Director Dave McCary makes a superb feature debut with this offbeat black comedy, which explores the experiences of a young man rescued after years in captivity. The darker emotions are here, but that's not the focus of this film, which instead playfully keeps the audience laughing as it cleverly weaves a tale that will resonate in unexpected ways. And the fanboy-style premise makes it wonderfully timely.
This is the story of 25-year-old James (played by cowriter Kyle Mooney), who was kidnapped as an infant and raised in a bunker by Ted and April (Mark Hamill and Jane Adams), who claimed to be his parents and told him the air outside was unbreathable. Over the years, he gets his education from weekly videotape episodes of the children's show Brigsby Bear, made by Ted specifically for him. Then when he's rescued and reunited with his real parents (Matt Walsh and Michaela Watkins), they're strangers to him. As is his spiky little sister Aubrey (Ryan Simpkins). To make sense of this big new world, he gets help from a cop (Greg Kinnear) and a therapist (Claire Danes). But he longs to revisit Brigsby's world. So when Aubrey's friend Spencer (Jorge Lendeborg) shows interest in the furry character, James launches an epic plan to make a movie to bring the TV series to a conclusion.
Obviously, all of this is working as a kind of rehabilitation for James, and the film is smartly assembled to bring the audience into his quirky perspective. We've seen an episode of Brigsby, so we understand how it has charmed him with its nutty sci-fi superhero action. And it's hilarious to see James thrown into our world when his only cultural references relate to Brigsby. Meanwhile, Mooney underscores James' obsession with a bright sense of curiosity that's infectious both for the other characters in the story and for us watching it.
Continue reading: Brigsby Bear Review
When James Pope was just a baby, he was kidnapped from the hospital in which he was born. His new parents took him to live in the middle of an isolated expanse of wilderness, and refused to teach him anything about the world outside of their home and only let him watch a children's TV show called 'Brigsby Bear'. The only problem is, it has never been a real show and is merely a creation by his parents. One day, as an adult in his early 30s, he is rescued from his captors and taken out into the real world for the first time. Naturally, he is overwhelmed and confused about the nature of his new life, but nothing compares to finding out that 'Brigsby Bear' has never been a real show. However, it's the only thing he knows, so he sets out to bring the character out into the open and embarks on a filming project to create a movie of the character that shaped his entire life.
Continue: Brigsby Bear Trailer
Rachel is a married stay at home mother who you'd think had no worries in the world; she has a well-off husband, a beautiful house, an adorable son and plenty of friends but somehow, she just doesn't seem to fit in. She visits her therapist regularly to discuss her floundering career prospects and totally diminishing sex life. One day, however, a friend of hers comes up with an idea to hit a strip club where Rachel meets a 19-year-old lap dancer named McKenna. Rachel later bumps into her in the street, where she had been thrown out of her home, and offers her a place to stay. Enlisting her as a live-in nanny, Rachel becomes fixated on helping McKenna find a better life, to the shock of her husband Jeff and friends. McKenna's presence soon becomes a strain on her marriage and Jeff starts to wonder if it's Rachel who needs the help, not McKenna.
Primetime Emmy nominated Jill Soloway ('Six Feet Under', 'United States of Tara') has directed and written this comedy drama about true happiness and contentment with the cards you have been dealt. It's poignancy and gentle humour won it the Directing Award at 2013 Sundance Film Festival, with it also being nominated for the Grand Jury Prize.
After playing comical sidekicks in rom-coms like No Strings Attached and What Happens in Vegas, Lake Bell emerges as a rising-star filmmaker with the smartest, funniest comedy of the year. Winner of the screenwriting award at Sundance, this script is painfully hilarious, drawing on the characters' personalities to take us into a previously unseen side of the movie industry. It's also a rare Hollywood movie that refuses to shy away from anything.
We're talking about voiceover artists here, specifically those who provide the rumbling commentary for movie trailers. The late Don LaFountaine was the voice behind all of those iconic "In a world..." trailers, and now a studio wants to revive them for a new epic quadrilogy. The top contender for the job is Sam (Melamed), a veteran who decides to let his protege, the egotistical womaniser Gustav (Marino), have the job. Then Sam's voice-coach daughter Carol (Bell) throws her hat in the ring, which is unthinkable because a woman has never narrated this kind of trailer. She prepares for the audition with the help of a love-struck sound engineer (Martin), but is distracted by issues between her sister and brother-in-law (Watkins and Corddry) and the fact that her dad's new girlfriend (Holden) is younger than she is.
Bell juggles all of these plot strands brilliantly as a writer, director and actor, generously giving her costars the most riotously funny dialog while Carol pings around between them. And since we see everything through her eyes, she emerges as a hugely engaging woman who is smart, skilled and also likeably flawed. Every performance is natural and amusing, with the kind of astutely witty dialog actors can really sink their teeth into. And there are some uproarious cameos along the way, including Offerman as a wry colleague, Davis as a studio head, Longoria as a vocal client and Diaz as the star of a Hunger Games-style saga.
Continue reading: In A World... Review
Eva, a divorced, single mother who faces the impending departure of her soon to be college bound daughter, meets Albert, an easy going, teddy-bear of man who has a complicated relationship with his ex-wife.
Eva pursues Albert and the couple's relationship quickly blossoms until Eva's latest friend, Marianne, gets a phone call from her supposedly miserable, horrible and selfish ex-husband. Albert.
Eva finds her relationship being tested and doubting her new partner after being sub-consciously influenced by Marianne. Eva must discover the truth about Albert in order find out first hand if he is as the man Marianne suggests he is.
Continue: Enough Said Trailer
Adam is a nice guy who's willing to be faithful to his girlfriend Phoebe, there's just one problem; he's addicted to sex. Despite Phoebe's initial scepticism and distrust, Adam attends group therapy classes to overcome his clinical neurosis before it destroys his chance of love. There he meets Neil, someone who doesn't actually have sex, but whose addiction stems to getting as close to women as possible and has already lost him his job after his boss caught him filming up her skirt. Neil becomes best buddies with Dede, one of the only women in the therapy group who he puts all his energy into helping recover from her own problem. With everyone banding together to face their demons, beautiful friendships are discovered and waning relationships are healed.
Continue: Thanks For Sharing Trailer
Lake Bell, who is usually cast as the quirky best friend in the majority of films she's in, comes into her own in this independent comedy about a struggling female voice over artist. She asks the question 'why are female voices so rarely used on film trailers?'
Lake Bell revealed in an interview with Yahoo! Movies that she was trying to address more than an inequality in the film industry with her new movie In A World, if we subconsciously associate power and a sense of omnipotence (which is needed for narrating film trailers) with manliness, thus culturally its preferable for us to hear a man narrating. Or that "resonance" makes it "easier and more authoritative to hear".
Another reason for doing the film is Bell's own strident stance on the power of speech and intonation she uses the insipid use of "sexy baby talk" as an example emphasising the importance of using your voice as it "is such a profound tool for communication and how you are perceived".
That all sounds terribly deep and philosophical yet that's not how it comes across in the trailer with Bell showing off her vocal skills (the Russian Star Wars impression is something to look out for).
Continue reading: 'In A World'...Where Lake Bell Talks About Voices [Trailer]
Carol is a successful vocal coach with an extraordinary talent for accents, even training the likes of Eva Longoria for acting roles. However, her one ambition remains practically unattainable - to become a voiceover star. With her father, a talented master of voiceovers himself, showing little confidence in her because of the fact that she is a woman along with her own struggle to sound foreboding and intimidating, Carol seems destined to coach people on accents for the rest of her career. Can Carol coach herself to become one of very few voiceover legends, or will her own talent fail her at the last hurdle?
Continue: In A World Trailer
When their over-extended Manhattan lifestyle falls apart, George and Linda (Rudd and Aniston) head to Atlanta to regroup at the home of George's rich brother (Marino) and his medicated wife (Watkins). But on the way they stop at a B&B in Elysium, a countryside commune that sparks their imagination of a possible new life. Led by forgetful founder Carvin (Alda) and self-important guru Seth (Theroux), George and Linda are surprised at how well they fit in.
But this free-spirited, free-loving society starts to strain their relationship.
Continue reading: Wanderlust Review
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