ramping up the soapy emotions rather than the grittier issues these people so badly need to deal with. This reaches a low point when Frank teaches Adele how to bake a peach pie in a scene reminiscent of the lusty pot-spinning sequence in Ghost: laughably ridiculous. Fortunately, Winslet and Brolin generate some uneasy chemistry, and Griffith is a fine young actor in a very difficult role. Together, they pull the film back from the sudsy brink just in time for a genuinely tense final sequence.
Continue reading: Labor Day Review
Lively and imaginative, this raucous adventure-drama recaptures the ramshackle futurism of director Terry Gilliam's 1985 masterpiece Brazil, throwing a lonely guy into a series of events that get increasingly surreal. And while we never lose interest, the plot seems to fall apart about halfway in, circling around itself and the pungent themes that ooze through every scene.
The central figure is Qohen (Waltz), a genius who feels like life has lost its meaning. He hates the corporate mentality at Mancom, where both his manager (Thewlis) and the computer system drive him nuts. Then after a chance encounter with the big boss (Damon), he's given a new assignment to work at home crunching numbers to prove the Zero Theorem. Everyone is vague about what this theorem is, but Qohen likes being away from the office. But now he's distracted by the seductive Bainsley (Thierry), who puts on a sexy nurse outfit and lures him into a virtual reality environment. He's also assigned 15-year-old computer nerd Bob (Hedges) to keep his system up and running. Or maybe everyone is spying on him.
The central theme is the search for meaning in life, which is echoed in Qohen's inability to feel, taste or properly experience anything. And the theorem itself turns out to be an attempt to prove conclusively that everything is meaningless. This allows Gilliam to deploy his vast imagination in every scene, with a flood of corporate and religious imagery, suggestive innuendo and topical gags about free will in a society that values making money at the expense of actually living. All of the actors grab on to these ideas, adding comical physicality and knowing humour to each scene.
Continue reading: The Zero Theorem Review
In a flamboyant, futuristic universe, Qohen Leth works as a computer hacker desperate to uncover the meaning of life. He appears to suffer from a range of conflicting phobias and his eccentricity forces him to stand out to the formidable Management who enlist him to try and crack the most fundamental formula of mankind history, the Zero Theorem. Meanwhile, he is waiting desperately for an important phone call that will reveal to him the purpose of human existence. But as he absorbs himself deeply with his own work at the dilapidated chapel he calls home, he finds himself repeatedly distracted by Management's teenager son Bob and a stunning blonde seductress named Bainsley who was specifically hired by the dictatorial authority. Qohen's sanity is frequently tested as it becomes more and more clear that the Zero Theorem is trying to tell him that all is for nothing.
'The Zero Theorem' is a vibrant sci-fi drama set in an almost Orwellian dystopian future. It has been directed by the Oscar nominated Terry Gilliam ('Twelve Monkeys', 'Brazil', 'Monty Python and the Holy Grail') and written by Pat Rushin ('No Ordinary Sun' short) in his full-length screenplay debut. It has already caused a stir having won the Future Film Festival Digital Award at the Venice Film Festival and it is set to be released in the UK on March 14th 2014.
Date of birth
12th December, 1996
Place of birth
Brooklyn Heights, New York City
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