There's no-one quite like Mary Goodwin. She's a sexy and totally bad-ass hitwoman with an enormous arsenal of weapons working for a dangerous organised crime unit in Boston, Massachusetts. She's never hesitated to pull the trigger on a mark in her life and very few can match her extraordinary skill when it comes to brutality, but when an attempted assassination goes wrong she she finds herself with a young orphaned boy on her hands. She's not in the business of killing innocent children, but now she feels responsible for leaving him without a mother or a father. She takes pity on him, and is now faced with a choice to make about the boy's future, her own future and the future of her crime family.
Continue: Proud Mary Trailer
Whether this was Spielberg's most desperate attempt to win an Oscar (didn't work: The Color Purple received a whopping 11 Oscar nominations and won precisely zero) or a genuine kinship with the black women of the 1910s we'll never really know. But Purple is a solid enough film, though it lacks true inspiration and gets a little wandering and lost after an hour of running time (and you've still got 1 1/2 more to go!).
Continue reading: The Color Purple Review
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