RT @criterionchannl: Opening title sequence for Jean Cocteau's ORPHEUS (1950) ❣️ Through Cocteau’s famous mirrored portal, ORPHEUS’s peerl…
Litchfield is getting overcrowded with no less than a hundred new inmates getting crammed into the place. Plus, it's not getting any easier for Piper Chapman, who already feels like she's in danger of serious harm most of the time. Now she's got a new enemy within the walls of the Litch who is intent burying her. She may only have a short sentence compared with some of the other inmates, and maybe she's a lot more educated than most of them, but none of that has helped her out yet. There's a new prison guard at the facility too, who is really not getting on well with the female inmates. Meanwhile, Sophia Burset is having a hard time as the only transgender woman on the site, which has always put her as a target for transphobic cattiness but now more so than ever. She's even the victim of a violent attack, and the prejudice threatens her hairstyling business.
Laverne Cox has become the first transgender woman to be nominated for an Emmy Award for her role as Sophia Burset on 'Orange Is the New Black'.
Laverne Cox has made history (again) by becoming the first transgender woman to be nominated for a Primetime Emmy award. The 30-year-old plays Sophia Burset on the hit Netflix show Orange Is the New Black and she has been nominated for Outstanding Guest Actress in a Comedy Series.
Laverne Cox is the first transgender woman in history to be nominated for an Emmy.
The comedy actress and the hit show could take home a raft of prizes.
It has been a great day for Orange Is the New Black, the hit Netflix prison drama which has just been nominated for 12 Emmy Awards. The most-nominated comedy series of the year, "OITNB" boasts an Outstanding Comedy Series nod, which it will have to try to wrestle off the four-year consecutive winner, Modern Family.
In the individual contests, actress Taylor Schilling cinched a nod for Lead Actress in a Comedy Series for her portrayal of inmate Piper Chapman.
Kate Mulgrew (Red) secured a nomination in supporting categories, Natasha Lyonne (Nicky Nichols), Uzo Aduba (Suzanne "Crazy Eyes" Warren) and Laverne Cox (Sophia Burset) were all also nominated for Outstanding Guest Actress in a Comedy Series.
Culture Club star Boy George makes his appearance on the red carpet of the 25th Annual GLAAD Media Awards in New York, where he donned a characteristically vibrant ensemble including a pink blazer, a red hat and glittery eyeshadow. Boy George is popularly seen as a gay icon in the media.
Even though this comedy has a tendency to dip into cartoonish silliness, it's anchored by a razor-sharp performance by Wiig as a woman forced to confront everything she hates about herself. The film is also packed with hilarious moments that keep us laughing, and it also gets surprisingly sexy and emotional along the way.
Wiig plays Imogene, who has done nothing with her career after winning a rising-star playwright award. Then she loses her day job as a listings editor just as her high-flier boyfriend (Petsos) leaves her. When she fakes a suicide attempt to get some attention, she's court-ordered to move in with her free-spirited mother Zelda (Bening) back home in New Jersey. There she struggles with Zelda's colourful boyfriend George (Dillon), who claims to be a top-secret spy, her goofy-inventor brother Ralph (Fitzgerald) and the smart, sexy and very young lodger Lee (Criss) who rents her old bedroom. But just as she's beginning to cope, a family secret shakes her to the core.
Even as the script strains to be improbably zany, Wiig holds the film together with a startlingly honest comical turn. From the start we knew she didn't fit in with her Manhattan friends, and her slightly out-of-control personality is much more suited to the Jersey Shore. Her scenes with Criss are very nicely played, as they develop an unexpected relationship. By contrast, Bening struggles to appear as dim as Zelda seems to be, while Dillon hams it up as her fantasist toy boy and Fitzgerald's Ralph is so nutty that he seems to be from another movie altogether.
Continue reading: Girl Most Likely Review
Imogene cannot seem to move on from her unsuccessful career as a playwright in New York and her destroyed relationship with a former boyfriend. Dreaming of the past and what could've been, she goes into meltdown and wakes up in the bed of a psychiatric unit with a doctor informing her that she must either stay in hospital or be cared for by a close relative. She is ultimately forced to go back to her hometown in New Jersey to be with her wayward mother who has never had the ability to take care of her properly as a child let alone as an adult. However, when she gets home, she discovers that her mother is living with an eccentric compulsive liar and has rented out Imogene's bedroom to a young man, who happens to be rather charming. She soon learns that in order to get better and be able to stand on her own two feet again, she must accept her family as it is and forgive her mother for her past struggles.
Continue: Girl Most Likely Trailer
The 'Django Unchained' New York premiere saw high profile celebs flock to the red carpet in droves. Arrivals included 'Gossip Girl' star Olivia Wilde, Don Johnson's daughter Dakota, 'Kill Bill' star Uma Thurman, Liv Tyler from 'Lord of the Rings', former 'America's Got Talent' judge Sharon Osbourne, 'St Trinian's' actress Lucy Punch, The Rolling Stones guitarist Ronnie Wood with his fiancée Sally Humphreys and 50 Cent.
Soul singer India Arie, 'American Pie' actress Natasha Lyonne and 'Boogie Nights' star Nicole Ari Parker were all among arrivals at the GEMS Benefit gala in New York City. The stars we snapped outside the side entrance to the venue pre-red carpet glamour. Natasha seemed a little shocked at all the photographers as she had only stepped out of the building for a smoke. She is asked if she would pose for a picture but seems a little reluctant. 'What is this? One minute! I just want to have a cigarette!' She said.
The film presents a snapshot of the hotel and its inhabitants, looking into a night filled with murder and gluttony in the doldrums of a desolate world. Tommy (Donnie Montemarano) and Mick (Vinnie Argiro) are two life-long friends from Brooklyn, in their early sixties, who have made their way as crooks. Tommy has just been released from prison, and Mick has brought him back to the hotel, where he surprises his buddy with a story of how he has gone clean. No more crime, booze, or floozies for Mick, who has saved up enough dough for the both of them to get on a bus at 7 a.m. the next morning to head for a new start in Vegas. But a mischievous Tommy, anxious after seven years in the pen, gets into some trouble after being propositioned by the seductive Amber (Natasha Lyonne). Amber is a "whooore," as Tommy refers to her with his thick Brooklyn accent, and part of a small prostitution ring run by Rodan (Vinnie Jones) from within the building. After the encounter, Tommy finds that he has compromised Mick's plans for Vegas and must somehow avoid the twisted Rodan in order to make his escape.
Continue reading: Night At The Golden Eagle Review
Amusing enough, and a quick read. And Fast Sofa, the movie, keeps the guts of this road trip intact -- enough to realize that our pal Rick is on a real road to nowhere. Jake Busey makes for a creepy and considerably miscast hero, though Jennifer Tilly's wanton Ginger is enough fun for the both of them. Stealing the show, however, is Crispin Glover, as a shut-in sophisticate named Julian who tags along on the latter half of Rick's abortive journey. His outfit alone is reason enough to rent the tape.
Continue reading: Fast Sofa Review
And not only is the storytelling sharp, but the characters are too. Meg Ryan (not too perky, not too whiny) is Kate McKay, working her way up the NYC corporate ladder, but too busy for love after a four-year relationship with her brilliant ex, Stuart (Liev Schreiber). When Stuart discovers an open portal in the fabric of time -- you have to jump off the Brooklyn Bridge at just the right time -- he accidentally brings the 19th century Duke back to modern-day New York. Everyone involved, including Ryan's kid brother Charlie (the underrated Breckin Meyer), clearly has some baggage and life experience, and Mangold's script (co-written with Steven Rogers) clues us in without clobbering us.
Continue reading: Kate & Leopold Review
A harrowing, soul-searching account of the Holocaust is presented from a very unique perspective in "The Grey Zone," which is based in part on diaries found buried at Auschwitz and the memoirs of Miklos Nyiszli, a Jew who served as the camp's doctor and aided the abominable Josef Mengele in his experiments on prisoners.
The story tells of a 1944 revolt by the "Sonderkommando," a squad of Jewish internees who chose to serve as wardens of the concentration camp's gas chambers and crematoriums in exchange for a few more months of comparatively privileged life. In exchange for their detestable duties, they got larger quarters, fresh bed linens, good food, cigarettes, and the right to loot the belongings of new arrivals.
The selfishness and cowardice of this choice tortures most of the characters in this film, none more so than Hoffman (David Arquette in a rare dramatic and anguished performance), whom we see early on herding naked throngs into the "showers," promising "The sooner you shower, the sooner you'll be reunited with your families." As the doors are closed, the camera slowly creeps in on Arquette, hearing the gas pipes rattle to life and the screams that come moments later.
Continue reading: The Grey Zone Review
"But I'm a Cheerleader" is pure camp, from its often hammy acting to its candy-colored ambience to its plot about an in-crowd high schooler whose panicked suburban parents pack her away to retreat where sexually tilted teenagers are supposed to be "cured" of homosexual tendencies.
A social satire with a John Waters-inspired bent, the picture casts caustic Natasha Lyonne ("Slums of Beverly Hills") deliberately against type as a peppy-under-peer-pressure cheerleader who eats tofu, listens to Melissa Ethridge and is so indifferent to the drooling advances of her hunky super-jock boyfriend that her friends and Bible-beater family hold an intervention and confront her with the fact that they all think she must be a lesbian.
In spite of cheer-like protests, Lyonne is sent to a group home called True Directions, where effeminate boys in baby blue shirts and ties, and butch girls in crisp, pink Donna Reed attire are inundated with antiquated ideals about sex roles and encouraged to dry-hump inmates of the opposite sex by a staff of heavily in denial "reformed" gays.
Continue reading: But I'm A Cheerleader Review
Technically speaking, "Scary Movie 2" is a real mess. The editing is pathetic, mostly because the script -- if you can call it that -- is just a series of unrelated horror movie japes put in almost random order and tied together by about two minutes of plot.
Characters disappear completely from the story without explanation and blatant continuity errors abound because some gags where left on the cutting room floor while the follow-up jokes were kept. In one scene a character is lying in a pool of blood, then a second later the blood is gone. Then it's back, then it's gone again, then it's back again. No attempt whatsoever is made to cover up this sloppy, choppy, rushed-into-production total lack of cohesion.
But comedically speaking, "Scary Movie 2" is an almost constant laugh riot of extreme gross-out humor and surprisingly limber lampoonery -- and this is coming from a guy who didn't think much of the first "Scary Movie" and was pretty irritated when the Wayans brothers (director Keenen Ivory and stars Shawn and Marlon) broke their promise not to make a sequel.
Continue reading: Scary Movie 2 Review
A gratuitous wise-cracking sidekick and a tummy-baring, tight-top-wearing eye-candy vampire hunter have been added to the cast of the sequel "Blade: Trinity," but it's the gal (Jessica Biel) who gets most of the laughs, albeit unintentionally, with her lethargic, ludicrously inept kung-fu fighting.
Playing the hitherto unknown hottie daughter of Whistler (Kris Kristofferson) -- that crusty veteran of the underground vampire wars who is mentor to the titular half-vamp Wesley Snipes in all three "Blade" pictures -- Biel can't swing a convincing punch or kick to save her life.
But giving Biel a run for her money as the movie's most absurd character is ironic indie-flick darling Parker Posey, disastrously cast against type as the leader of yet another tiresome uber-Goth vampire faction that pouts around in skyscraper hideouts when they're not busy reviving their millennia-old master.
Continue reading: Blade: Trinity Review
Date of birth
4th April, 1979
RT @criterionchannl: Opening title sequence for Jean Cocteau's ORPHEUS (1950) ❣️ Through Cocteau’s famous mirrored portal, ORPHEUS’s peerl…
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Imogene cannot seem to move on from her unsuccessful career as a playwright in New...
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