Michael Michele and Venus Williams Wednesday 14th November 2007 Launch party at Tejune to celebrate "EleVen", the new clothing range from Venus Williams from apparel store Steve and Barry's New York City, USA
Unfortunately for Perry, it's April 1992, and not a very good time to be an arrogant, white LAPD officer. The Rodney King trial has set L.A. on the precipice of Armageddon, and the verdict - to be announced imminently - has become the focal point for a metropolis simmering with class and racial tension. Perry, however, has more pressing matters to worry about. His partner, a wet-behind-the-ears rookie named Bobby Keough (played with baby-faced blankness by ex-Felicity hunk Scott Speedman), has screwed up an arrest, and Perry - always looking to back up a fellow brother in blue - has killed the defenseless perp (with Keough's gun) rather than letting him escape. The film begins with both officers knee-deep into lying their way through an eight-hour inquiry, since Perry has decided that his incompetent protégé should take the heat for the killing anyway. As far as Perry is concerned, one's first shooting inquiry is a right of passage - a baptism into an immoral system that's primarily sworn to protect and serve its own members.
Continue reading: Dark Blue Review
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