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Repo! The Genetic Opera Review


Very Good
Repo! The Genetic Opera clearly strives to defy description, which of course makes it fun to describe: It's a futuristic rock musical about organ repossession from the director of Saws II through IV, starring Giles from Buffy the Vampire Slayer, Paul Sorvino, and Paris Hilton. But it's also surprisingly fun to sit down and watch, provided you're in the mood for a low-budget musical that swings for the fences rather than Oscar glory.

In the year 2056, Rotti Largo (Sorvino) heads up GeneCo, which offers financing options for organ transplants (both medical and cosmetic), and has no qualms about a gory repossession if a buyer misses a payment. Scientist Nathan (Anthony Stewart Head) moonlights as one such repo man while caring for his sick daughter Shilo (Alexa Vega from the Spy Kids movies), who yearns to break free from the confines of her bedroom. Complicated backstories are illustrated, literally, via half-animated comics-style panels.

Continue reading: Repo! The Genetic Opera Review

Catacombs Review


Bad
Here's what happens in Catacombs. Shannyn Sossamon plays Victoria, who arrives in Paris to hook up with her bratty sister Carolyn (marking inauspiciously Pink's speaking-role acting debut). After setting her down with some friends who tell her all about a kid who lives in the Paris catacombs, raised on raw meat and wearing a goat head for mask, Carolyn drags Victoria to a rave held in one of those catacombs, just like in The Matrix Reloaded only with nude, underground lake swimming.

Naturally, Victoria gets separated and spends the next hour-plus running around in the catacombs in her boots (has Sossamon ever appeared in a movie in heels? just wondering), being chased by, you guessed it, a dude in a goat-head mask. He doesn't stop, no matter how injured Victoria gets or how many people she encounters get killed... until the end, when one of cinema's most absurd twist endings of all time gets sprung on you.

Continue reading: Catacombs Review

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