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Nat Turner was a former slave who on witnessing the scope of slavery across America chose to head a liberation movement in the form of a slave rebellion that resulted in a violent retaliation from the white supremacists in Virginia, 1831. This periodic drama film introduces the audience to the world in which Black people were enslaved in - inhumanly treated at the peril of the white race. The chilling shot of a young white child playing a game with a lynching rope around another black girls neck represents this serious period of history in a thought provoking scene.
Continue: The Birth Of A Nation Trailer
While this comedy of embarrassment has some pointed things to say about growing up, and a refreshing refusal to push its central character into a box, it also continually resorts to the cheapest, most annoying gags. As a result, the intriguing premise is swamped in corny antics, forcing the actors to work overtime to keep their characters on the right side of believability. This leaves everyone on-screen feeling more than a little artificial, including the characters who manage to be engaging.
The central figure is Lloyd (Jason Dolley), a 17-year-old who hasn't yet discovered what his "thing" is. He's brainy enough to get into any university he wants, but is unsure what he wants to do with his life. And he has been so busy getting good grades that he has never explored his own sexuality. Not helping this is his over-involved mother Maggie (Nia Vardalos), who hovers around him like a police helicopter with a floodlight, meddling in every aspect of his life. Mainly she's hoping he turns out to be gay, because that will entitle him to a scholarship to pay the expensive university tuition fees. So she tries to hook him up with random young men and asks his biker-dude dad Max (Mark Boone Junior) to encourage him in that direction. But Max actually engages Lloyd in a conversation, something his mother never does.
The problem is that for all of Maggie's protestations that she loves her son, she clearly only cares about herself. And this intense selfishness makes her so loathsome that we flinch every time she appears on screen, just as Lloyd does when he notices her nearby. Vardalos underplays the role nicely, but it's not enough to make her remotely sympathetic as everything she does leaves a wake of destruction. In other words, she's more like a shallow sitcom character than a real person. By contrast, Dolley is remarkably likeable, and the film's best scenes are between him and the relaxed, open-handed Boone. And Dolley also generates a nice sense of chemistry with Skyler Samuels, as the school hottie who's tired of hanging out with bigoted jocks.
Continue reading: Helicopter Mom Review
Although the plot itself is nothing special, this kidnapping comedy keeps the audience entertained by filling every scene with outrageous characters and twisty interaction. Based on an Elmore Leonard book, this free-wheeling movie is such a tangle of colourful people and riotous 1980s hairstyles that it can't help but be enjoyable. Especially once we realise that the story isn't the most important thing.
It's set in 1984 Detroit, where trophy wife Mickey (Jennifer Aniston) has finally had it with her chilly husband Frank (Tim Robbins). As she's thinking about taking their son (Charlie Tahan) and leaving, he's holed up in the Bahamas with his mistress Melanie (Isla Fisher) while preparing to serve Mickey with divorce papers. Just then, low-life criminals Louis and Ordell (John Hawkes and Yasiin Bey, aka Mos Def), kidnap Mickey and demand a $1 million ransom. Of course, Frank thinks his problem is solved until he realises that they also know about his dodgy business dealings. And things are further complicated by Louis and Ordell's Nazi-loving sidekick (Mark Boone Junior) and an amorous dork (Will Forte) who's in love with Mickey.
As the chaos escalates, writer-director Daniel Schechter keeps the focus tightly on the offbeat characters rather than the gyrations of the narrative. This makes it easy to identify with everyone on-screen, particularly Aniston and Hawkes, who have the most complex roles. They're the only people who have either emotional shadings or a story arc to travel, so watching them become increasingly aware of the opportunities around them is a lot of fun. Everyone else is here to get laughs, and it's amusing to see each of them reveal things about themselves that add to the mayhem, from Fisher's surprisingly savvy bombshell to Bey's womanising prowess. And of course each character approaches the various moral dilemmas from a distinct angle.
Continue reading: Life Of Crime Review
Sons of Anarchy fans can expect heaps of content after the show ends. And that's all we know so far.
Unlike a lot of the other panels at SDCC this year, Sons of Anarchy was mostly show and very little tell. That is, fans, who snagged a seat in Hall H, got treated to a trailer for the final season, a prequel announcement and some vague teasers of the character arcs for season 7.
Sutter [r] had very few concrete details to reveal at the panel.
SoA will live on after its official end on FX, via a possible prequel (still in early talks) and – here’s something to be excited about – a novelisation, the tentatively titled Bratva. The book will pick up at the end of Season 4, however, creator Kurt Sutter was clear – spinoffs are not on the cards. This isn’t Breaking Bad, after all. According to Sutter, via Deadline, the spinoff route just wouldn’t do justice to Sons of Anarchy.
Continue reading: "Sons Of Anarchy" Creator Stays Vague About Final Season At Hall H Panel
Frank Dawson is a filthy rich, arrogant real estate developer who regularly takes 'business trips' in order to continue an affair with his young lover Melanie Ralston. During one of his trips away, his wife Mickey is held for ransom in her own home by a gang of masked men who call Frank to demand he deposit $1 million into an offshore bank account if he ever wants to see his wife again. But there's just one tiny problem: he doesn't want to see her again. He's been racking his brains to find a way he might possibly be able to leave her without the costly disadvantages of alimony, divorce costs and child support and now it seems the solution has finally dropped into his lap. Mickey doesn't believe Frank would pay that much to save her but now it's down to his own morals.
'Life Of Crime' is a crime comedy full of unexpected twists and turns. Based on the novel 'The Switch' by Elmore Leonard, the movie adaptation has been directed and written by Daniel Schechter ('Supporting Characters', 'Goodbye Baby', 'The Big Bad Swim') and it is due to be released in UK theatres on September 5th 2014.
'Sons of Anarchy' creator announced the sixth season of the show would include controversial scenes.
Sons of Anarchy season six promises to have violent and controversial scenes and plotlines. Creator Kurt Sutter announced on Friday, at the Television Critics Association press tour, that one scene would depict a school shooting. The perpetrator of the shooting is to be a young boy.
Charlie Hunnam at the L.A. premiere of Pacific Rim, held at the Dolby Theatre.
It could be a little close for comfort for the US audience as such tragedies have not merely been fictional portrayals of violence, but a horrifying reality.
Vincent Dooly is a would-be inventor with dreams of winning an Eddy, a yearly award given to the most prestigious young inventor. Vincent's main problem is all of his inventions have failed in one way or another and led to public humiliation. His main competition comes from Martin Wooderson, a genius whose won many Eddy's in the past.
Continue: The Mother Of Invention Trailer
Date of birth
17th March, 1955
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