Michael York

Michael York

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Michael York - 40th Anniversary restoration of "Cabaret" New York NY United States Thursday 31st January 2013

Michael York

Romeo And Juliet (1968) Review


Very Good
Franco Zeffirelli's rendition of Shakespeare's classic tragic love story gets off to a slow and rocky start but eventually takes hold once its titular leads take over. The introduction of musical numbers isn't bad, though it severely dates this production to the '60s, however faithful it otherwise is as a period piece. Olivia Hussey's Juliet is the show stealer and would go on to modest success as an actress; Leonard Whiting (as Romeo), however, would quickly fade into obscurity in the following years. Winner of two Oscars and a Best Picture nominee.

The Three Musketeers (1973) Review


Very Good
I saw the word "whimsical" used in one product description of this installment of The Three Musketeers, a faithful adaptation of the classic novel, and no word could better describe the film. It's a combination of belly laughs via non-stop sight gags, endless swashbuckling, and only a dab of plot, all of which serve to make this an engaging event movie that takes place in France instead of in space. Packed with classic actors (including Charlton Heston, Christopher Lee, and Raquel Welch), this is a fun, nearly farcical adventure that's definitely worth a look.

Borstal Boy Review


Excellent
Irish filmmaking has always resonated with an urgent sense of political forethought. Filmmaker Jim Sheridan diligently championed the determined spirit of tortured protagonists in gutsy pictures such as My Left Foot, The Boxer, and In the Name of the Father. In the uplifting Emerald Isle melodrama Borstal Boy, Jim's brother Peter Sheridan effectively explores the trials and tribulations of a 16-year old boy's exploits behind the unbearable confines of a British World War II borstal, a reformatory center for boys, based on charismatic Irish writer Brendan Behan's memoir. Provocative and resoundingly crafty, Borstal Boy is a solid and refined piece of moviemaking imbued with passion and attitude.

Thanks to his heavy involvement in IRA-related activities, the film opens with Brendan (Shawn Hatosy, Anywhere But Here, John Q) in jail in East Anglia, England. Among the prison-camp personalities that the overwhelmed Brendan encounters are a thieving gay sailor named Millwall (Danny Dyer), whom he eventually. He also finds a love interest in the lovely and supportive Liz (Eva Birthistle), who happens to be the daughter of the facility's presiding Governor (Michael York). Consequently, Brendan begins to shape his outlook on life, challenging what was once a rigid belief system entrenched in his conservative shell.

Continue reading: Borstal Boy Review

Austin Powers: The Shagged Me Review


Bad

It's a shame Mike Myers didn't invent Austin Powers during his "SaturdayNight Live" tenure. The occasionally funny sketch bits he stringsweakly together with about six minutes of plot in his "Austin Powers"James Bond spoofs might have played well as short gags in a recurring "SNL"routine.

Imagine, if you will, a skit in which Dr. Evil (Myers'mock-Blofeld) goes on "Jerry Springer" to confront his disgruntledson, who (god forbid!) has no ambition to take over the world. Or an episodehosted by the unbelievably beautiful yet seemingly accessible Heather Graham,in which she dons Urusla Andress' bikini from "Dr. No" and ultra-tossablehair extensions to play a CIA sexpot named Felicity Shagwell opposite Myers'ribald, randy, chest toupee- and cravat-wearing super-spy.

Continue reading: Austin Powers: The Shagged Me Review

Michael York

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Austin Powers: The Shagged Me Movie Review

Austin Powers: The Shagged Me Movie Review

It's a shame Mike Myers didn't invent Austin Powers during his "SaturdayNight Live" tenure. The...

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