Mary Sweeney

Mary Sweeney

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Inland Empire Review


Terrible
To those who thought that Terry Gilliam's gothic frenzy Tideland was an auteur who had lost all restraint: In the words of Bachman-Turner Overdrive, you ain't seen nothing yet.

The notorious David Lynch has always held a rather slippery grip on narrative construction and a rather absent grasp on convention. At last we left him, his surreal dreamscape was the city of L.A. and a pair of lesbian lovers who may or may not have broken up because of a brash film director, and that's just the peripheral story. Mulholland Drive was Lynch at his very best, using Los Angeles as a canvas to purge all his hallucinatory digressions and woozy dreams into a noir-tinged love story. Lynch now returns to L.A. once again for Inland Empire, a 180-minute, digitally-shot nightmare that culls together the absolute worst attributes of Lynch and his personal style.

Continue reading: Inland Empire Review

Mulholland Drive Review


Good
[In the spirit of competition, we present a rare filmcritic.com double review on David Lynch's sure-to-be-controversial Mulholland Drive as well as a feature discussion about the film. For additional, alternate looks at films, check out our feature "Respectfully, Yours." -Ed.]

Christopher Null, not overly impressed

Continue reading: Mulholland Drive Review

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Mary Sweeney Movies

Inland Empire Movie Review

Inland Empire Movie Review

To those who thought that Terry Gilliam's gothic frenzy Tideland was an auteur who had...

Mulholland Drive Movie Review

Mulholland Drive Movie Review

[In the spirit of competition, we present a rare filmcritic.com double review on David Lynch's...

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