Naomi Bishop is a senior investment banker who works in the male dominated world of Wall St Finance, and who quickly becomes involved in a world of corruption and scandal. In 'Equity', Bishop misses out on an opportunity for a promotion in her company when it becomes apparent that she miscalculated the IPO's (Initial Public Offering) value and didn't handle the going public news effectively, as a result she needs to prove herself once again. This leads to her courting the promising newcomers in order to get her foot in the door and spot a potential business opportunity.
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Margaret Colin Monday 6th April 2009 Roundabout Theatre Company's 2009 Spring Gala held at Roseland Ballroom - Arrivals New York City, USA
In exploring this relationship, and virtually all of the relationships in the film, Moncrieff and her actors don't shy away from awkward, uncomfortable truths. Strathairn does especially well with this material; although there are only a few scenes of him teaching in front of the whole class, he captures the reserved vibe of a talented, unflashy high school English teacher as instantly as a snapshot. The audience's perception of the Auster character is most open to change over the film's 90 minutes, and Strathairn is a rock of believability, refusing to bother with cheap signifiers when Auster's actions become morally ambiguous (it may help if you find, as I do, almost any cast member from Sneakers infinitely watchable by association). Newcomer Agnes Brucker is equally reluctant to indulge in theatrics; armed with Bruckner's unfussy expressiveness, Meg's every decision is understandable.
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Set in an absurd, patronizing fantasy world in which flag-waving citizens line the streets to see the president's kid off to college and angry political protesters share the red-carpet sidelines at black-tie events with shallow reporters asking stupid questions, "First Daughter" could well be the most hackneyed and insipid movie of 2004.
Failing to achieve even the shrug-worth mediocrity of January's similarly plotted "Chasing Liberty" (with Mandy Moore), this gimmick-driven disaster drags star Katie Holmes down with it as Samantha Mackenzie, the sheltered, personality-free offspring of a controversial commander-in-chief (an unconvincing, completely vanilla Michael Keaton), who falls in love with a cute Secret Service agent (an even blander Marc Blucas) posing as a student in her dorm.
Although introduced in the manner of a fairytale, the film's rampant lack of authenticity is simply insurmountable. Samantha's bodyguards constantly hover three feet behind her -- even in class and while she's alone in the dorm's TV room. The girl is never once shown doing anything that even remotely resembles studying, yet as she's egged on by a soundtrack of flutes and twinkling triangles, she proclaims her determination to have a normal coed experience. In pursuit of it, she sneaks out on dates with that charming classmate she doesn't know is an undercover agent -- that is until he blows his secret identity by rescuing her during one of many security breaches so impossibly contrived that the Secret Service should sue 20th Century Fox for defamation of character.
Continue reading: First Daughter Review
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Naomi Bishop is a senior investment banker who works in the male dominated world of...